本文關(guān)鍵詞： 富連成社 牛子厚 建立者 戲曲教育 八科 藏本 人才培養(yǎng) 舞臺(tái)演出 葉盛章 美學(xué)意義 　出處：《中國(guó)出版》2017年08期 　論文類(lèi)型：期刊論文

【摘要】：正富連成社(簡(jiǎn)稱(chēng)富社),1904年由葉春善先生在富紳牛子厚支持下創(chuàng)辦,開(kāi)創(chuàng)了戲曲教育成體制、成規(guī)模的京劇人才培養(yǎng)模式。培養(yǎng)了"喜、連、富、盛、世、元、韻、慶"八科超過(guò)700名京劇藝術(shù)各行人才,是中國(guó)歷史上跨度最長(zhǎng)、培養(yǎng)人才最多的京劇科班。富社保存、整理、改編、上演了400多出劇目,堪稱(chēng)京劇劇目體系的建立者和集大成者。這些作品對(duì)于探索京劇劇目發(fā)展的歷史軌跡、京劇歷史,乃至研究清代以來(lái)民間演劇的內(nèi)容形態(tài)和美學(xué)意義
[Abstract]:In 1904, established by Mr. Ye Chunshan under the support of the rich gentry Niu Zi-hou, the Cheng Fu Liancheng Society (referred to as "Fu-Liancheng" for short) pioneered a system of opera education, which became a large-scale training model for Peking Opera talents. "Happy, even, rich." Sheng, Shi, Yuan, Yun, Qing "eight branches of more than 700 people in the art of Peking Opera, is the longest span in Chinese history, training the most talented people in the branch of Peking Opera. Fu Society to preserve, collate, adapt. More than 400 operas have been staged, which can be regarded as the founder and master of the Beijing opera repertoire system. These works are useful for exploring the historical track of the development of Beijing opera repertoire and the history of Beijing opera. Even study on the content form and Aesthetic significance of Folk Drama since Qing Dynasty
【作者單位】： 北京外國(guó)語(yǔ)大學(xué)藝術(shù)研究院;
【分類(lèi)號(hào)】：I207.3
【正文快照】： 富連成社(簡(jiǎn)稱(chēng)富社),1904年由葉春善先生在富紳牛子厚支持下創(chuàng)辦,開(kāi)創(chuàng)了戲曲教育成體制、成規(guī)模的京劇人才培養(yǎng)模式。培養(yǎng)了“喜、連、富、盛、世、元、韻、慶”八科超過(guò)700名京劇藝術(shù)各行人才,是中國(guó)歷史上跨度最長(zhǎng)、培養(yǎng)人才最多的京劇科班。富社保存、整理、改編、上演了40，

本文編號(hào)：1453069