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基于文獻(xiàn)計(jì)量學(xué)分析的2000-2015年新世紀(jì)美術(shù)學(xué)研究發(fā)展動態(tài)分析

發(fā)布時間:2018-07-25 13:23
【摘要】:2011年藝術(shù)學(xué)獨(dú)立成為學(xué)科門類后,其所屬學(xué)科美術(shù)學(xué)升級為一級學(xué)科,學(xué)科結(jié)構(gòu)與地位相應(yīng)提升,這無疑對美術(shù)學(xué)的教育、研究發(fā)展和創(chuàng)作實(shí)踐帶來了機(jī)遇和挑戰(zhàn)。新世紀(jì)以來,文化強(qiáng)國、經(jīng)濟(jì)轉(zhuǎn)型、可持續(xù)發(fā)展成為國家的治國理念,更是大眾的民意所向,這些都為美術(shù)事業(yè)創(chuàng)建了優(yōu)良環(huán)境,提供了前所未有的契機(jī),也將促進(jìn)美術(shù)研究活躍和繁榮,從而推動我國美術(shù)領(lǐng)域的發(fā)展,為美術(shù)學(xué)科的發(fā)展注入新的活力。對某領(lǐng)域研究動態(tài)和進(jìn)展的把握可以為本領(lǐng)域?qū)W者的研究提供參考和借鑒,本文即是以此為宗旨開展的對美術(shù)學(xué)研究動態(tài)和進(jìn)展的研究,力求揭示新世紀(jì)初階段我國美術(shù)研究所取得的進(jìn)展、創(chuàng)新和趨勢,解決美術(shù)學(xué)研究現(xiàn)狀、熱點(diǎn)和前沿關(guān)注的問題,并探討和建議方向策略,期冀為美術(shù)學(xué)研究提供客觀系統(tǒng)的梳理和參照,致力于為美術(shù)學(xué)科的研究和發(fā)展盡微薄之力。而要實(shí)現(xiàn)客觀全面的揭示內(nèi)在規(guī)律、動態(tài)進(jìn)展,對該領(lǐng)域有學(xué)術(shù)影響力的文獻(xiàn)進(jìn)行定量和定性的歸納分析,無疑是既有效并有說服力的途徑,依據(jù)文獻(xiàn)計(jì)量學(xué)分析的科學(xué)方法即可以幫我們解決這一難題,本文引入文獻(xiàn)計(jì)量分析的視角對美術(shù)研究目標(biāo)文獻(xiàn)作各種相關(guān)特征和因素的分析闡釋,依托于文獻(xiàn)客觀表征力求實(shí)現(xiàn)研究目的,這正是本文勇于創(chuàng)新之處。選用權(quán)威數(shù)據(jù)庫中文社會科學(xué)引文索引CSSCI為目標(biāo)文獻(xiàn)來源,通過對2000年至2015年美術(shù)學(xué)科文獻(xiàn)的各種計(jì)量要素為分析對象,如發(fā)文分布情況的多角度分析、科研作者的多種因素分析、研究主題的統(tǒng)計(jì)分析、引文量與被引頻次的分析、被引頻次排名前位的研究成果分析等,邏輯推斷最終獲取到以下一些結(jié)論:新千年以來國內(nèi)美術(shù)研究日趨火熱和成熟,為越來越多的學(xué)者所重視;美術(shù)學(xué)研究不乏對作品及創(chuàng)作理論的評論以及美術(shù)家的傳記資料撰寫;美術(shù)研究因其具有鮮明的民族性和地區(qū)性的特點(diǎn),從而也自然成為特色民族地區(qū)社會歷史文化研究的重要組成部分?梢娫诿褡搴偷赜蛐苑矫媸且粋重點(diǎn)研究的方向和角度。美術(shù)學(xué)研究國內(nèi)最有影響力的機(jī)構(gòu)以中央美術(shù)學(xué)院、中國藝術(shù)研究院、清華大學(xué)美術(shù)學(xué)院為科研主力,是美術(shù)研究的權(quán)威前沿,引領(lǐng)國內(nèi)美術(shù)研究的開拓和進(jìn)取;研究區(qū)域特點(diǎn)是北京最有影響力,對美術(shù)研究貢獻(xiàn)最大,其次江蘇、浙江、上海、遼寧也走在國內(nèi)美術(shù)研究隊(duì)伍的前列,是美術(shù)研究的發(fā)達(dá)和高產(chǎn)地區(qū)。這與美術(shù)研究機(jī)構(gòu)的區(qū)域集中及選址不無關(guān)系,當(dāng)然與區(qū)域的經(jīng)濟(jì)文化科研水平有著直接的關(guān)系;美術(shù)研究的國家級基金資助數(shù)量較少,需要在美術(shù)研究的課題定位和項(xiàng)目實(shí)施上下足功夫,提升美術(shù)研究的項(xiàng)目課題級別,學(xué)術(shù)內(nèi)涵和拓展范圍還有待提升和開創(chuàng)。學(xué)科主題分析結(jié)果呈現(xiàn)當(dāng)前美術(shù)研究的主題熱點(diǎn)。傳統(tǒng)基礎(chǔ)性美術(shù)門類繪畫的研究趨于穩(wěn)定,而新興的工藝美術(shù)研究是一個亮點(diǎn),2000年至今表現(xiàn)出來的發(fā)展軌跡值得思考。近年來研究態(tài)勢突飛猛進(jìn),逐漸追趕傳統(tǒng)的繪畫門類,未來很有可能趕超傳統(tǒng)繪畫研究,成為當(dāng)下美術(shù)研究的一個顯著特點(diǎn);以繪畫為例,其研究正向藝術(shù)創(chuàng)作、藝術(shù)作品創(chuàng)新的趨勢發(fā)展,可見傳統(tǒng)美術(shù)研究在達(dá)到一定平衡和成熟后也在向創(chuàng)新的思維探索,無論是繪畫理論的研究還是繪畫藝術(shù)的創(chuàng)作,都在尋求和探索一條創(chuàng)新之路,為我國美術(shù)研究和美術(shù)事業(yè)的發(fā)展尋求一條科學(xué)的、民族的、帶動國家文化藝術(shù)進(jìn)步的有中國特色的美術(shù)發(fā)展之路。從引文分析可以發(fā)現(xiàn)我國美術(shù)科研論文的科研水平和在學(xué)術(shù)領(lǐng)域的影響力在不斷在增長,從其被引頻次排序分析中發(fā)現(xiàn)近年來我國美術(shù)學(xué)研究的關(guān)注和熱點(diǎn),主要是視覺設(shè)計(jì)和工藝美術(shù)發(fā)展方向。專著和期刊論文被引較多的成果都體現(xiàn)了美術(shù)學(xué)的研究前沿和熱點(diǎn)關(guān)注,基本上代表了當(dāng)前新世紀(jì)初期的美術(shù)學(xué)科的發(fā)展熱點(diǎn)和延伸軌跡,最前沿的同行關(guān)注和研究熱點(diǎn),兩者結(jié)果遙相呼應(yīng)并各有千秋。通過專著、期刊論文有影響力的成果展現(xiàn),來獲取新世紀(jì)以來美術(shù)學(xué)研究的業(yè)界動態(tài)和熱點(diǎn)關(guān)注相信是全面而具體的。針對結(jié)論,筆者提出個人的一些想法建議,可能還不夠成熟和深刻,但相信是最具體周到的解析和闡述,希望可以為美術(shù)研究提供一些參考和啟發(fā),為美術(shù)學(xué)未來的發(fā)展提供文獻(xiàn)計(jì)量依據(jù)。
