發(fā)布時(shí)間：2018-06-15 13:41

  本文選題：重力與漂浮 + 光與影�。� 參考：《世界建筑》2015年12期

【摘要】：本文運(yùn)用比較法對(duì)金貝爾美術(shù)館老館與新館的建造方式進(jìn)行分析,提出兩館間存在重力感與漂浮感、白光黑影與柔光弱影、非透明性與透明性的差異,指出新館設(shè)計(jì)是在尊重的基礎(chǔ)上追求創(chuàng)作自由。皮亞諾在新館沒計(jì)中的自由包括對(duì)材料、結(jié)構(gòu)及建造方法的輕型化運(yùn)用,以及對(duì)博物館建筑開放性與公民性表達(dá)。
[Abstract]:In this paper, the author analyzes the construction methods of the old and new pavilions of Jinber Art Museum by means of comparative method, and points out that there are differences between the two pavilions in gravity and floating, between white light and soft light, between opacity and transparency, and between the two pavilions. It is pointed out that the design of the new museum is to pursue the freedom of creation on the basis of respect. Piano's freedom in the new museum includes the lightweight use of materials, structures and methods of construction, as well as the openness and citizenship of the museum's architecture.
【作者單位】： 哈爾濱工業(yè)大學(xué)建筑學(xué)院;
【分類號(hào)】：TU242.5
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本文編號(hào)：2022188