本文關(guān)鍵詞：明清時期詩文難易之辨　出處：《文學(xué)遺產(chǎn)》2017年03期 　論文類型：期刊論文

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【摘要】：詩文難易之辨肇端于晚唐,而盛行于明清。此論題不僅關(guān)乎作家的創(chuàng)作能力和技巧,還與批評家的文學(xué)思想、文體觀念密切相關(guān)。因此,梳理關(guān)于這一論題的爭鳴過程,具有重要的文學(xué)思想史意義。它不僅能深化對詩文文體功用、體性特征和創(chuàng)作要領(lǐng)的認(rèn)識,更為考察不同時代文學(xué)思潮的嬗變提供了獨特視域。從"詩難于文"的傳統(tǒng)和主流觀念到明清時期"文難于詩"等異響別調(diào)的出現(xiàn),正是對詩文性質(zhì)、功用及文體尊卑的認(rèn)識發(fā)生變化的自然結(jié)果。
[Abstract]:This thesis is not only related to the writers' creative ability and skills, but also closely related to the critics' literary thoughts and literary ideas. It is of great significance in the history of literary thought to sort out the contending process of this thesis. It can not only deepen the understanding of the functions, characteristics and creative essentials of poetry and prose. From the tradition and mainstream concept of "poetry is difficult to write" to the appearance of "poetry is difficult to poetry" in Ming and Qing dynasties, it is the nature of poetry and prose that provides a unique horizon for the evolution of literary trends in different times. The natural result of the change in the perception of the superiority of function and style.
【作者單位】： 中山大學(xué)中文系;
【基金】：中山大學(xué)2016年度重大項目培育和新興交叉學(xué)科資助計劃“古代別集編纂體例與文學(xué)觀念研究”(項目編號16wkjc21)階段性成果
【分類號】：I206.2
【正文快照】： 詩文之辨是宋代以來重要的文學(xué)批評論題。許多作家和批評家反對以文為詩、以詩為詞等創(chuàng)作現(xiàn)象,強調(diào)文各有體,主張嚴(yán)守詩、文的文體界限,并具體探討了詩、文在文體性質(zhì)、功用、藝術(shù)手法、審美風(fēng)格等方面的差異。對此,學(xué)界已有較多研究(1)。然而至明清時期,興起了一個討論頗為熱，

本文編號：1423775