[Abstract]:After the independence of the art science in 2011, the art science of the subject has been upgraded to a first class subject, and the structure and status of the subject have been promoted accordingly. This undoubtedly brings opportunities and challenges to the education of art, the development of the study and the practice of creation. The public opinion has created a good environment for fine arts, which provides an unprecedented opportunity, and will also promote the active and prosperous art research, thus promote the development of the art field in our country and bring new vitality into the development of the art discipline. The study of the dynamic and progress of a field of research can be the research of the scholars in this field. In order to provide reference and reference, this article is the research on the dynamic and progress of the art research, which aims to reveal the progress, innovation and trend of the Art Research Institute of China at the beginning of the new century, to solve the current situation of art research, to focus on the hot and forward concerns, and to discuss and recommend the direction strategy for the study of fine arts. It provides an objective system of combing and reference, and is devoted to the research and development of the art discipline. It is an effective and persuasive way to carry out an objective and comprehensive analysis of the internal laws and dynamic progress, and to make a qualitative and quantitative analysis of the academic influence in this field. The analysis of the scientific method can help us to solve this problem. This article introduces the perspective of bibliometric analysis to analyze the relevant features and factors of the art research target literature, and rely on the objective characterization of the literature to achieve the purpose of the study. This is the place for this article to be innovative. The index CSSCI is the source of the target literature. Through the analysis of various elements of the literature of the art discipline from 2000 to 2015, such as the multi angle analysis of the distribution of the text, the analysis of various factors of the author, the statistical analysis of the subject, the analysis of the citation and the frequency of citation, the analysis of the research results of the leading position, etc. The logical inference finally gets the following conclusions: the domestic art research has become more and more hot and mature since the new millennium, and it has been paid more attention to by more and more scholars. The study of art studies has not lack of comments on works and creation theories and the writing of biographies of artists. Nature has become an important part of the study of social history and culture in the characteristic ethnic areas. It can be seen that the national and regional aspects are a key research direction and angle. The most influential institutions in the domestic art study are the China Central Academy of Fine Arts, the Chinese Academy of Arts and the Academy of Fine Arts and the Academy