本文關(guān)鍵詞：選秀類(lèi)真人秀節(jié)目生產(chǎn)方式研究　出處：《西南大學(xué)》2015年碩士論文　論文類(lèi)型：學(xué)位論文

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【摘要】：隨著媒介技術(shù)的變遷,在觀眾文化需求以及娛樂(lè)方式變化等諸多因素的影響下,綜藝節(jié)目的生產(chǎn)方式最近幾十年在不斷發(fā)生變化。從央視的《春節(jié)聯(lián)歡晚會(huì)》《綜藝大觀》《正大綜藝》,到二十世紀(jì)90年代開(kāi)始崛起的湖南衛(wèi)視《快樂(lè)大本營(yíng)》,以及2004年點(diǎn)燃全國(guó)選秀活動(dòng)高潮的《超級(jí)女聲》,再到最近兩年的浙江衛(wèi)視《中國(guó)好聲音》和央視《中國(guó)好歌曲》等可以看出,綜藝節(jié)目在生產(chǎn)方式上已經(jīng)有了顯著的變化。本文采用文化研究的相關(guān)理論,運(yùn)用文獻(xiàn)分析法與個(gè)案分析法,對(duì)這些節(jié)目的生產(chǎn)方式進(jìn)行歷史性的梳理。在這些綜藝節(jié)目生產(chǎn)方式的變遷中,也包含了精英文化、草根文化與消費(fèi)文化之間的博弈。回首中國(guó)電視娛樂(lè)節(jié)目的發(fā)展軌跡,大致經(jīng)歷了四個(gè)階段。第一階段是以1983年中央電視臺(tái)開(kāi)辦的每年一屆的《春節(jié)聯(lián)歡晚會(huì)》及二十世紀(jì)90年代初期的《綜藝大觀》《正大綜藝》為代表的“綜藝晚會(huì)”形態(tài),從此引發(fā)了我國(guó)綜藝節(jié)目“明星+表演”模式的娛樂(lè)風(fēng)潮。第二階段是以二十世紀(jì)90年代后期湖南衛(wèi)視《快樂(lè)大本營(yíng)》為代表的“互動(dòng)游戲”形態(tài),為普通觀眾在“明星+觀眾+游戲”的互動(dòng)過(guò)程中,打造了一個(gè)更加平民、開(kāi)放的娛樂(lè)平臺(tái)。第三階段是以2000年代初期的《幸運(yùn)52》《開(kāi)心辭典》為代表的益智娛樂(lè)節(jié)目,通過(guò)“觀眾+答題+巨獎(jiǎng)”的模式極大地吸引了普通大眾。第四階段是從二十世紀(jì)初期開(kāi)始出現(xiàn)的“參與者+競(jìng)賽+隱私記錄”的真人秀節(jié)目,以湖南衛(wèi)視《超級(jí)女聲》為發(fā)端,掀起了選秀類(lèi)真人秀節(jié)目的娛樂(lè)旋風(fēng)。在選秀類(lèi)真人秀節(jié)目發(fā)展的過(guò)程中,節(jié)目形態(tài)發(fā)生了深刻的變革,從節(jié)目制作形式、舞臺(tái)設(shè)置、參演人員到主持人的角色及觀眾參與等元素,都隨時(shí)光的流逝留下了變革的烙印,而產(chǎn)生這種巨大變化的原因歸根結(jié)底還是文化話(huà)語(yǔ)權(quán)的歸屬。本文試圖從以上五個(gè)呈現(xiàn)節(jié)目的生產(chǎn)方式要素入手,厘清不同時(shí)期政治、經(jīng)濟(jì)、文化、社會(huì)等因素對(duì)于電視節(jié)目的影響和作用,分析文化話(huà)語(yǔ)權(quán)的轉(zhuǎn)變,深描改革開(kāi)放后,文化話(huà)語(yǔ)權(quán)從“精英文化”到“大眾文化”再到“草根文化”的變遷過(guò)程,關(guān)注普通大眾參與媒介生產(chǎn)的強(qiáng)烈愿望和表達(dá)欲望。從選秀類(lèi)真人秀節(jié)目生產(chǎn)方式的深刻變革中,探尋“文化發(fā)展”的歷史軌跡,揭示大眾文化的發(fā)展走向。
[Abstract]:With the changes of media technology, the influence of culture and entertainment needs of the audience change and other factors, the variety show production in recent decades in the constantly changing. From the CCTV Spring Festival Gala "grand arts magazine > ChiaTai >, to twentieth Century 90s the beginning of the rise of Hunan TV" happy camp ", and 2004 the light draft activities climax of Super Girls, Zhejiang satellite TV to the last two years The Voice of China < > and < > China CCTV good songs can be seen, the variety show in the mode of production has changed dramatically. In this paper, using the related theories of cultural studies, using literature analysis and case analysis, the these shows the production mode of history. These changes in the variety show production mode, also includes the elite culture, between the grassroots culture and consumer culture Looking back at the game. Chinese development track of TV entertainment program, has experienced four stages. The first stage is in 1983, CCTV launched the annual Spring Festival Gala twentieth Century > and < < grand arts during the early 90s ChiaTai > as the representative of the "Gala" form, and caused China's variety show "Star + show" mode of entertainment. The second stage is twentieth Century to the late 90s Hunan TV "happy camp" as the representative of the "interactive games" form, for the general audience in the "star + + game audience interaction" in the process of creating a more open civilian entertainment platform. The third stage is to at the beginning of the 2000s "Happy Dictionary > lucky 52>< as the representative of the puzzle entertainment, through the" audience + answer + jackpot "mode has greatly attracted the general public. The fourth stage is from twenty In the early 20th century began to appear "participants + race + privacy record" reality show, Hunan satellite TV to Super Girls as the originator, a draft class reality show entertainment whirlwind. In the process of developing talent reality show in the program form has undergone profound changes, set the stage from program production form,, roles and audience participation elements such as staff to the host, with the passage of time left to change the brand, and causes the great changes after all or cultural discourse. This paper attempts to present the elements belonging to the show from the above five modes of production, to clarify the different period of political, economic, cultural, social other factors affect the TV programs and the role change analysis of cultural discourse, deep description after the reform and opening up, cultural discourse from the "elite culture" to "mass culture" to" The changing process of grass roots culture concerns the general public's strong desire and desire to express their desire to participate in media production. From the deep transformation of the reality show production mode, we explore the historical track of "cultural development" and reveal the trend of mass culture development.

【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類(lèi)號(hào)】：G222

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本文編號(hào)：1372296