本文關(guān)鍵詞：多元文化語境下的趙本山鄉(xiāng)村電視劇研究　出處：《四川師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 多元文化 趙本山 鄉(xiāng)村電視劇 文化學(xué) 美學(xué)

【摘要】：在新時(shí)期政治、經(jīng)濟(jì)、文化發(fā)展的關(guān)鍵階段，在文藝界，特別是相聲小品界里，一個(gè)在日后被廣大電視觀眾所熟知并喜愛的演員正初露鋒芒，，這個(gè)人就是當(dāng)今多領(lǐng)域的領(lǐng)軍人物——著名笑星趙本山。一個(gè)從鄉(xiāng)村走出來的普通農(nóng)民把二人轉(zhuǎn)這門藝術(shù)發(fā)揚(yáng)光大，并同時(shí)在小品和影視界成為領(lǐng)頭羊。特別是趙本山自導(dǎo)自演的鄉(xiāng)村系列題材電視劇，受到了廣大媒體和觀眾的認(rèn)可。作品中獨(dú)樹一幟的東北喜劇風(fēng)格，在幽默中蘊(yùn)藏著很多生活上的道理。但對(duì)于其影視劇作品的評(píng)價(jià)也出現(xiàn)了許多不同的聲音，無論是褒是貶都有其存在的道理。本文將從不同的學(xué)術(shù)理論層面探究趙本山鄉(xiāng)村電視劇的發(fā)展之路。 對(duì)于趙本山鄉(xiāng)村電視劇作品近些年熱播的原因，此前的研究分析大多運(yùn)用語言學(xué)或傳播學(xué)的視角進(jìn)行闡釋。本文嘗試運(yùn)用文化學(xué)、美學(xué)以及傳播學(xué)理論等，多角度對(duì)趙本山鄉(xiāng)村電視劇從整體發(fā)展到瓶頸期這一轉(zhuǎn)變進(jìn)行闡述與分析，進(jìn)一步深入地解讀東北鄉(xiāng)村文化的魅力。論文除了運(yùn)用以上相關(guān)理論對(duì)趙本山鄉(xiāng)村題材電視劇進(jìn)行較深層次的解讀和研究外，研究中也將運(yùn)用到語言學(xué)、社會(huì)歷史研究法等學(xué)科方法以及具體的文藝學(xué)研究方法等。本論文由緒論和三章主體內(nèi)容以及結(jié)語五部分構(gòu)成。首先，緒論部分通過對(duì)趙本山以及他所參與的鄉(xiāng)村題材電視劇受到人們廣泛關(guān)注的種種原因進(jìn)行梳理，并闡述選題緣由和研究的合理性以及研究現(xiàn)狀和研究意義，陳述研究方法和研究思路。第一章從整體上對(duì)趙本山從事演藝行當(dāng)以來身份的轉(zhuǎn)換的論述，以及趙本山所參與拍攝與創(chuàng)作的鄉(xiāng)村電視劇的特點(diǎn)與評(píng)價(jià)；第二章從文化學(xué)的視角對(duì)趙本山鄉(xiāng)村題材電視劇進(jìn)行深入解讀；第三章從美學(xué)的角度對(duì)趙本山鄉(xiāng)村電視劇進(jìn)行較深層次的分析。最后，進(jìn)行整體的客觀評(píng)價(jià)，并提出有實(shí)際意義的建議。
[Abstract]:In the key stage of the development of politics, economy and culture in the new era, in the literary and art circles, especially in the comic dialogue world, an actor who was well known and loved by the majority of television viewers in the future is coming to the fore. This person is the leader in many fields today-famous comedian Zhao Benshan. An ordinary farmer from the countryside to carry forward the art of the two people. And at the same time in the sketch and film industry to become the leader. Especially Zhao Benshan's self-directed and self-acting series of rural TV dramas, has been recognized by the media and audience. The works are unique in the Northeast comedy style. There is a lot of truth in life in humor, but there are many different voices in the evaluation of his films and TV plays. Whether it is praise or derogation, there is a reason for existence. This paper will explore the development of Zhao Benshan's rural TV drama from different academic theories. For Zhao Benshan's rural TV plays in recent years, most of the previous research and analysis of the perspective of linguistics or communication to explain. This paper tries to use cultural, aesthetic and communication theory. This paper expounds and analyzes the transformation of Zhao Benshan's rural TV drama from the whole development to the bottleneck period. In addition to the use of the above relevant theories Zhao Benshan rural TV series in a deeper level of interpretation and research, the study will also be applied to linguistics. This thesis is composed of introduction, three chapters and conclusion. First of all. The introduction part through the Zhao Benshan and his participation in the rural TV series received extensive attention for a variety of reasons, and expounds the reasons for the topic and the reasonableness of the study, as well as the status quo and significance of the study. The first chapter discusses the transformation of Zhao Benshan's identity since he was engaged in performing arts, and the characteristics and evaluation of rural TV dramas in which Zhao Benshan participated in shooting and creating. The second chapter from the cultural perspective of Zhao Benshan rural TV drama in-depth interpretation; The third chapter makes a deep analysis of Zhao Benshan's rural TV dramas from the angle of aesthetics. Finally, it carries on the overall objective evaluation, and puts forward some practical and meaningful suggestions.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905

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