本文選題：三遠　切入點：文人建筑　出處：《南昌大學(xué)》2015年碩士論文

【摘要】：在中國傳統(tǒng)文化逐漸離遠的今天,城市像一座巨大的工廠,建筑在“流水線”上以快不可及的速度被批量生產(chǎn),我們看見水鄉(xiāng)倩影的江南,山勢回轉(zhuǎn)的嶺南,雄險幽秀的巴蜀等被如出一轍的現(xiàn)代建筑所盤踞。忽略環(huán)境,文化漸陌的結(jié)果是城市在日益擴張的同時,人們的生存環(huán)境受到威脅,古老文明正在磨蝕。人們意識到文化發(fā)展的西方化路徑已經(jīng)走到了盡頭,以王澍為代表的一部分新一代建筑師在研究探尋傳統(tǒng)文化形式相互借鑒,現(xiàn)代繼承的過程中,復(fù)興了一種古就有之的建筑類型——文人建筑。中國古代文人園林作為文人建筑的先河,造園者即是文人又為畫士,因此畫理即是園理�！叭h”作為中國山水畫空間意境的表述,在文人園林里體現(xiàn)的尤為顯著,這在當(dāng)代文人建筑中也被延續(xù)和繼承。本文以“三遠”為切入點,收集當(dāng)代具有代表性的文人建筑及其建筑師資料,結(jié)合調(diào)研,運用文獻分析法,比較研究法,以及邏輯推理法,首先對文人建筑的發(fā)現(xiàn)與發(fā)展進行理論與實踐兩方面的論述。其次對“三遠”所體現(xiàn)的空間特征和空間意境進行研究,并運用王昌齡提出的意境三層次——物境、情境、意境對“三遠”所表現(xiàn)的空間意境進行分級,為本文分析奠定研究基礎(chǔ)。隨后,選取了三位代表傳統(tǒng)文化不同繼承方式的建筑師的文人建筑作品,分別從基地環(huán)境和內(nèi)外部空間體現(xiàn)的“三遠”意境,歸納總結(jié)其營造手法。在此基礎(chǔ)上將意境層次與空間感知的三向度搭建聯(lián)系,轉(zhuǎn)化為現(xiàn)代語言,結(jié)合案例資料,從視覺向度、體驗向度、精神向度對營造“三遠”空間意境的手法進行細致歸納總結(jié)。最后以筆者的實踐案例作為對所得結(jié)論的驗證。文人建筑的復(fù)興是當(dāng)代中國建筑師在探索創(chuàng)作中國特色建筑的道路中所走的一條分支,研究它對傳統(tǒng)文化的繼承和現(xiàn)代轉(zhuǎn)譯是為了給這條探尋之路上的建筑師提供參考,從而在我們未來的城市中可以看見更多有文化自覺性,有中國意識的建筑作品。
[Abstract]:Today, when Chinese traditional culture is gradually far away, the city is like a huge factory, built on "pipeline" and produced in batches at an unreachable speed. Bashu and others are occupied by the same modern architecture. Ignoring the environment, the result of the growing culture is that while the city is expanding day by day, people's living environment is threatened. The ancient civilization is being eroded. People realize that the westernized path of cultural development has come to an end. Some of the new generation architects, represented by Wang Shu, are studying and exploring the traditional cultural forms for mutual reference and modern inheritance. The Chinese ancient literati garden was the first of the literati architecture, and the gardener was not only the literati but also the painter, so the painting theory was the garden principle. "three far" was the expression of the space artistic conception of the Chinese landscape painting. It is also continued and inherited in the contemporary literati architecture. This paper takes the "three distances" as the starting point to collect the contemporary representative literati architecture and its architects' data, combined with the investigation and research. By means of literature analysis, comparative research and logical reasoning, this paper first discusses the discovery and development of literati architecture in theory and practice, and then studies the spatial characteristics and artistic conception of "three distances". And use the three levels of artistic conception proposed by Wang Changling-physical environment, situation, artistic conception to classify the spatial artistic conception of "three far away", so as to lay a research foundation for the analysis of this paper. Three literati architectural works representing different ways of inheriting traditional culture are selected, which reflect the "three distant" artistic conception from the base environment and the internal and external space, respectively. On this basis, the relationship between the artistic conception level and the three dimensions of spatial perception is set up and transformed into modern language, combining with the case data, from the visual dimension, the experience dimension, Finally, the author's practical cases are taken as the proof of the conclusion. The revival of literati architecture is the contemporary Chinese architect exploring and creating China. A branch of the road to a distinctive building, The purpose of this study is to provide reference to the architects on the way of exploration, so as to see more architectural works with cultural consciousness and Chinese consciousness in our future cities.
【學(xué)位授予單位】：南昌大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：TU986.4

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本文編號：1698194