本文關鍵詞：“山”“風”“竹”“日”在鄭板橋詩歌中的意蘊　出處：《山東師范大學》2017年碩士論文　論文類型：學位論文

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【摘要】：作為清代中期一位富有個性的詩人,“三絕詩書畫”的鄭板橋以其獨特的人格魅力和書畫作品著稱于世。鄭板橋偏愛蘭、竹、石,欣賞它們所具有的君子之風,除此之外,鄭板橋詩歌中還有著諸多形象,如“山”、“風”、“日”等�！吧健痹卩嵃鍢蛟姼柚谐霈F(xiàn)了188次,“風”在鄭板橋詩歌中出現(xiàn)了177次,“日”在鄭板橋詩歌中出現(xiàn)75次。在“蘭”、“竹”、“石”之外,“山”、“風”、“日”是鄭板橋詩歌中出現(xiàn)頻率最高的三個形象。詩人偏愛自然中的事物,這也體現(xiàn)出詩人對于本真自然生活的獨特感悟與體驗。關于這些獨特形象所體現(xiàn)的鄭板橋詩歌的內蘊,還有待于深入分析與進一步挖掘。本文以鄭板橋詩歌為研究對象,主要選取了詩歌中出現(xiàn)較多的“山”、“風”、“竹”、“日”四個形象進行詳細深入的分析。緒論部分,陳述了選題的意義以及本課題的研究現(xiàn)狀。第一章主要論述了鄭板橋詩歌的創(chuàng)作概況。鄭板橋喜歡將自然事物作為詩歌中的描繪對象,這受到當時性靈文學思潮的影響,也與詩人親近自然,超脫世俗的個性特征有著密切的關系。在鄭板橋的詩歌中,自然事物出現(xiàn)的頻率相對較多,在我們所熟知的“蘭”、“竹”、“石”之外,“山”、“風”、“日”是鄭板橋詩歌中出現(xiàn)頻率最高的三個形象,它們有著豐富的意蘊,承載著詩人獨特而細膩的情感,值得進一步去探究。第二章主要論述鄭板橋詩歌中“山”的意蘊。本部分共分為兩個小節(jié),第一節(jié)是鄭板橋詩歌“山”形象的概說,分別從“山”的不同表現(xiàn)形態(tài)、以及山與其它形象的結合這幾個方面展開論述;第二節(jié)主要分析“山”的內蘊,從隱逸之山、永恒之山和友誼之山三個方面進行論述,分析它們所表現(xiàn)的詩人超脫塵俗的精神追求以及深沉的歷史之思,還有它們所見證的詩人與友人之間的深厚情誼。第三章主要論述鄭板橋詩歌中“風”的意蘊。本部分亦是分為兩個小節(jié),第一節(jié)是鄭板橋詩歌“風”形象的概說,分別從“風”的不同表現(xiàn)形態(tài)以及“風”與其它形象的組合兩個方面進行論述;第二節(jié)是“風”形象的內蘊,從它所表現(xiàn)的詩人的瀟灑自適的人生意趣、荒寒悲涼的心緒以及濟世澤民的仁者之心三個方面展開論述。第四章主要論述鄭板橋詩歌中“竹”的意蘊。本章也包括兩小節(jié),第一節(jié)是鄭板橋詩歌“竹”形象的概說,從“竹”的不同形態(tài)以及“竹”與其它形象的組合兩個方面展開論述;第二節(jié)是“竹”形象的內蘊,從堅韌頑強的生命個性、清高孤傲的品格和澄明寧靜的心靈體驗三個方面進行論述,分析它所承載的詩人的人格理想與精神追求。第五章主要論述鄭板橋詩歌中“日”的意蘊。本章包括兩小節(jié),第一節(jié)是鄭板橋詩歌“日”形象的概說,分別從“日”的不同表現(xiàn)形態(tài)、“日”與其它形象的組合兩個方面進行論述;第二節(jié)是“日”形象的內蘊,從它所表現(xiàn)出的詩人豪邁曠達的心境和獨特的生命體驗兩個方面展開論述。本文采用定性分析與定量分析的研究方法,選取鄭板橋詩歌中有關“山”、“風”、“竹”、“日”等形象的詩歌進行專門論述,以詩學和美學的相關理論為支撐,深入分析這四個形象所承載的詩人情感以及深層意蘊。創(chuàng)新之處在于聯(lián)系詩人具體的生活背景和個性特點,對詩歌中出現(xiàn)的“山”、“風”、“竹”、“日”形象本身的特點進行探究,尋找它們自身的特質與詩人情感之間的契合點,在此基礎上探究詩人的情感世界和精神追求。同時,通過與其它形象的結合分析,挖掘這些詩歌形象所具有的深層意蘊,并進行專題的論述。
[Abstract]:As a rich personality of the poet in the middle of Qing Dynasty, "three wall painting" Zheng Banqiao with its unique charm of personality and works of calligraphy and painting is famous in the world. Zheng Banqiao is fond of orchid, bamboo, stone, appreciate them with a gentleman, in addition, in the poetry of Zheng Banqiao and the image, such as "mountain", "wind", "day". The "mountain" appears 188 times in Zheng Banqiao's poems, "wind" appears 177 times in Zheng Banqiao's poems, "day" in Zheng Banqiao's poetry appeared 75 times. In the "blue", "bamboo", "stone", "mountain", "the wind", "day" is the highest frequency of the three image appeared in Zheng Banqiao's poetry. Poets prefer things in nature, it also reflects the unique feeling and experience of life. The poet for the true natural connotation embodied on the unique image of Zheng Banqiao's poetry, has yet to be further in-depth analysis and mining. In this paper, Zheng Banqiao's poetry as the research object, mainly selected more poetry in the "mountain", "wind", "bamboo", "detailed in-depth analysis on" four images. The part of the introduction, describes the significance of the topic and research status of this topic. The first chapter mainly discusses the creation of Zheng Banqiao poetry. Zheng Banqiao will love the nature of things as the object depicted in poetry, which was influenced by the spiritual literature, and the poet also close to nature, detached secular personality characteristics are closely related. In Zheng Banqiao's poetry, nature frequency of relatively large, we are