本文選題：文學(xué)作品改編 + 網(wǎng)絡(luò)游戲��； 參考：《山東藝術(shù)學(xué)院》2015年碩士論文

【摘要】：在一千多年后的今天,《木蘭辭》已經(jīng)不單單是我們語文課本中的一篇樂府詩,木蘭替父從軍的故事已經(jīng)改編為民歌、詩詞、小說、戲曲、戲劇、電影、電視劇、電腦單機(jī)游戲等不同的藝術(shù)表現(xiàn)形式。在網(wǎng)絡(luò)科技迅猛發(fā)展的今天,以傳統(tǒng)文學(xué)作品為原型開發(fā)成為一款網(wǎng)絡(luò)游戲早已是大勢所趨。追求高度娛樂性體驗(yàn)是如今所有網(wǎng)絡(luò)游戲開發(fā)商最為重視的一環(huán),他們普遍認(rèn)為只有娛樂性的具備與否才是衡量一款游戲是否成功的唯一標(biāo)準(zhǔn)。網(wǎng)絡(luò)游戲發(fā)展至今,它的游戲模式千遍一律,其吸引力也已經(jīng)基本定性了,面對今天的中國,網(wǎng)絡(luò)游戲更應(yīng)該注重我國歷史文化的傳承,怎樣利用網(wǎng)絡(luò)游戲繼承我國傳統(tǒng)文化的精髓是本論文研究的主要目標(biāo)。本文以《木蘭辭》為研究對象,第一章是網(wǎng)絡(luò)游戲的發(fā)展現(xiàn)狀,主要從網(wǎng)絡(luò)游戲的時(shí)代背景及網(wǎng)絡(luò)游戲改編的形式探索這二個(gè)方面進(jìn)行了闡述。第二章是《木蘭辭》的媒介變遷歷程,首先從花木蘭這一人物形象的繼承與變異方面結(jié)合各個(gè)影視改編作品加以分析;其次從目前《木蘭辭》改編作品的探索性和局限性進(jìn)行探討,總結(jié)出其影視作品改編現(xiàn)狀的局限所在,為引出下文如何將其開發(fā)成一款大型角色扮演類網(wǎng)絡(luò)游戲做了充足鋪墊。第三章是《木蘭辭》網(wǎng)絡(luò)游戲發(fā)展的創(chuàng)新策略,這一部分是本文的研究重點(diǎn)。筆者從游戲人物形象的多角度設(shè)置、游戲情節(jié)的創(chuàng)新和延伸以及如何開拓網(wǎng)絡(luò)游戲的市場等方面入手進(jìn)行詳細(xì)的分析,證明《木蘭辭》有著開發(fā)成為一款大型網(wǎng)絡(luò)游戲的潛力和價(jià)值,希望通過這一題材游戲化的探討讓文學(xué)作品被賦予現(xiàn)代理念重回大眾視線之中,同時(shí)也讓網(wǎng)絡(luò)游戲的發(fā)展邁向一個(gè)以傳承優(yōu)秀文化為基調(diào)并充分發(fā)揮其教育功能的新方向。
[Abstract]:Today, more than a thousand years later, Mulan's resignation is no longer just a Yuefu poem in our Chinese textbook. Mulan's story of joining the army for his father has been adapted into folk songs, poems, novels, operas, plays, movies and TV dramas.Computer games and other different forms of artistic expression.With the rapid development of network science and technology, it has long been the trend to develop traditional literature as a prototype to become an online game.The pursuit of a highly entertaining experience is one of the top priorities of all online game developers today, and they generally believe that the only measure of success is the availability of entertainment.Since the development of online games, its game mode has been identical for thousands of times, and its attraction has been basically qualitative. In the face of today's China, online games should pay more attention to the inheritance of our country's history and culture.How to use online games to inherit the essence of Chinese traditional culture is the main goal of this paper.This paper takes Mulan ci as the research object. The first chapter is the development of online games, mainly from the background of the era of online games and the form of online game adaptation to explore these two aspects.The second chapter is the media changes of Mulan ci. Firstly, it analyzes the inheritance and variation of Hua Mulan's character image combined with the adaptation works of each film and television.Secondly, this paper discusses the exploration and limitation of Mulan's adapted works, summarizes the limitations of the adaptation of its film and television works, and makes sufficient preparations for how to develop it into a large-scale role-playing online game.The third chapter is the innovative strategy of the development of online games, which is the focus of this paper.The author starts with the detailed analysis of the multi-angle setting of the character image of the game, the innovation and extension of the game plot and how to open up the market of the online game.It is proved that Mulan ci has the potential and value to develop into a large online game. It is hoped that through the discussion of the gamification of this theme, literary works will be endowed with modern ideas to return to the sight of the public.At the same time, it also makes the development of online games move towards a new direction of inheriting excellent culture and giving full play to its educational function.
【學(xué)位授予單位】：山東藝術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：G899

【相似文獻(xiàn)】

相關(guān)期刊論文 前10條

1 賀玉萍;《木蘭辭》創(chuàng)作時(shí)代與作者之探究[J];洛陽大學(xué)學(xué)報(bào);2004年01期

2 解旬靈;;試析農(nóng)牧文化的融合在《木蘭辭》中的體現(xiàn)[J];蘭州學(xué)刊;2006年09期

3 呂冕;;《木蘭辭》成詩年代芻議[J];鄭州航空工業(yè)管理學(xué)院學(xué)報(bào)(社會科學(xué)版);2008年01期

4 宋抵;《木蘭辭》所反映的時(shí)代特征[J];東北師大學(xué)報(bào);1982年03期

5 更生;;“樸朔迷離”注解補(bǔ)[J];汕頭大學(xué)學(xué)報(bào);1986年01期

6 閆永鋒;;略論《木蘭辭》留下的想象空間[J];文教資料;2012年05期

7 趙麗萍;劉精盛;;《木蘭辭》中的幾處注釋商榷[J];現(xiàn)代語文(教學(xué)研究版);2013年02期

8 馮欣;《木蘭辭》的真人真事[J];作文世界(高中版);2004年06期

9 馬曉玲;;試論《木蘭辭》中語言的詞匯模糊翻譯[J];昌吉學(xué)院學(xué)報(bào);2007年06期

10 陳宜民;;關(guān)于《木蘭辭》的“勛”“轉(zhuǎn)”辨疑[J];西南師范大學(xué)學(xué)報(bào)(人文社會科學(xué)版);1979年03期

相關(guān)重要報(bào)紙文章 前3條

1 王新;交響合唱《木蘭辭》為河南新年音樂會添彩[N];音樂周報(bào);2007年

2 漳縣一中 包小芳;淺談文言詩文閱讀理解的幾種思路[N];定西日報(bào);2009年

3 成知辛;解讀文學(xué)分析的要義[N];中華讀書報(bào);2008年

相關(guān)碩士學(xué)位論文 前2條

1 陳卓;《木蘭辭》網(wǎng)絡(luò)游戲的發(fā)展空間探析[D];山東藝術(shù)學(xué)院;2015年

2 何妮;木蘭故事轉(zhuǎn)換的跨文化研究[D];重慶師范大學(xué);2015年

，

本文編號：1736956