本文選題：原型 + 類型學(xué)　； 參考：《南京藝術(shù)學(xué)院》2015年碩士論文

【摘要】：本文主要從自然物類型、簡(jiǎn)單人造物類型和建筑類型三個(gè)方面討論原型與形態(tài)延伸之間的關(guān)系。每一類事物都包含著一定的內(nèi)在結(jié)構(gòu),這種內(nèi)在結(jié)構(gòu)會(huì)隨著事物的不斷變化而豐富自身。然而,所有事物的變化都與內(nèi)在結(jié)構(gòu)的基本屬性保持一定的相似性。內(nèi)在結(jié)構(gòu)潛藏于事物一切演變的可能性之中。內(nèi)在結(jié)構(gòu)往往是每一類事物成為自身的界定標(biāo)準(zhǔn)和決定因素。原型與變體之間的關(guān)系主要體現(xiàn)在“類型”這一概念詞匯上。類型是有別于模型的,它隱含了形式要素的變化規(guī)律,在形態(tài)演變過程中體現(xiàn)著形式自身的基本型。對(duì)事物的分門別類是類型思想的基本出發(fā)點(diǎn),它是認(rèn)識(shí)世界、區(qū)分異同、簡(jiǎn)單而又本質(zhì)的方法論。自然物、簡(jiǎn)單人工產(chǎn)品甚至是建筑,都在一定程度上體現(xiàn)著類型的形式法則和觀念。這種源于前工業(yè)時(shí)代的方法論使形式得以聯(lián)結(jié)事物的原型模式,回到最初的意義層面。本論文的第一章主要論述相關(guān)理論知識(shí)及概念,從原型、類型、變體等關(guān)鍵詞入手,區(qū)分形態(tài)的各種狀態(tài),此章節(jié)為全文的基礎(chǔ)性理論；第二章是第一章的深入和延展,從分類學(xué)和圖像學(xué)的角度,結(jié)合各種案例討論了自然物類型中不以人的意志為轉(zhuǎn)移的、純客觀的類型化的圖形,并嘗試分析考古、攝影、科學(xué)實(shí)驗(yàn)中類似于生物學(xué)研究的資料和圖示；第三章主要將碗作為個(gè)案進(jìn)行詳細(xì)論述,探討這種類型化器物的基本特征及其演變規(guī)律；第四章,運(yùn)用建筑類型學(xué)的相關(guān)知識(shí),從城市記憶、集體無意識(shí)、基本建筑為切口,由此深入到建筑的原型模式,進(jìn)而探討建筑的基本特質(zhì)。
[Abstract]:This paper mainly discusses the relationship between archetype and form extension from three aspects: natural object type, simple man-made type and architectural type.Each kind of thing contains a certain internal structure which enriches itself with the constant change of things.However, the changes of all things are similar to the basic properties of the internal structure.The inner structure lurks in the possibility of all things evolving.Internal structure is often the defining standard and determinant of each kind of thing.The relationship between archetypes and variants is mainly embodied in the concept of type.The type is different from the model. It implies the law of the change of the formal elements and embodies the basic form of the form itself in the process of the evolution of the form.The classification of things is the basic starting point of typology, it is the methodology of understanding the world, distinguishing similarities and differences, simple and essential.Natural objects, simple artificial products and even architecture, to some extent, embody the formal laws and concepts of types.This methodology, which originated from the pre-industrial era, brought the prototype model of form to the original meaning.The first chapter of this paper mainly discusses the relevant theoretical knowledge and concepts, starting from the prototype, type, variant and other key words to distinguish the various states of form, this chapter is the basic theory of the full text; the second chapter is the depth and extension of the first chapter.From the perspective of taxonomy and graphics, this paper discusses the purely objective typology of natural objects in the light of various cases, and attempts to analyze archaeology and photography.Scientific experiments are similar to biological research data and diagrams; the third chapter mainly discusses bowl as a case to discuss the basic characteristics of this type of object and its evolution law; chapter 4, using the relevant knowledge of architectural typology,From the perspective of urban memory, collective unconscious, basic architecture as the incision, this paper goes deep into the archetypal model of architecture, and then probes into the basic characteristics of architecture.
【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：TU-0

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