本文關(guān)鍵詞：隋唐時(shí)期的胡樂人及其歷史貢獻(xiàn)　出處：《上海音樂學(xué)院》2017年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 胡樂人 昭武九姓 于闐 疏勒 龜茲 胡俗樂融合

【摘要】：隋唐時(shí)期是中國(guó)歷史上政治、經(jīng)濟(jì)、文化最為繁盛的時(shí)期,隨著絲綢之路的開通,西域各地與中原的交流也愈發(fā)頻繁。中原與西域各地的文化藝術(shù)相互碰撞,互相交融,產(chǎn)生了一次各民族文化的大融合。這樣的藝術(shù)融合離不開隋唐時(shí)期政治、經(jīng)濟(jì)的穩(wěn)定,同樣也離不開藝術(shù)家的交流與傳播。本文主要探討的是一群來到中原的胡人音樂家,隋唐時(shí)期的胡人音樂家是整個(gè)樂人體系當(dāng)中不可或缺的部分,他們的存在關(guān)乎著西域音樂東傳最真實(shí)的情況,他們是胡樂在中原遍地開花最主要的傳播者,胡俗樂融合的功臣。本文立于前人研究基礎(chǔ)之上對(duì)胡樂人展開梳理與調(diào)查。試圖理清胡樂人來到中原的身份背景、原因、形象、地位等基礎(chǔ)問題。以單個(gè)樂人與群體互相結(jié)合的方式理清胡樂人是以一種什么形式存在;他們的存在給中原音樂帶來了哪些變化;在這些變化的過程中他們做出了什么貢獻(xiàn)等等。本文一共分為三章,第一章主要探討隋唐時(shí)期胡樂人的來歷及背景,對(duì)胡樂人進(jìn)行地域上的界定,之后探討隋唐之前來到中原的胡樂人,來到中原的胡樂人特殊的姓氏符號(hào)以及他們是通過何種途徑來到中原的。第二章主要是論述隋唐時(shí)期胡樂人在中原的一些具體表現(xiàn),首先是對(duì)出現(xiàn)在各地壁畫文物中的胡樂人形象做了分類;之后是出現(xiàn)在史籍中的胡樂人進(jìn)行系統(tǒng)的介紹分析,通過不同的地域進(jìn)行個(gè)別的探討,形成一種樂人與當(dāng)時(shí)社會(huì)的場(chǎng)景;然后通過不同樂人的技能總結(jié)胡樂在中原音樂各個(gè)領(lǐng)域的傳播;最后是探討胡樂人的地位問題。第三章主要描寫隋唐時(shí)期胡樂人對(duì)音樂的貢獻(xiàn)及影響,胡樂人在中原的影響上至宮廷下至民間,因此主要探討其在宮廷和民間的影響。最后一小節(jié)主要是胡樂人對(duì)中原與西域音樂雙向交流問題的探討。鑒于胡樂的強(qiáng)盛,一直以來產(chǎn)生了一種錯(cuò)誤的觀念,以為在隋唐時(shí)期音樂的交流上是一種由西向東的輸入狀態(tài),其實(shí)這只是看到了其中一面,由中原傳入西域各地的文化藝術(shù)也在影響著西域音樂的發(fā)展,這是一種文化的相互傳播與接受,并非單方面的影響。
[Abstract]:Sui and Tang Dynasties is Chinese history of politics, economy, culture is the most prosperous period, with the opening of the Silk Road, the western regions and the Central Plains exchanges have become more frequent. The Central Plains and the western regions of the arts and culture collide and blend with each other, to produce a fusion of Chinese ethnic culture. This is the art fusion the Sui and Tang Dynasties period of political and economic stability, also cannot do without the exchange and dissemination of the artist. This article is mainly on a group of people came to the Central Plains Hu musician, Sui and Tang Dynasties of the Hu Le musician is the whole system indispensable part, they are related to the Eastward Transmission of western music the most authentic they are, Hu Yue in the main disseminators of Central Plains blossom everywhere, Hu Music fusion hero. On the basis of previous studies on the Hu Lok person discuss and investigation. Try to clear the Hu Lok person came to the Central Plains The background, reason, image based problem status. Combining with single music people and groups and clarify the Hu Lok person exists as a form of what they are; which has brought changes to the Central Plains music; in the course of such changes they make what contribution and so on. This paper is divided into three chapters the origin and background, the first chapter mainly discusses the Hu Lok person during the Sui and Tang Dynasties, to define regions of the Hu Lok person, after the discussion before the Sui and Tang Dynasties came to the Central Plains to the Central Plains Hu Hu Lok person, special symbols and their surname Lok person is in what way to the Central Plains. The second chapter mainly discusses the Sui and Tang Dynasties Hu Lok person in some specific the first is the performance of the Central Plains, appear in the local cultural relics murals in Hu Lok person image to do a classification; after the analysis appears in the historical records of Hu Lok person are introduced, by With the regional individual to form a kind of music with the social scene; then spread through various music skills summary of Hu Music in the Central Plains music in various fields; and finally discuss the status of Hu Lok person. The third chapter mainly describes the Sui and Tang Dynasties Hu Lok person of musical contribution and influence, Hu Lok person in the Central Plains influence to the palace to folk, so mainly discusses its influence in the palace and folk. The last section is mainly on the Central Plains of China and western music two-way communication problems. In view of Hu Yue Hu Lok person strong, always have a wrong idea, thought in the Sui and Tang dynasties music communication is an input state from the west to the East, in fact, it was just to see the one side, into western regions by the Central Plains culture and art also influence development of western music, this is a kind of cultural communication with each other Acceptance is not a single effect.

【學(xué)位授予單位】：上海音樂學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J609.2

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