本文關(guān)鍵詞： 清末民初 才德觀 閨秀詩評(píng)　出處：《江漢論壇》2017年06期 　論文類型：期刊論文

【摘要】：女性的才德問題是清末民初閨秀詩評(píng)關(guān)注的熱點(diǎn)。前期的閨秀詩評(píng)普遍重婦德而不廢才藝,但才德之間已開始出現(xiàn)裂縫,部分調(diào)和派閨秀詩評(píng)者表現(xiàn)出矛盾或游移的態(tài)度。在開明人士的推進(jìn)下,受外部因素影響,后期的閨秀詩評(píng)已開始接受女子才藝為主的思想,這歷經(jīng)了艱難的過程,部分閨秀詩評(píng)者甚至以才為本。
[Abstract]:The issue of women's talent and morality is the focus of the criticism of purdah poems in the late Qing Dynasty and the beginning of the Republic of China. In the early stage of the critique of boudoir poems, women's morality was generally emphasized rather than talent, but the cracks between them began to appear. Some conciliators of boudoir poems showed contradictory or wandering attitude. Under the push of enlightened personage, influenced by external factors, the later criticism of boudoir poetry began to accept the thought of women's talent and skill. This has gone through a difficult process, some critics of boudoir poetry even based on talent.
【作者單位】： 湖北大學(xué)文學(xué)院;
【基金】：國家社會(huì)科學(xué)基金一般項(xiàng)目“清末民初文學(xué)批評(píng)轉(zhuǎn)型研究”(15BZW029)
【分類號(hào)】：I207.22
【正文快照】： 項(xiàng)目編號(hào):國家社會(huì)科學(xué)基金一般項(xiàng)目“清末民初文學(xué)批評(píng)轉(zhuǎn)型研究”(15BZW029)批評(píng)的人格化一直是中國傳統(tǒng)批評(píng)的顯著特征,在閨秀詩評(píng)中表現(xiàn)得尤其鮮明,女性的才德觀成為閨秀詩評(píng)匯聚的焦點(diǎn)。明中后期的閨秀詩評(píng)還注重女子才藝,清初的閨秀詩評(píng)承繼其緒,宣講節(jié)烈,但不廢才藝,反

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