發(fā)布時間：2018-04-29 21:21

  本文選題：唐詩 + 游牧民族�。� 參考：《民族文學(xué)研究》2017年02期

【摘要】：唐王朝開放強(qiáng)大,持續(xù)實(shí)行的兼容并蓄、為我所用的文化政策,推動了中原漢文化與北方游牧民族文化的交流融合。以羯鼓、羌笛、胡琴、箜篌、夞篥等為代表的北方游牧民族樂器大量傳入中原地區(qū),豐富了中原樂器的種類及其演奏,促進(jìn)了詩與音樂的進(jìn)一步融合。其中,羯鼓、羌笛由于音質(zhì)特別、表現(xiàn)力豐富,不同于傳統(tǒng)的雅樂,受到了唐人的廣泛重視和歡迎,對此唐詩中有大量的描寫。
[Abstract]:The cultural policy of the Tang Dynasty, which was open and powerful, continued to be carried out, and was used by me, promoted the exchange and fusion between the Han culture of the Central Plains and the nomadic culture of the North. The northern nomadic musical instruments, represented by kanggu, Qiang flute, Hu Qin, harp and Hou Li, were introduced into the Central Plains, which enriched the types and performances of the instruments and promoted the further integration of poetry and music. Among them, kanggu and Qiang flute are widely valued and welcomed by Tang people because of their special sound quality, rich expressiveness and different from traditional elegant music, and there are a lot of descriptions about them in Tang poetry.
【作者單位】： 內(nèi)蒙古大學(xué)文學(xué)與新聞傳播學(xué)院;
【分類號】：I207.22

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本文編號：1821590