本文關(guān)鍵詞： 藝術(shù)體操 集體項(xiàng)目 協(xié)作動(dòng)作 空間構(gòu)成 空間運(yùn)用　出處：《北京體育大學(xué)》2017年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：藝術(shù)體操集體項(xiàng)目作為我國(guó)重點(diǎn)突破項(xiàng)目,在其曲折發(fā)展的過(guò)程中,深度挖掘我國(guó)集體項(xiàng)目存在的優(yōu)勢(shì)與不足,探索規(guī)則導(dǎo)向下集體項(xiàng)目的發(fā)展顯得尤為重要。協(xié)作動(dòng)作作為集體項(xiàng)目的重要組成部分,正朝著形式多樣化、動(dòng)作超難化、拋接復(fù)雜化及隊(duì)形多變化的方向發(fā)展。協(xié)作動(dòng)作的編排設(shè)計(jì)及完成質(zhì)量已成為影響比賽成績(jī)的重要因素之一。研究采用文獻(xiàn)資料法、問(wèn)卷調(diào)查法、視頻分析法以及數(shù)理統(tǒng)計(jì)法等,以2016年奧運(yùn)會(huì)和全國(guó)藝術(shù)體操錦標(biāo)賽中集體全能前八名隊(duì)伍成套動(dòng)作為分析對(duì)象,對(duì)國(guó)內(nèi)外藝術(shù)體操集體項(xiàng)目協(xié)作動(dòng)作及其空間運(yùn)用進(jìn)行對(duì)比分析,解析我國(guó)與世界優(yōu)秀隊(duì)伍之間存在的優(yōu)勢(shì)與不足,為提高我國(guó)藝術(shù)體操集體項(xiàng)目的協(xié)作動(dòng)作及其空間運(yùn)用水平以及科學(xué)訓(xùn)練提供參考。研究得出以下結(jié)論:(1)協(xié)作動(dòng)作成為集體項(xiàng)目難度發(fā)展的主流,與奧運(yùn)會(huì)隊(duì)伍相比,我國(guó)藝術(shù)體操集體項(xiàng)目選取協(xié)作動(dòng)作類(lèi)型具有一定的局限性,注重以C、CRR等類(lèi)型為編排重點(diǎn);完成質(zhì)量與奧運(yùn)會(huì)隊(duì)伍相比存在一定的差距。(2)協(xié)作動(dòng)作的發(fā)展注重在編排中對(duì)空間的充分利用,從身體動(dòng)作和器械動(dòng)作兩方面體現(xiàn)空間藝術(shù)性。協(xié)作動(dòng)作中,我國(guó)運(yùn)動(dòng)員身體動(dòng)作的空間運(yùn)用與奧運(yùn)會(huì)隊(duì)伍無(wú)明顯差異,主要以單層空間第二層次為主;器械運(yùn)動(dòng)的空間以垂直復(fù)合空間為主,奧運(yùn)會(huì)隊(duì)伍在注重運(yùn)用垂直復(fù)合空間的同時(shí),也將二層空間的使用作為編排重點(diǎn)。(3)從協(xié)作動(dòng)作隊(duì)形選用分析,我國(guó)集體隊(duì)伍緊跟世界優(yōu)秀隊(duì)伍的步伐,主要以不規(guī)則及直線(xiàn)形隊(duì)形為主,流動(dòng)性較強(qiáng)。(4)我國(guó)集體隊(duì)伍與奧運(yùn)會(huì)隊(duì)伍在場(chǎng)地跨區(qū)域及在各區(qū)域完成協(xié)作的頻數(shù)大體一致。其中,跨3-5個(gè)區(qū)域完成協(xié)作動(dòng)作的比例最大,跨8-9個(gè)區(qū)域的現(xiàn)象未出現(xiàn);在完成協(xié)作動(dòng)作時(shí)主要以中場(chǎng)方位5為主,方位6、方位7和方位8的運(yùn)用也較多,前場(chǎng)方位的運(yùn)用相對(duì)較少。(5)無(wú)身體旋轉(zhuǎn)類(lèi)協(xié)作動(dòng)作主要以動(dòng)態(tài)表現(xiàn)形式為主;有身體旋轉(zhuǎn)類(lèi)的協(xié)作動(dòng)作的表現(xiàn)形式因項(xiàng)目不同而有所差異,與奧運(yùn)會(huì)隊(duì)伍相比,我國(guó)集體隊(duì)伍5帶項(xiàng)目中通過(guò)的器械或同伴以動(dòng)態(tài)表現(xiàn)形式為主;6棒2圈項(xiàng)目中通過(guò)的器械或同伴以靜態(tài)表現(xiàn)形式為主。(6)提高我國(guó)藝術(shù)體操集體項(xiàng)目協(xié)作動(dòng)作空間呈現(xiàn)水平的措施主要為:提高教練員和運(yùn)動(dòng)員技術(shù)水平;提升教練員與運(yùn)動(dòng)員創(chuàng)新能力;加強(qiáng)教練員及運(yùn)動(dòng)員藝術(shù)素養(yǎng)及促進(jìn)與國(guó)際藝術(shù)體操交流。
[Abstract]:The rhythmic gymnastics collective project as the key breakthrough project in our country, in its tortuous development process, the depth excavates our country collective project existence superiority and the insufficiency. It is particularly important to explore the development of collective projects under the guidance of rules. As an important part of collective projects, cooperative actions are becoming diversified in form and extremely difficult in action. The design and quality of cooperative action has become one of the most important factors that affect the performance of the competition. The literature method and questionnaire method are used in the research. Video analysis and mathematical statistics, with the 2016 Olympic Games and the National rhythmic Gymnastics Championship in the group of the first eight teams for the analysis of the complete set of movements as the object of analysis. In