本文關(guān)鍵詞： 園林圖示 明代 蘇州 文人行為 園林空間　出處：《華中農(nóng)業(yè)大學(xué)》2016年碩士論文　論文類型：學(xué)位論文

【摘要】：中國(guó)傳統(tǒng)山水繪畫藝術(shù)與古典園林密切關(guān)聯(lián),其中園林圖示是風(fēng)景園林藝術(shù)創(chuàng)作的重要影響因素�，F(xiàn)有的研究集中于古典繪畫藝術(shù)的源流、創(chuàng)作技巧、品讀,以及園林繪畫與造園的考證、意境與美學(xué)的關(guān)系等方面,對(duì)于園林圖示中人的行為與園林空間雖有所涉及,但是尚無(wú)系統(tǒng)的論述。對(duì)園林圖示中所展示的行為與空間的關(guān)聯(lián)性研究,有助于加深了解造園、繪畫、行為之間相互影響。本文將選取《中國(guó)美術(shù)全集·繪畫篇》隋唐至明代七本圖集,作為園林圖示的研究對(duì)象,運(yùn)用圖像學(xué)方法和文獻(xiàn)分析法對(duì)園林圖示的畫面進(jìn)行研究,并結(jié)合與圖示相關(guān)的題跋、詩(shī)篇、古文,分析了園林圖示的生成動(dòng)機(jī)、表現(xiàn)方式與內(nèi)容。論文核心內(nèi)容分為三部分。第一部分在閱讀圖集的基礎(chǔ)上,按照?qǐng)@林圖示所表達(dá)的不同主旨和審美理想,將園林圖示分為五大類,并對(duì)園林圖示中的行為進(jìn)行了分類總結(jié);園林圖示中行為活動(dòng)和空間要素的表達(dá)在不同的時(shí)代呈現(xiàn)不同的特征,第二部分分別從行為人、豎向空間的表達(dá)和造景要素這三個(gè)不同角度分析園林空間的發(fā)展流變;第三部分闡述了明代園林圖示的發(fā)展基礎(chǔ)和影響園林圖示表現(xiàn)的社會(huì)風(fēng)尚,以揭示明代文人的審美特點(diǎn);最后,通過(guò)對(duì)明代蘇州地區(qū)的畫家的園林圖示作品解讀,將作品中的行為與空間進(jìn)行分類闡述,分析文人在園林空間中的活動(dòng)需求,以及在行為活動(dòng)需求驅(qū)動(dòng)下,圖示中所營(yíng)造空間的特點(diǎn)。本文通過(guò)歷史畫卷的歸納與解讀,總結(jié)了古典歷史畫卷中文人創(chuàng)作對(duì)生存狀況的行為圖示表達(dá),提出了畫卷圖示行為與園林空間研究的可能性;從圖示中的行為活動(dòng)與空間類型的關(guān)聯(lián)性研究中,系統(tǒng)地梳理了圖示中的園林空間的行為、類型與特點(diǎn),并進(jìn)一步揭示了文人活動(dòng)對(duì)園林活動(dòng)空間的主觀需求,為園林圖示的解讀提供了新的可能性。論文重點(diǎn)研究了明代園林圖示中行為活動(dòng)與園林空間,勾勒了明代文人的審美傾向與審美理想影響下的園林活動(dòng)空間的線索,并解構(gòu)了明代文人園林活動(dòng)空間中的圖示特點(diǎn),明確了園林圖示中人的活動(dòng)需求對(duì)園林空間的形成的重要推動(dòng)作用。
[Abstract]:Chinese traditional landscape painting art and classical garden are closely related, among which garden graphics is an important factor in landscape art creation. The existing research focuses on the origin of classical painting art, creative skills, reading. And garden painting and gardening textual research, the relationship between artistic conception and aesthetics, and so on, for garden graphics, people's behavior and garden space involved. However, there is no systematic discussion. The study on the relationship between the behavior and space displayed in the garden graphics is helpful to deepen the understanding of gardening and painting. This paper will select "complete works of Chinese Fine Arts 路paintings", Sui, Tang and Ming dynasties seven atlas, as the object of study of garden graphics. By using the method of image science and literature analysis, this paper studies the picture of garden icon, and analyzes the generating motivation of garden icon by combining the questions and postscript, poems and ancient prose related to the illustration. The main content of the thesis is divided into three parts. The first part is based on the reading atlas, according to the different gist and aesthetic ideal expressed by the garden icon, it is divided into five categories. And the behavior in the garden diagram is classified and summarized. The expression of the activities and spatial elements in the landscape graphics show different characteristics in different times. The second part is from the actor. The expression of vertical space and landscape elements are three different angles to analyze the development of garden space. The third part expounds the development basis of the garden graphics in Ming Dynasty and the social fashion that influences the representation of the garden graphics in order to reveal the aesthetic characteristics of the literati in the Ming Dynasty. Finally, through the interpretation of the garden drawings of the painters in Suzhou in the Ming Dynasty, the behavior and space in the works are classified and expounded, and the needs of literati activities in the garden space are analyzed. Through the induction and interpretation of the historical picture, this paper summarizes the behavior representation of the living condition created by the Chinese people in the classical historical picture. The possibility of the study of pictorial behavior and landscape space is put forward. From the study of the relationship between behavior and spatial types, this paper systematically combs the behavior, types and characteristics of garden space in graphic representation, and further reveals the subjective demand of literati activities for garden activity space. It provides a new possibility for the interpretation of garden graphics. This paper focuses on the study of the Ming Dynasty garden graphics for the activities of activities and garden space. It outlines the clues of the garden activity space under the influence of the literati's aesthetic tendency and aesthetic ideal in the Ming Dynasty and deconstructs the graphic features of the literati's garden activity space in the Ming Dynasty. This paper clarifies the important role of human activity demand on the formation of garden space in landscape graphics.
【學(xué)位授予單位】：華中農(nóng)業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：TU986

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