【摘要】：本文通過(guò)文獻(xiàn)資料法、錄像資料法、數(shù)理統(tǒng)計(jì)法、邏輯分析法以及專(zhuān)家訪談法等方式,主要針對(duì)的是新規(guī)則實(shí)施后,對(duì)2013年中華人民共和國(guó)全國(guó)運(yùn)動(dòng)會(huì)藝術(shù)體操項(xiàng)目前三名的優(yōu)秀運(yùn)動(dòng)員的比賽的錄像和2013年世界藝術(shù)體操錦標(biāo)賽前三名的優(yōu)秀運(yùn)動(dòng)員的錄像進(jìn)行對(duì)照分析研究,對(duì)我國(guó)運(yùn)動(dòng)員及國(guó)外優(yōu)秀運(yùn)動(dòng)員在技術(shù)技巧動(dòng)作及組合的各個(gè)方面進(jìn)行統(tǒng)計(jì)分析,全面了解和分析我國(guó)藝術(shù)體操運(yùn)動(dòng)員技術(shù)技巧動(dòng)作編排現(xiàn)狀,對(duì)藝術(shù)體操技巧動(dòng)作的內(nèi)容與體操小技巧動(dòng)作的訓(xùn)練方法進(jìn)行對(duì)比分析,并通過(guò)研究和探討,對(duì)藝術(shù)體操技巧動(dòng)作提出更新更高標(biāo)準(zhǔn)的訓(xùn)練方法和對(duì)策,主要是為我國(guó)藝術(shù)體操的發(fā)展及藝術(shù)體操中技巧動(dòng)作編排提供一些的理論參考。研究結(jié)果如下：(1)新的藝術(shù)體操評(píng)分規(guī)則對(duì)“技巧動(dòng)作”有了更高的要求,并在總的編排中占有重要的比例,標(biāo)志著藝術(shù)體操的編排步入一個(gè)新的發(fā)展階段。(2)通過(guò)對(duì)中外優(yōu)秀藝術(shù)體操運(yùn)動(dòng)員的近似技巧動(dòng)作與近似技巧動(dòng)作組合的統(tǒng)計(jì)分析的結(jié)果明顯看出：我國(guó)三名運(yùn)動(dòng)員技巧動(dòng)作共計(jì)20次,其中組合15次,有效加分0.1分。國(guó)外三名運(yùn)動(dòng)員技巧動(dòng)作共計(jì)16次,其中組合15次,有效加分1.1分。我國(guó)的技巧動(dòng)作的有效加分和國(guó)外優(yōu)秀運(yùn)動(dòng)員技巧動(dòng)作的有效加分相差1分,而在藝術(shù)體操比賽中,隊(duì)員之間相差0.01分,都會(huì)影響到最終的結(jié)果。(3)藝術(shù)體操近似技巧動(dòng)作內(nèi)容與體操的小技巧在練習(xí)方法、練習(xí)過(guò)程中都有相關(guān)的聯(lián)系,在學(xué)習(xí)一個(gè)技巧動(dòng)作的基礎(chǔ)上對(duì)下一個(gè)技巧動(dòng)作的學(xué)習(xí)掌握有一定的作用。(4)我國(guó)藝術(shù)體操成套動(dòng)作的編排中近似技巧動(dòng)作與組合同國(guó)外藝術(shù)體操的成套動(dòng)作的編排存在著差距,我國(guó)在近似技巧編排上,存在著不是所編排的技巧動(dòng)作都能得到有效加分,難度系數(shù)比國(guó)外的低,有效加分與國(guó)外的相差1分。(5)藝術(shù)體操中的近似小技巧動(dòng)作編排可以借鑒體操小技巧動(dòng)作,在體操小技巧動(dòng)作的基礎(chǔ)上進(jìn)行改進(jìn)提高,不僅提高藝術(shù)體操的難度,而且提高藝術(shù)體操的觀賞性,藝術(shù)體操在近似技巧動(dòng)作的訓(xùn)練方法上可以借鑒體操小技巧動(dòng)作的訓(xùn)練方法。
[Abstract]:Through the methods of literature, video, mathematical statistics, logic analysis and expert interview, this paper mainly aims at the implementation of the new rules. The video recordings of the top three top athletes in the rhythmic gymnastics event of the 2013 National Games of the people's Republic of China and the video recordings of the top three elite athletes in the 2013 World rhythmic Gymnastics Championships were analyzed and compared. This paper makes a statistical analysis of Chinese athletes and foreign elite athletes in all aspects of technical skill movements and combinations, and comprehensively understands and analyzes the present situation of the arrangement of technical skill movements of Chinese rhythmic gymnasts. This paper makes a comparative analysis of the contents of rhythmic gymnastics skill movements and the training methods of gymnastics small skill movements, and through the research and discussion, puts forward the training methods and countermeasures to update the higher standard of rhythmic gymnastics skill movements. It mainly provides some theoretical reference for the development of rhythmic gymnastics and the arrangement of artistic movements in rhythmic gymnastics. The results are as follows: (1) the new rhythmic gymnastics scoring rules have higher requirements for "skill movements" and occupy an important proportion in the overall arrangement. The arrangement of rhythmic gymnastics has entered a new stage of development. (2) through the statistical analysis of approximate skill movements and approximate skill movements combination of Chinese and foreign elite rhythmic gymnasts, it is obvious that: three A total of 20 technical movements were made by the athletes. Among them, the combination 15 times, effective plus 0.1 points. The total number of technical movements of three foreign athletes is 16, including 15 combinations, with an effective score of 1.1. There is a difference of 1 point between the effective bonus points of Chinese and foreign elite athletes, and the difference of 0.01 points between the players in rhythmic gymnastics competition. It will affect the final result. (3) rhythmic gymnastics approximate skill movement content and gymnastics small skills in the practice method, practice process has the correlation relation, the rhythmic gymnastics approximate skill movement content and the gymnastics small skill has the correlation in the practice process, On the basis of learning one skill movement, it has certain function to master the next skill movement. (4) the similar skill movement and combination in the arrangement of Chinese rhythmic gymnastics complete set action and the complete set movement of foreign rhythmic gymnastics There is a gap in the layout of the work, In our country, there are some skills that are not choreographed, which can be effectively scored, and the difficulty coefficient is lower than that in foreign countries. The difference between the effective points and the foreign ones is 1. (5) the arrangement of approximate small skill movements in rhythmic gymnastics can draw lessons from the small skill movements of gymnastics and improve them on the basis of the small skill movements of gymnastics, which not only raises the difficulty of rhythmic gymnastics, but also increases the difficulty of rhythmic gymnastics. And improve the appreciation of rhythmic gymnastics, rhythmic gymnastics in the approximate skill movement training method can draw lessons from the gymnastics small skill movement training method.
【學(xué)位授予單位】：山西大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類(lèi)號(hào)】：G834

