中國古典詩詞是中國傳統(tǒng)文化的瑰寶,詞是其中重要組成部分,人們致力于從不同方面來探索和欣賞古典詩詞之美。中國詩詞的主題思想是由意象整合的,因而意象的研究對于理解詩詞意義至關(guān)重要。以往許多學(xué)者對中國古典詩詞意象進行了研究,多集中于文學(xué)、美學(xué)等角度,有部分學(xué)者從認知詩學(xué)角度分析,取得了許多成就。但是由于詞本身的晦澀難懂,研究數(shù)量較少。而且以往研究主要側(cè)重于意象的理解、分類,以此分析詞的含義、詩人時代與個人情懷,很少從認知詩學(xué)角度進行分析。我們基于認知詩學(xué)的圖式理論、認知語言學(xué)的概念整合理論研究,嘗試從認知詩學(xué)角度研究柳永羈旅詞的意象,解決以下幾個問題:(1)柳永羈旅詞的意象是如何分類的?(2)柳永羈旅詞的意象是如何在線建構(gòu)的?我們發(fā)現(xiàn)柳永羈旅詞中意象可分為實體意象和虛擬意象,前者包括客觀自然意象和社會意象。其中,客觀自然意象可分為七種意象,而社會意象包括五種。另外,柳永羈旅詞中的意象是通過圖式機制以及概念整合機制進行在線建構(gòu)的。具體來說,它們是通過圖式中的文學(xué)圖式的加強、更新和重構(gòu)而在線建構(gòu)的,過程中涉及概念整合,而在文學(xué)圖式的加強、更新與重構(gòu)中,文學(xué)圖式的生成涉及概念整合。本文運用圖式理論...

【文章頁數(shù)】：141 頁

【學(xué)位級別】：碩士

【文章目錄】：
Abstract
摘要
Introduction
    0.1 Background of the Study
    0.2 Research Questions of the Study
    0.3 Organization of the Thesis
Chapter One Literature Review
    1.1 Previous Studies of Liu Yong's Ci-poetry
        1.1.1 Studies from the Perspective of Literature
        1.1.2 Studies from the Perspective of Comparison
        1.1.3 Studies from the Perspective of Cognition
    1.2 Previous Studies of Classical Poetic Images
        1.2.1 The Definition of Image
        1.2.2 Studies from the Perspective of Literature
        1.2.3 Studies from the Perspective of Cognition
    1.3 Summary
Chapter Two Theoretical Foundation
    2.1 Schema Theory
        2.1.1 Introduction of Schema Theory
        2.1.2 Classifications of Schema Theory
        2.1.3 Improvement of Schema Theory
    2.2 Conceptual Blending Theory
        2.2.1 Introduction of Conceptual Blending Theory
        2.2.2 Network Model of Conceptual Blending
        2.2.3 Classifications of Blending Networks
    2.3 Summary
Chapter Three Classifications of Images in Liu Yong's Journey Ci-poetry
    3.1 Classification Criterion
    3.2 The Entitative Image
        3.2.1 The Objective Natural Image
        3.2.2 The Social Image
    3.3 The Virtual Image
    3.4 Summary
Chapter Four Schema Reinforcement and Conceptual Blending of Images in Liu Yong's Journey Ci-poetry
    4.1 The Operation of Schema Reinforcement and Conceptual Blending
    4.2 Case Studies of Schema Reinforcement and Conceptual Blending
        4.2.1 “ 萍（Duckweed)” and “梗（Straw)” in the Objective Natural Image
        4.2.2 “灞陵橋（Ba Ling Bridge）” in the Social Image
        4.2.3 “鳳(Phoenix)” in the Virtual Image
        4.2.4 Other Images
    4.3 Summary
Chapter Five Schema Refreshment, Restructuring and Conceptual Blending of Images in Liu Yong's Journey Ci-poetry
    5.1 Schema Refreshment and Conceptual Blending
        5.1.1 The Operation of Schema Refreshment and Conceptual Blending
        5.1.2 Case Studies of Schema Refreshment and Conceptual Blending
    5.2 Schema Restructuring and Conceptual Blending
        5.2.1 The Operation of Schema Restructuring and Conceptual Blending
        5.2.2 Case Studies of Schema Restructuring and Conceptual Blending
    5.3 Summary
Conclusion
Bibliography
Appendix Ⅰ
Appendix Ⅱ
Acknowledgements



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