發(fā)布時(shí)間：2019-01-17 17:47

【摘要】：明代傳奇作家周朝俊,是萬(wàn)歷時(shí)期重要的戲曲作家�！都t梅記》是其僅存的代表作,也是我國(guó)戲曲史上的優(yōu)秀作品,成為歷代戲曲舞臺(tái)上不斷上演的經(jīng)典劇目。歷代文人、學(xué)者從不同方面對(duì)周朝俊《紅梅記》做研究,但是在傳播方面,還沒(méi)有系統(tǒng)、全面的研究。本文從“傳播”的角度,從文本、演出、評(píng)點(diǎn)、圖像、近現(xiàn)代傳播等方面入手,結(jié)合中國(guó)戲曲發(fā)展的歷史大背景,對(duì)《紅梅記》自成書(shū)至今的傳播情況作了較為詳細(xì)的分析和梳理。本文以周朝俊《紅梅記》為研究對(duì)象,分為五章,力圖多側(cè)面、多角度,綜合、全面地對(duì)《紅梅記》傳播情況進(jìn)行論述,并在此基礎(chǔ)上,對(duì)中國(guó)古代戲曲的傳播規(guī)律作總結(jié)和歸納。第二章對(duì)《紅梅記》的文本傳播情況以及特點(diǎn)進(jìn)行梳理�，F(xiàn)存的全本有五種,分別是《玉茗堂批評(píng)紅梅記》《新刊出相點(diǎn)板紅梅記》《新刻袁中郎先生批評(píng)紅梅記》、明萬(wàn)歷師儉堂刻本《丹桂記》、明萬(wàn)歷寶珠堂刻本《丹桂記》。其中,寶珠堂本與師儉堂本極其相似,如出一手。據(jù)張秀民《明代印書(shū)最多的建寧書(shū)坊》一文可知,建陽(yáng)別稱“潭陽(yáng)”。據(jù)《宋代“建本”地名考釋》一文可知,“富沙”即建陽(yáng)別稱。由此可見(jiàn)“富沙儆韋蕭鳴盛校閱”或“潭陽(yáng)蕭儆韋鳴盛校閱”均為“建陽(yáng)蕭鳴盛校閱”。而建陽(yáng)師儉堂堂主蕭騰鴻之叔即蕭鳴盛,可見(jiàn)師儉堂與寶珠堂有關(guān)系應(yīng)該是無(wú)疑的。此外,較為特殊的是現(xiàn)存全本《玉茗堂批評(píng)紅梅記》,將其單列一節(jié),分別從人物形象、關(guān)目結(jié)構(gòu)、曲白科諢三個(gè)方面對(duì)進(jìn)行梳理、分析。第五章從報(bào)刊、電影、電視、網(wǎng)絡(luò)四個(gè)角度進(jìn)行分析。報(bào)刊傳播也是《紅梅記》傳播的重要手段,其中《申報(bào)》中有涉及《紅梅記》演出的記載。本章在電影方面,分析和總結(jié)了由《紅梅記》改編的兩部電影,分別是1981年劉瓊導(dǎo)演、胡芝風(fēng)主演的戲曲電影《李慧娘》和2012年黎妙雪導(dǎo)演、舒淇、余文樂(lè)等主演的電影《情謎》。通過(guò)對(duì)電影劇情、鏡頭、舞臺(tái)背景、空間處理、音樂(lè)、敘事結(jié)構(gòu)等方面的分析,總結(jié)出這兩部戲曲電影的鮮明特點(diǎn)。電視方面,主要對(duì)由《紅梅記》改編的電視劇《天師鐘馗之紅梅閣》進(jìn)行分析,從敘事手法、人物設(shè)置、戲劇沖突等方面分析,其與原劇本相比,變化較多,但是中心思想并未改變。
[Abstract]:Zhou Chaojun, a legendary writer of Ming Dynasty, is an important opera writer in Wanli period. Hongmei Ji is his only representative work and an excellent work in the history of Chinese opera. Scholars and scholars from different aspects of Zhou Chaojun Hongmei Ji did research, but in the field of communication, there is no systematic, comprehensive research. From the angle of "communication", from the aspects of text, performance, comment, image, modern communication and so on, this paper combines the historical background of the development of Chinese opera. This paper makes a detailed analysis and combing of the spread of the Red Plum Book. This article takes Zhou Chaojun's the Red Plum Chronicles as the research object, divides into five chapters, tries hard to many sides, the many angles, synthetically, comprehensively carries on the elaboration to the red plum book dissemination situation, and on this basis, Summarize and summarize the spreading law of ancient Chinese opera. The second chapter combs the text dissemination and characteristics of Red Plum Chronicles. There are five kinds of the extant edition: Yuming Tang criticizes Red Plum Chronicles; A New print of Red Plum Chronicles; A New inscription of Mr. Yuan Zhonglong's criticism of Red Plum; a Ming Wanli Dianshitang inscription of Dan Gui Ji; and Ming Wanli Baozhtang inscription on Dangui Chronicles. Among them, Baozhu Tang and teacher thrift this very similar, such as a hand. According to Zhang Xiumin, Jianning Book Workshop, which printed most books in Ming Dynasty, Jianyang is also called Tan Yang. According to the Song Dynasty, "Jian Ben" geographical names textual research "one article," Fusha "is another name of Jianyang. It can be seen that "rich sand watch Wei Xiaoming's reading" or "Tan Yang Xiao watch Wei Mingsheng's reading" are "Jianyang Xiao Mingsheng's school reading". And Jianyang teacher Hsiao Ming-sheng, the uncle of Hsiao Teng-hung, can see that the relationship between Shijian Hall and Baozhu Hall should be doubtless. In addition, the more special is the extant "Yuming Tang criticism of the Red Plum", a separate section, respectively from the character image, the structure of the subject, qu Baike gag three aspects of combing, analysis. The fifth chapter analyzes from four angles of newspaper, film, television and network. Newspaper communication is also an important means of dissemination of the Red Plum Chronicles, in which there are records of the performance of the Red Plum Chronicles. In this chapter, the author analyzes and summarizes two films adapted from Red Plum Chronicles, which are directed by Liu Qiong in 1981, the drama film "Li Hui-Niang" starring Hu Zhifeng, and the film directed by Li Miaoxue and Shu Qi in 2012. Yu Wenle, et al. Through the analysis of film plot, lens, stage background, space processing, music, narrative structure and so on, this paper summarizes the distinct characteristics of these two drama films. On television, the TV series "Red Plum Chronicles" is mainly analyzed from the aspects of narrative techniques, character settings, dramatic conflicts, and so on. Compared with the original script, it has changed a lot. But the central idea has not changed.
【學(xué)位授予單位】：山西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：I207.37

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