【參考文獻(xiàn)】

相關(guān)期刊論文 前7條

1 饒燕;;我國(guó)藝術(shù)體操訓(xùn)練方法的優(yōu)化與完善——基于國(guó)際規(guī)則導(dǎo)向視角[J];湖北體育科技;2011年03期

2 顧洪波;;中外優(yōu)秀藝術(shù)體操運(yùn)動(dòng)員身體難度與器械結(jié)合的差距分析[J];內(nèi)江科技;2008年08期

3 徐本力;早期訓(xùn)練科學(xué)化的提出及系統(tǒng)化訓(xùn)練理論——對(duì)早期訓(xùn)練科學(xué)化中幾個(gè)理論問(wèn)題的再認(rèn)識(shí)(之一)[J];山東體育學(xué)院學(xué)報(bào);2001年02期

4 倪旭芬;從規(guī)則的演變看我國(guó)藝術(shù)體操的發(fā)展趨勢(shì)[J];天津體育學(xué)院學(xué)報(bào);2004年03期

5 汪敏;張鵑;;我國(guó)藝術(shù)體操個(gè)人項(xiàng)目器械難度選編的基本特征分析[J];天津體育學(xué)院學(xué)報(bào);2011年02期

6 樊蓮香;刁在箴;;動(dòng)作質(zhì)量與編排創(chuàng)新的和合之美——論北京奧運(yùn)會(huì)我國(guó)藝術(shù)體操集體項(xiàng)目成功之道[J];體育與科學(xué);2009年02期

7 熊萍,張惠琴,刁在箴;我國(guó)藝術(shù)體操基礎(chǔ)訓(xùn)練大綱框架的研究[J];中國(guó)體育科技;2005年05期

，

本文編號(hào)：2297223