本文關(guān)鍵詞：好萊塢科幻電影意識形態(tài)研究　出處：《廈門大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

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【摘要】：電影作為一種新生的大眾文化和傳播方式,其中不可避免地帶有意識形態(tài)的印痕。好萊塢的科幻電影常以其內(nèi)容豐富、視覺震撼而深受觀眾的追捧,但它本身所附著的意識形態(tài)內(nèi)涵常�；螂[或顯,并在不知不覺中通過大量的影像奇觀完成敘事,實(shí)現(xiàn)從影片主體到觀眾主體的替換,用其獨(dú)有的文化政治邏輯在觀眾的同聲呼應(yīng)中實(shí)現(xiàn)意識形態(tài)潛移默化的可能。本文研究好萊塢科幻電影的意識形態(tài)是從電影意識形態(tài)理論和傳播學(xué)角度出發(fā),關(guān)注好萊塢科幻電影在歷史發(fā)展過程中的權(quán)力運(yùn)作方式與轉(zhuǎn)變,以及在當(dāng)下現(xiàn)實(shí)語境中的傳播方式與策略,探討好萊塢科幻電影的成功原因和背后的政治隱喻；同時(shí)借鑒積極傳播、跨文化研究等相關(guān)理論,從現(xiàn)象說起,希望能清晰地闡釋文本內(nèi)外的意識形態(tài)。 全文共分前言、正文、結(jié)語三個(gè)部分。 前言部分即引出我的研究命題,概述了好萊塢科幻電影及其意識形態(tài)的研究情況,梳理前人所做的研究成果,指出我的論文寫作的可行性和必要性,并對論文主要概念即“意識形態(tài)”做出解釋,特別指出我論文所用的“意識形態(tài)”概念主要是根據(jù)馬克思對意識形態(tài)的定義和阿爾都塞有關(guān)意識形態(tài)國家機(jī)器的闡釋,并參照曼海姆對意識形態(tài)的分類,所以我論文中的意識形態(tài)概念是有限定的,主要特指曼海姆筆下的“整體意識形態(tài)”。 論文第一章,首先是對好萊塢科幻電影的歷史沿革做一概述,然后分兩節(jié)對好萊塢科幻電影與美國政治、經(jīng)濟(jì)、科技和文化的淵源作重點(diǎn)分析,指出要想關(guān)注好萊塢科幻電影的內(nèi)容,必須密切地關(guān)注卷入影像生產(chǎn)和市場中的工業(yè)和經(jīng)濟(jì)過程,以及其政治和文化內(nèi)涵。 論文第二章,通過選取影片個(gè)案,運(yùn)用電影內(nèi)容分析和語言分析,對好萊塢科幻電影意識形態(tài)在歷史發(fā)展過程中的權(quán)力運(yùn)作方式與主要特征做深入挖掘,以及探討在當(dāng)下現(xiàn)實(shí)語境中的好萊塢科幻電影的傳播方式與策略；其中涉及好萊塢科幻電影中華人形象轉(zhuǎn)變的分析。 論文第三章,借鑒積極傳播理論的研究方法對好萊塢科幻電影意識形態(tài)的最終效果作歸納分析,主要分為“整體意識形態(tài)的構(gòu)建”和“作者意識形態(tài)的超越”兩部分,闡述了好萊塢科幻電影作為美國國家形象的宣傳工具的重要性以及部分電影作者嘗試突破這一瓶頸所做的努力,這些獨(dú)立聲音的存在正是美國不斷實(shí)現(xiàn)自我超越的文化淵源。 結(jié)語部分是對全文的總結(jié)和升華,希望通過研究好萊塢科幻電影的意識形態(tài)策略和成功的全球化傳播經(jīng)驗(yàn)為國產(chǎn)電影的市場化、產(chǎn)業(yè)化和國際化之路找到可以借鑒、吸收的營養(yǎng)。
[Abstract]:As a new way of mass culture and dissemination, the film inevitably bears the impression of ideology. Hollywood sci-fi films are often popular with the audience for their rich content and visual shock. However, the ideological connotations attached to it are often hidden or explicit, and unconsciously through a large number of image spectacles to complete the narrative, from the film to the main body of the audience to achieve the replacement. Using its unique cultural and political logic to realize the possibility of ideology imperceptibly in the echo of audience. This paper studies the ideology of Hollywood sci-fi film from the angle of film ideology theory and communication theory. Focusing on the power operation and transformation of Hollywood sci-fi films in the course of historical development, as well as the communication methods and strategies in the present realistic context, discusses the reasons for the success of Hollywood sci-fi films and the political metaphors behind them; At the same time, draw lessons from the positive communication, cross-cultural research and other relevant theories, from the phenomenon, hoping to clearly explain the text inside and outside the ideology. The full text is divided into three parts: preface, text and conclusion. The preface leads to my research proposition, summarizes the research situation of Hollywood sci-fi film and its ideology, combs the previous research results, and points out the feasibility and necessity of my thesis writing. And the main concept of the paper is "ideology" to make an explanation. In particular, it points out that the concept of "ideology" used in my thesis is mainly based on Marx's definition of ideology and Althusser's interpretation of ideological state machinery, and refers to Mannheim's classification of ideology. Therefore, the concept of ideology in my thesis is limited, mainly referring to Mannheim's "whole ideology". The first chapter is an overview of the history of Hollywood sci-fi films, then divided into two sections to focus on the Hollywood sci-fi film and American politics, economy, science and technology and culture of the origin of the analysis. It is pointed out that in order to pay attention to the content of Hollywood sci-fi films, it is necessary to pay close attention to the industrial and economic processes involved in the production and market of images, as well as their political and cultural connotations. The second chapter, through the selection of film cases, the use of film content analysis and language analysis, the Hollywood sci-fi film ideology in the historical development of the way and main features of the power to do in-depth excavation. It also discusses the communication methods and strategies of Hollywood sci-fi films in the present realistic context. It involves Hollywood science fiction film Chinese image transformation analysis. In the third chapter, the final effect of the ideology of Hollywood sci-fi film is summarized and analyzed by using the research method of positive communication theory. It is mainly divided into two parts: the construction of the whole ideology and the transcendence of the author's ideology. This paper expounds the importance of Hollywood sci-fi films as a propaganda tool for the national image of the United States and the efforts made by some film writers to break through this bottleneck. The existence of these independent voices is the cultural origin of American self-transcendence. The conclusion part is a summary and sublimation of the full text, hoping to study the ideological strategy of Hollywood sci-fi films and successful global communication experience for the marketization of domestic films. Industrialization and internationalization of the road to find can be used for reference, absorption of nutrition.
【學(xué)位授予單位】：廈門大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J905

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