發(fā)布時(shí)間：2018-03-24 03:32

  本文選題：宋代　切入點(diǎn)：俳諧詩(shī)　出處：《浙江大學(xué)》2016年博士論文

【摘要】：作為一種詩(shī)歌體裁與藝術(shù)表現(xiàn)形式,俳諧詩(shī)一直存在于古典詩(shī)歌中,在傳統(tǒng)"詩(shī)言志"、"詩(shī)緣情"、"溫柔敦厚"的體系之外形成了另一種詩(shī)歌現(xiàn)象。不過(guò),由于俳諧一詞與俳優(yōu)的淵源關(guān)系,以及傳統(tǒng)詩(shī)學(xué)中以"詩(shī)言志"為代表的儒家詩(shī)旨與"感物"、"緣情"說(shuō)為代表的情感論的影響,使我們輕視、忽略了俳諧詩(shī)的價(jià)值。但到了宋代,俳諧詩(shī)呈現(xiàn)出蔚為大觀的景象。俳諧是宋詩(shī)的重要宗旨與藝術(shù)特色,同時(shí)又關(guān)乎宋人的審美趨向、思想性格與生命意識(shí),值得引起我們的重視。本文的緒論部分,主要考察了俳諧一詞的歷史與文化語(yǔ)境,進(jìn)而分析了俳諧詩(shī)為何會(huì)遭到后人輕視的原因;同時(shí)對(duì)宋代俳諧詩(shī)的研究現(xiàn)狀與研究意義加以評(píng)述。二、三兩章,著力闡明俳諧的發(fā)生機(jī)制,通過(guò)對(duì)俳諧詩(shī)的表現(xiàn)類型的梳理,進(jìn)一步確認(rèn)了俳諧的內(nèi)涵與意義,并對(duì)宋前俳諧詩(shī)的發(fā)展歷史與表現(xiàn)形態(tài)作了簡(jiǎn)要回顧。第四章探討宋代俳諧之風(fēng)的社會(huì)背景,通過(guò)對(duì)各類史料筆記的鉤稽與辨析,縷述了宋人普遍的俳諧性格與俳諧在宋人生活中的種種表現(xiàn)與妙用。五至七章,通過(guò)對(duì)宋人對(duì)詩(shī)歌游戲功能的重視、對(duì)悲哀的轉(zhuǎn)化、以及以趣眼觀物的生命情趣的觀照,從文學(xué)——文學(xué)精神——時(shí)代精神的相互關(guān)聯(lián)中揭示了宋代俳諧詩(shī)的生成場(chǎng)域與功能表現(xiàn)。第八章則立足文本研究,對(duì)宋詩(shī)中的俳諧手法進(jìn)行了歸納與闡釋。
[Abstract]:As a form of poetic genre and artistic expression, comic poetry has always existed in classical poetry. It has formed another poetic phenomenon outside the traditional system of "poetic ambition", "poetic affection" and "gentleness and kindness". Because of the relationship between the word "humorous" and "excellent", as well as the influence of the Confucian poetry tenor and "feeling" and the "feeling" theory in traditional poetics, it makes us despise, because of the influence of the traditional poetics, which is represented by the "poetic expression" and the "feeling of objects", which is represented by the theory of "fate". But in the Song Dynasty, the comic poem presents a great spectacle. It is the important purpose and artistic feature of the song poetry, and it also relates to the aesthetic trend, the ideological character and the life consciousness of the Song people, at the same time, it is related to the aesthetic trend of the Song people, the ideological character and the consciousness of life. The introduction of this paper mainly examines the historical and cultural context of the word "playful", and then analyzes the reason why the humorous poetry will be despised by later generations; At the same time, it comments on the research status and significance of the comic poems in the Song Dynasty. Chapter two, two or two chapters, try to clarify the mechanism of the comic poems, and further confirm the connotation and significance of the comedy poems through combing the performance types of the comic poems. Chapter four discusses the social background of the style of humor in the Song Dynasty, and analyzes and analyzes the notes of all kinds of historical materials, through a brief review of the development history and performance of the comic poems before the Song Dynasty, the fourth chapter discusses the social background of the style of humor in the Song Dynasty. This paper narrates the various performances and wonderful uses of the common playful character and the playful character of the Song people in the life of the Song people. Chapter five to seven, through the Song people's attention to the function of poetry game, the transformation of the sorrow, as well as the view of the life interest with the interesting eyes, From the interrelation of literature, literature spirit and times spirit, this paper reveals the field and function of the generation of comic poems in Song Dynasty. The eighth chapter, based on the text research, sums up and explains the playful techniques in Song poetry.
【學(xué)位授予單位】：浙江大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2016
【分類號(hào)】：I207.22

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 劉成國(guó);;論王安石的翻案文學(xué)[J];浙江社會(huì)科學(xué);2014年02期

2 王毅;;“俳諧”考論——以詩(shī)詞為中心[J];文藝?yán)碚撗芯?2012年04期

3 蘇瑞隆;;漢魏六朝俳諧賦初探[J];南京大學(xué)學(xué)報(bào)(哲學(xué).人文科學(xué).社會(huì)科學(xué)版);2010年05期

4 陳湘琳;;衰痛·哀慟·孤獨(dú):歐陽(yáng)修晚年的生命底色[J];浙江學(xué)刊;2010年03期

5 劉成國(guó);;宋代俳諧文研究[J];文學(xué)遺產(chǎn);2009年05期

6 杜新艷;;晚清報(bào)刊詼諧文學(xué)與諧趣文化潮流[J];中國(guó)現(xiàn)代文學(xué)研究叢刊;2008年05期

7 王德明;;從陸游的“戲作”看其詩(shī)歌創(chuàng)作的幽默調(diào)侃風(fēng)格[J];中國(guó)文學(xué)研究;2008年02期

8 熊海英;;“游戲于斯文”——論北宋集會(huì)詩(shī)歌的競(jìng)技與諧謔性質(zhì)[J];中華文化論壇;2008年01期

9 丁一清;;論關(guān)漢卿雜劇中的詼諧手法[J];淮海工學(xué)院學(xué)報(bào)(社會(huì)科學(xué)版);2007年03期

10 祝尚書(shū);;論宋代的鹿鳴宴與鹿鳴宴詩(shī)[J];學(xué)術(shù)研究;2007年05期

相關(guān)博士學(xué)位論文 前3條

1 李錦;唐代幽默文學(xué)研究[D];陜西師范大學(xué);2006年

2 熊海英;北宋文人集會(huì)與詩(shī)歌[D];復(fù)旦大學(xué);2005年

3 徐可超;漢魏六朝詼諧文學(xué)研究[D];復(fù)旦大學(xué);2003年

相關(guān)碩士學(xué)位論文 前4條

1 徐煜輝;黃庭堅(jiān)戲題詩(shī)研究[D];安徽大學(xué);2012年

2 鄒天蘭;作為基本美學(xué)范疇的“幽默”[D];廈門大學(xué);2007年

3 王毅;宋代俳諧詞研究[D];南京師范大學(xué);2003年

4 唐麗麗;寓莊于諧　透視社會(huì)——明代詼諧小說(shuō)散論[D];山東師范大學(xué);2003年

，

本文編號(hào)：1656548