this paper, the author makes a comparative analysis of the cooperative action and its spatial application of the collective events of rhythmic gymnastics at home and abroad, and analyzes the advantages and disadvantages of the excellent teams in China and the world. In order to improve the coordination of rhythmic gymnastics collective events and the level of spatial application and scientific training to provide a reference. The following conclusions: 1) Cooperative action has become the mainstream of the development of collective project difficulty. Compared with the Olympic team, there are some limitations in the selection of cooperative action types in the rhythmic gymnastics collective events in our country, and the emphasis is on the types of CRR and other types of rhythmic gymnastics. Compared with the Olympic team, there is a certain gap between the quality of completion and the Olympic team. 2) the development of cooperative action pays attention to the full use of space in the arrangement. In the cooperative movement, there is no obvious difference between the space application of the body movement of our country athletes and the Olympic team, and the second level of the single layer space is the main; The space of the equipment movement is mainly vertical compound space. The Olympic team pays attention to the use of vertical composite space, and at the same time, the use of the second layer space is also taken as the focus of arrangement. 3) the selection and analysis of the cooperative action formation is carried out. Our country's collective ranks follow the steps of the world's outstanding teams, mainly in irregular and linear formations. The frequency of cooperation between our collective team and Olympic team in the field and in each region is roughly the same. Among them, the proportion of cooperation action is the largest across 3-5 regions. No phenomena occurred across 8-9 regions; When accomplishing the cooperation action, the main action is midfield azimuth 5, azimuth 6, azimuth 7 and azimuth 8. The use of the front field orientation is relatively few. 5) No body rotation type of cooperative action is mainly in the form of dynamic expression; The manifestation of cooperative action with body rotation is different according to different events. Compared with the Olympic team, the instruments or peers passed in the five-belt events of our country's collective team are mainly in the form of dynamic expression. The instruments or peers passed in the 2 laps of 6 rods are mainly static expression. 6). The main measures to improve the level of cooperative action space of rhythmic gymnastics collective project in China are as follows: improving the technical level of coaches and athletes; Improve the innovation ability of coaches and athletes; Strengthen the artistic accomplishment of coaches and athletes and promote the exchange with international rhythmic gymnastics.
【學(xué)位授予單位】：北京體育大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：G834

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