of Fine Arts, the main force of the research, and the right to study art. The frontier, leading the development and enterprising of the domestic art research; the research area is the most influential in Beijing and the greatest contribution to the art research. Secondly, Jiangsu, Zhejiang, Shanghai and Liaoning are also in the forefront of the domestic art research team, the developed and high-yield areas of fine arts research. This is not related to the regional concentration and location of the art research institutions. The Department, of course, has a direct relationship with the level of economic and cultural research in the region; the number of national funds in the art research is small. It needs to work hard on the topic orientation and project implementation of the art research, and improve the project level of the art research. The academic connotation and extension range still need to be promoted and opened. The research of traditional basic art class painting tends to be stable, and the research of traditional basic art class painting tends to be stable, and the research of new arts and crafts is a bright spot. The development track that has been shown in 2000 is worth thinking. In recent years, the research trend is advancing rapidly and gradually catching up with the traditional painting categories. The future is very likely to catch up with the traditional painting. The study of painting has become a prominent feature of the present art research. Taking painting as an example, the research is developing towards the artistic creation and the trend of the innovation of the art works. It can be seen that the traditional art research is also exploring to the creative thinking after achieving a certain balance and maturity. Both the research of painting theory and the creation of painting art are all seeking and exploring. The way of innovation is to seek a scientific, national, national, and national art development road for the development of national culture and art. It can be found that the scientific research level and the influence in the academic field of our country's fine arts research papers are constantly increasing from the citation analysis. In the second order analysis, we found the attention and hot spot of the art research in China in recent years, mainly the direction of visual design and the development of Arts and crafts. The more achievements of the monographs and periodicals are reflected in the frontier and hot focus of the art science, which basically represent the hot spot and extension of the art discipline in the early new century. It is a comprehensive and concrete way to obtain the dynamic and hot attention of the art research in the new century. Mature and profound, but I believe it is the most detailed analysis and exposition, hope to provide some reference and inspiration for the art research, and provide a bibliometric basis for the future development of art science.
【學(xué)位授予單位】:上海師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2017
【分類號】:J0

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