【摘要】：漢畫像石中有一種被稱為"十字穿璧"的圖案,以十字線條在圓環(huán)內(nèi)交叉穿過為特征,藝術(shù)史學(xué)者多在墓葬美術(shù)研究的語境下將其解讀為"升仙"。而在建筑史的視角下,檢索漢代建筑歷史文獻(xiàn)并與畫像石對(duì)照,可發(fā)現(xiàn)此紋即古之"瑣"紋。漢代天子居所之門被稱為"青瑣門",便是由于門框刻鏤此紋并涂青。以后南北朝時(shí)期的詩詞歌賦中出現(xiàn)"青瑣窗"一詞并在文學(xué)中被廣泛使用,其特征與"青瑣"紋樣無關(guān),而在雙層門窗格對(duì)合之做法樣式。對(duì)"青瑣"歷史的追溯揭示出中國建筑、美術(shù)、文學(xué)等領(lǐng)域中古詞匯的"同名異意"現(xiàn)象。
[Abstract]:In the Han Dynasty, there is a pattern called "cross and cross", which is characterized by cross line crossing through the circle, and art historians interpret it as "ascending fairy" in the context of the study of tomb art. From the perspective of architectural history, the architectural historical documents of Han Dynasty were searched and compared with the stone relief, and it was found that this pattern was the ancient "trivial" pattern. The gate of the emperor's residence in the Han Dynasty was called the "Qingzao Gate" because of the engraving and painting of the door frame. After the Southern and Northern dynasties, the word "Qingzao window" appeared in poetry and prose of the Southern and Northern dynasties and was widely used in literature. Its characteristics had nothing to do with the pattern of "Qingzao", but the double door and window pattern. Tracing back to the history of "Qingzao" reveals the phenomenon of "different meanings of the same name" in Chinese ancient words in the fields of architecture, art, literature and so on.
【作者單位】： 上海交通大學(xué)歷史系;
【分類號(hào)】：TU-092
，

本文編號(hào)：2232551