familiar with the "blue". "Bamboo", "stone", "mountain", "wind", "day" is the highest frequency of the three image appeared in the poetry of Zheng Banqiao, they have a rich connotation, carrying the poet unique and exquisite feeling, it is worth further To explore. The second chapter mainly discusses Zheng Banqiao's poetry in the "mountain" meaning. This part is divided into two sections, the first section is a summary of Zheng Banqiao's "mountain" image, "respectively from different forms, and the combination of mountain mountain and other aspects of the image of the second section; analysis of the connotation of" mountain ", from the three aspects of hermit mountain, mountain and eternal friendship mountain were discussed, analysis of the embodiment of the poet otherworldly spiritual pursuit and deep historical thinking, and between the poet and the friends they have witnessed the profound friendship. The third chapter mainly discusses Zheng Banqiao's Poetry" the wind "meaning. This part is divided into two sections. The first section is a summary of Zheng Banqiao's poetry" wind "image", respectively from the two aspects of different forms of wind "and" the combination of wind and other image in theory The second section is the connotation of "wind;" image, it appears from the poet's natural adaptive life charm, three aspects and sad mood and its zhangzemin benevolence. The fourth chapter mainly discusses Zheng Banqiao's poetry in the "bamboo" meaning. This chapter also includes two sections, the first section is a summary of Zheng Banqiao poetry "bamboo" image, discusses from two aspects of different forms of bamboo "and" combination of bamboo "and other images; the second section is the connotation of" bamboo "image, from the tenacious life personality, aloof aloof character and clarity of a quiet mind experience three aspects this personality ideal and spiritual pursuit of its poet. The fifth chapter mainly discusses Zheng Banqiao's poetry in the" day "meaning. This chapter includes two sections. The first section is a summary of Zheng Banqiao's poetry", "image, from" Different forms of day "," two aspects "and other image combination are discussed; the second section is the connotation of" day "from the image, it displays the poet bold and broad-minded mood and unique life experience two aspects. This paper adopts the research methods of qualitative analysis and quantitative analysis. The" mountain "in Zheng Banqiao's poems," wind "," bamboo "," day ", the image of poetry devoted to, with the theories of poetics and aesthetics as the support, in-depth analysis of the four image bearing poets emotion and implication. Innovation is the life background and personality characteristics of contact poet specifically, the poetry appeared in the" mountain "," wind "," bamboo "," day "image itself to explore, to find a meeting point between the characteristics of their own and the poet's emotion, on the basis of exploring the poet's love At the same time, through the analysis of the combination of other images, the deep meaning of these poetic images is excavated and the topic is discussed.

【學位授予單位】：山東師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I207.22

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本文編號：1422073