【摘要】：整體觀之,魯迅是以諷刺來營構(gòu)其藝術(shù)大廈的,其小說特別是雜文的一個重要手法是諷刺,可以分為三個方面:其一,對于那些“哀其不幸怒其不爭”的阿Q、祥林嫂、孔乙己們,魯迅是以表面冷靜實則充滿溫暖地進行“熱諷”的;其二,對那些專制暴君及其幫忙幫閑的文人,予以無情的冷嘲;其三,對于自我,抱持一定的反諷態(tài)度。莫言的文學(xué)創(chuàng)作與魯迅有著一種內(nèi)在的聯(lián)系,又是對后者獨具一格的繼承與發(fā)展。他借鑒了魯迅對自我、歷史、人性和時代的反思批判精神,又發(fā)揮了自己的優(yōu)長,并根據(jù)所置身的時代和社會的特點,大量地、高頻地、高超地運用和創(chuàng)造了許多從手法、修辭、審美來說稱得上是反諷的作品。莫言往往借助荒誕空靈、汪洋恣肆的意象和想象,吸收民間文學(xué)和文化資源,特別結(jié)合了自嘲,以其來自于生命體驗而凝練成的反諷,喜劇化地進行各種滑稽敘述實驗,最后營構(gòu)了自己的高密東北鄉(xiāng)奇異虛幻、充滿魔幻色彩的小說世界。
[Abstract]:On the whole, Lu Xun uses satire to construct his art edifice. One of the important techniques in his novels, especially essays, is satire, which can be divided into three aspects: first, to those Ah Q who "mourn his misfortune and anger his anger," Xianglin Sister. Kong Yiji, Lu Xun carried out "hot irony" on the surface of calm, but full of warmth; second, to those despotic tyrants and their help to help the literati, to give ruthless cold mockery; third, to hold a certain ironic attitude towards themselves. Mo Yan's literary creation has an internal relation with Lu Xun, and it is a unique inheritance and development of the latter. He drew lessons from Lu Xun's critical spirit of reflection on himself, history, human nature and times, and gave play to his own merits, and according to the characteristics of the times and society he placed himself in, he used and created a lot of techniques in a large, high-frequency and superb manner. Rhetoric, aesthetically speaking, is an ironic work. Mo Yan often absorbs folklore and cultural resources with the help of absurd and empty spirits, wanton imagery and imagination, and especially combines self-mockery with satire from the life experience, and carries out various comic narrative experiments in a comic way. At last, Ying-ying constructs his strange fictional world full of magic colors in the Northeast Township of Gaomi.
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本文編號：2240440