本文選題：遺址 + 遺址博物館��； 參考：《鄭州大學(xué)》2015年碩士論文

【摘要】：中國作為世界四大文明古國之一,有著豐富的歷史文化遺產(chǎn),這些遺產(chǎn)體現(xiàn)著中華民族五千多年的物質(zhì)文化和精神文化,遺址就是其中非常重要的一部分內(nèi)容。目前,全世界都在探索遺址保護(hù)的方法,中國也在不斷的探索適用于本國國情的遺址保護(hù)模式與方法,主要有館舍博物館、遺址公園、館舍博物館+遺址公園三種模式,此外,館舍博物館的設(shè)計并不僅僅是滿足功能需求即可,它是歷史遺跡和文化的時空再現(xiàn),必須與文化性緊密結(jié)合。遺址博物館作為館舍博物館中極為重要的一部分,與遺址的結(jié)合更為緊密,建筑設(shè)計的方方面面都受到遺址主體的文化性的影響,但是,目前關(guān)于遺址博物館的建筑設(shè)計與文化性結(jié)合的理論并不完善,本文也試圖從以下三個部分來探索遺址博物館與文化性相結(jié)合的設(shè)計方法。第一部分首先交代了論文的研究背景和目的,然后確定研究范圍與內(nèi)容,即遺址博物館的文化性表達(dá)模式,之后敘述了論文中所采用的五種研究方法,最后交代了論文的結(jié)構(gòu)和框架,概括的交代了文章的骨架和脈絡(luò)。第二部分是本文的分析部分,首先闡述遺址博物館的基本概念與特性研究,介紹遺址博物館的發(fā)展歷程和發(fā)展趨勢,同時明確遺址文化與遺址博物館的相關(guān)概念,并交代遺址博物館的概念特征、分類模式和自身的文化特殊性。然后構(gòu)建了遺址博物館的文化性表達(dá)模式的理論體系,通過環(huán)境、功能、形態(tài)、技術(shù)四個層次與文化性結(jié)合的設(shè)計來體現(xiàn)。第三部分是本文的重點(diǎn),通過對大量國內(nèi)外遺址博物館的實(shí)例進(jìn)行分析整理和歸納總結(jié),從環(huán)境、功能、形態(tài)、技術(shù)四個層面對遺址博物館與文化性內(nèi)容相結(jié)合的設(shè)計手法進(jìn)行歸納,形成策略,并提出實(shí)例佐證,即河南寶豐汝官窯遺址博物館項目,希望能對以后的遺址博物館的文化性表達(dá)設(shè)計有所幫助。
[Abstract]:As one of the four ancient civilizations in the world, China has rich historical and cultural heritage, which embodies the material culture and spiritual culture of the Chinese nation for more than five thousand years, among which the ruins are a very important part. At present, the world is exploring the methods of site protection, and China is constantly exploring the models and methods of site protection that are applicable to the national conditions of the country. There are mainly three modes of conservation: museum premises, site parks, museum sites parks, and museum sites parks. In addition, The design of the museum is not only to meet the functional needs, but also to reappear the historical relics and culture in time and space, which must be closely combined with the cultural nature. As an extremely important part of the museum, the site museum is more closely associated with the site. All aspects of the architectural design are influenced by the cultural nature of the main body of the site, but, At present, the theory of architectural design and cultural combination of heritage museum is not perfect. This paper also tries to explore the design method of the combination of site museum and culture from the following three parts. The first part describes the background and purpose of the research, then determines the scope and content of the research, that is, the cultural expression model of the museum, and then describes the five research methods used in the paper. Finally, the structure and framework of the paper are explained, and the skeleton and context of the article are summarized. The second part is the analysis part of this paper. Firstly, the basic concepts and characteristics of the site museum are introduced, the development course and trend of the site museum are introduced, and the related concepts of the site culture and the site museum are clarified. And explains the museum's concept characteristics, classification model and its own cultural particularity. Then it constructs the theoretical system of cultural expression model of the museum, which is embodied by the combination of environment, function, form and technology. The third part is the focus of this paper, through the analysis and summary of a large number of examples of domestic and foreign heritage museums, from the environment, function, form, From the four aspects of technology, this paper sums up the design method of combining the heritage museum with the cultural content, forms the strategy, and puts forward some examples, namely, the project of Henan Baofeng RU Guanyao ruins Museum. I hope it will be helpful to the cultural expression design of the museum in the future.
【學(xué)位授予單位】：鄭州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：TU242.5

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本文編號：1975370