【摘要】：中國(guó)現(xiàn)代小說(shuō)漫長(zhǎng)的發(fā)展歷程中,抒情化小說(shuō)一直占據(jù)著一定的位置,抒情化小說(shuō)的產(chǎn)生與發(fā)展一方面與譯介西方小說(shuō)有關(guān),另一方面則是中國(guó)源遠(yuǎn)流長(zhǎng)的抒情傳統(tǒng)的潛在影響。魯迅之后,相關(guān)作家包括廢名、沈從文、師陀、孫犁、汪曾祺等,他們的短篇小說(shuō)打破和詩(shī)歌、散文的界限,呈現(xiàn)出結(jié)構(gòu)散文化、語(yǔ)言詩(shī)意化、人物單純化、象征性意境渲染等特征。孫犁作為解放區(qū)作家,在當(dāng)時(shí)的戰(zhàn)爭(zhēng)環(huán)境以及解放區(qū)文藝為政治服務(wù)的背景下,把政治只是作為創(chuàng)作背景,不主動(dòng)去迎合政治,而是表現(xiàn)現(xiàn)實(shí)生活中美好的人、事、景物,他的清新自然的短篇小說(shuō)給當(dāng)時(shí)的文學(xué)領(lǐng)域帶來(lái)別樣的色彩。解讀孫犁1940年代的短篇小說(shuō),筆者在借鑒先前研究者的基礎(chǔ)上,運(yùn)用所學(xué)的敘事學(xué)和文化研究理論的知識(shí),具體將涉及敘事情節(jié)和結(jié)構(gòu)、日常生活、風(fēng)景敘述、性別、年齡等,對(duì)孫犁的作品進(jìn)行文本細(xì)讀,同時(shí)結(jié)合作者的人生軌跡,力求在分析日常生活和女性人物方面更加深入,并嘗試從風(fēng)景角度對(duì)孫犁的作品進(jìn)行解讀。本文總體從三個(gè)方面出發(fā),第一部分分析小說(shuō)中的日常生活,相較于情節(jié)性強(qiáng)的小說(shuō)而言,描寫(xiě)平淡重復(fù)的日常經(jīng)驗(yàn)無(wú)疑會(huì)造成小說(shuō)情節(jié)的淡化,而這卻是戰(zhàn)爭(zhēng)年代人們強(qiáng)烈渴望的生活狀態(tài);第二部分分析作品中的風(fēng)景,同魯迅等鄉(xiāng)土抒情小說(shuō)家類(lèi)似,孫犁也描寫(xiě)了故鄉(xiāng)的地方風(fēng)俗,有著深刻的故鄉(xiāng)情結(jié),在濃濃的思鄉(xiāng)之情之外,作者還象征性地表達(dá)了自己的革命樂(lè)觀主義情懷;第三部分分析作者極力描寫(xiě)的女性形象,她們是善良的、單純的、可愛(ài)的,通過(guò)贊美她們來(lái)贊揚(yáng)美好的人性。通過(guò)分析作品深入把握作家的精神世界,將作者和其他抒情化小說(shuō)家進(jìn)行比較,立足作者所處的時(shí)代背景,綜合了解作者的抒情性創(chuàng)作。
[Abstract]:In the long development of modern Chinese novels, lyric novels have always occupied a certain position. On the one hand, the emergence and development of lyric novels are related to the translation and introduction of Western novels. On the other hand, it is the potential influence of Chinese lyrical tradition. After Lu Xun, relevant writers include Fei Ming, Shen Congwen, Shi Tuo, and so on. Their short stories break the boundaries of poetry and prose, and present structural prose culture, poetic language, simple characters, etc. Symbolic mood rendering and other features. Sun Li, as a writer in the liberated areas, under the background of the war environment at that time and the literature and art in the liberated areas serving the politics, took politics as the background of creation and did not take the initiative to cater to the politics, but to express the beautiful people, events and scenery in real life. His fresh and natural short stories brought a different color to the literary field at that time. To interpret Sun Li's short stories in the 1940s, the author uses the knowledge of narratology and cultural research theory for reference on the basis of previous researchers, which will involve narrative plot and structure, daily life, landscape narration, sex, age, etc. The text of Sun Li's works is read carefully, and the author's life track is combined to try to analyze the daily life and the female characters more deeply, and try to interpret Sun Li's works from the view of scenery. The first part analyzes the daily life in the novel. Compared with the novel with strong plot, the daily experience of describing the dull repetition will undoubtedly lead to the desalination of the novel plot. This was the state of life that people yearned for during the war; The second part analyzes the scenery in the works, similar to Lu Xun and other local lyrical novelists. Sun Li also describes the local customs of his hometown, has a profound hometown complex, in addition to the strong feeling of homesickness. The author also symbolically expresses his feelings of revolutionary optimism; In the third part, the author analyzes the images of women, who are kind, simple and lovely. They praise the beautiful human nature by praising them. By analyzing the writer's spiritual world, the author and other lyrical novelists are compared, and based on the background of the author's time, the author's lyric creation is comprehensively understood.
【學(xué)位授予單位】：山西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：I207.427

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