本文關(guān)鍵詞：宋明雕刻本字體演變研究—宋體字發(fā)展探尋　出處：《湖南師范大學(xué)》2015年碩士論文　論文類型：學(xué)位論文

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【摘要】：宋體字是雕版印刷技術(shù)發(fā)展到一定高度的產(chǎn)物。它起于宋,興于明,是中國(guó)漢字體系中第一款印刷專用字體,其興起被視為漢字字體演變史上的一次偉大革命,已成為目前應(yīng)用最廣泛的一款字體。宋體字簡(jiǎn)練、概括、程式化的字體特征,極大得提高了書(shū)籍刻寫(xiě)的效率,滿足了社會(huì)對(duì)書(shū)籍的需求,使書(shū)籍真正從菁英走向大眾。本文從設(shè)計(jì)學(xué)的角度,通過(guò)對(duì)這兩個(gè)時(shí)期政治、經(jīng)濟(jì)、文化、技術(shù)等因素的全面研究,結(jié)合書(shū)法學(xué)、歷史學(xué)、考古學(xué)、文字學(xué)、出版學(xué)等相關(guān)學(xué)科的研究成果,力圖得出清晰、客觀、全面的宋體字發(fā)展脈絡(luò)�？偟膩�(lái)說(shuō),本文希望將宋體字置入社會(huì)發(fā)展的大語(yǔ)境之中,對(duì)它有更全面的認(rèn)識(shí)和更深入的理解。從而在理論層面上把握漢字字體設(shè)計(jì)發(fā)展的演變規(guī)律,對(duì)漢字字體設(shè)計(jì)實(shí)踐工作起到一定的啟示作用。文章首先由宋體字“同體異名”的現(xiàn)象引出全文。宋體字萌芽于宋代,定型于明代,這使它有兩個(gè)不同的名字:在中國(guó)大陸地區(qū)被稱做“宋體”,而在日本、香港、臺(tái)灣等地區(qū)被稱做“明體”。事實(shí)上,宋代和明代是宋體字發(fā)展的兩個(gè)十分關(guān)鍵的時(shí)期。宋代開(kāi)始,由于政府重視文化教育,社會(huì)對(duì)印刷品的需求量大增,雕版印刷技術(shù)被廣泛使用。書(shū)籍不再是貴族階層的專屬物品,而是逐漸向“親民化”“商品化”轉(zhuǎn)移,民間印刷空前活躍,呈現(xiàn)出旺盛的生命力。這為宋體字的發(fā)展提供了千載難逢的歷史機(jī)遇。同時(shí),前代的技術(shù)積累和字型準(zhǔn)備,這些都成為了宋體字萌芽的土壤。到了明代,政治制度成為了影響宋體字發(fā)展的最主要的因素。明朝統(tǒng)治者對(duì)文化控制的一步步放松,使宋體字在明代有了更廣闊的發(fā)展空間。再加上明末新潮思想的鼓吹和尚“奇”風(fēng)氣的影響,宋體字最終定型并進(jìn)入黃金發(fā)展期。隨著第一款印刷專用字體的成熟,中國(guó)漢字字體也正式進(jìn)入了“印刷時(shí)代”�？偠灾�,宋體字是實(shí)用美學(xué)的杰出代表,是中國(guó)古代勞動(dòng)人民的智慧結(jié)晶。大眾、實(shí)用、經(jīng)濟(jì)、高效是宋體字的獨(dú)有標(biāo)簽,其演變發(fā)展歷程實(shí)際是菁英文化向大眾文化的轉(zhuǎn)變過(guò)程。大眾的強(qiáng)烈需求是原動(dòng)力,政策的引導(dǎo)以及商品經(jīng)濟(jì)的發(fā)展是助推力。盡管宋體字誕生初期備受爭(zhēng)議與輕視,但因符合社會(huì)近代化發(fā)展趨勢(shì),仍然呈現(xiàn)出旺盛的生命力,并最終成為印刷主流字體,對(duì)后代印刷字體的發(fā)展影響深遠(yuǎn)。宋體字以其無(wú)可比擬的普適應(yīng),成為中國(guó)漢字字體體系中的一塊璀璨瑰寶。
[Abstract]:Song type is the product of engraving printing technology developed to a certain height. It began in the Song Dynasty, Xing Yu Ming, is the first Chinese character system printing special font, its rise is regarded as a great revolution in the history of the evolution of Chinese character typography. At present, it has become the most widely used font. The simplified, generalized, stylized font features greatly improve the efficiency of writing books and meet the needs of the society for books. From the point of view of design, through the comprehensive study of the political, economic, cultural and technological factors of these two periods, this paper combines calligraphy, history, archaeology, philology and so on. Publishing and other related disciplines of research results, trying to draw a clear, objective, comprehensive development of the context of the Song style. In general, this paper hopes to put the Song characters into the context of social development. It has a more comprehensive understanding and deeper understanding, so as to grasp the development of Chinese character font design in the theoretical level of the evolution of the law. The article first introduces the full text from the phenomenon of "synonym" of the Chinese characters. The Song characters sprout in the Song Dynasty and set in the Ming Dynasty. This gives it two different names: in mainland China it is called "Song style", while in Japan, Hong Kong, Taiwan and other regions it is called "Ming style". In fact. The Song Dynasty and the Ming Dynasty were two very critical periods for the development of the characters of the Song Dynasty. At the beginning of the Song Dynasty, due to the government attached importance to culture and education, the demand for printed materials increased greatly. Engraving printing technology is widely used. Books are no longer the exclusive object of the aristocratic class, but gradually transfer to "pro-people" "commercialization", folk printing unprecedented active. It provides a rare historical opportunity for the development of the characters of the Song Dynasty. At the same time, the accumulation of technology and the preparation of the characters of the previous generation have become the soil of the sprout of the characters of the style of the Song Dynasty. The political system became the most important factor that influenced the development of the characters of the Song Dynasty. The rulers of the Ming Dynasty relaxed their cultural control step by step. So that the Song characters in the Ming Dynasty has a broader space for development. In addition, the late Ming fashionable ideas of advocating monks "strange" influence. With the maturity of the first special printing font, the Chinese character font formally entered the "printing era". In a word, the Song style character is an outstanding representative of practical aesthetics. It is the wisdom crystallization of the working people in ancient China. Popular, practical, economical and efficient are the unique labels of the characters of the Song Dynasty. Its evolution and development process is actually the process of transformation from elite culture to popular culture, and the strong demand of the masses is the driving force. The guidance of the policy and the development of the commodity economy are the boosts. Although the Song style characters were controversial and despised at the beginning of their birth, they still showed a strong vitality because of the trend of social modernization. Finally, it becomes the mainstream print font, which has a profound influence on the development of future generations. Song type has become a bright treasure in the Chinese character font system with its unparalleled universal adaptation.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：J524

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本文編號(hào)：1403463