本文關(guān)鍵詞：清代唐詩總集序跋研究　出處：《上海師范大學(xué)》2016年博士論文　論文類型：學(xué)位論文

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【摘要】：歷代唐詩總集尤其清代唐詩總集中很多有價值的序跋、小引和凡例,至今沉睡在各圖書館古籍部,是未被開掘的渾金璞玉,需刮垢磨光進行系統(tǒng)的學(xué)術(shù)清理,從而發(fā)揮其應(yīng)有的文獻和學(xué)理價值。本文“清代唐詩總集序跋研究”,最大特色是發(fā)現(xiàn)新材料、闡釋新材料。文章以今存二百五十馀種清代唐詩總集為依托,以“序跋”研究為立足,致力發(fā)掘序跋文獻價值、詩學(xué)價值。統(tǒng)論之,著力凸顯清代唐詩總集序跋的內(nèi)涵與價值,辨識總集與別集序跋差異,明確清代唐詩總集的類型差異與序跋的不同特色,分析序跋的基本文獻問題,考察清代唐詩總集序跋體現(xiàn)的編纂思想,探究清代唐詩總集序跋與清人的詩學(xué)觀�；诖�,共分五章。第一章為唐詩總集編纂史述論,梳理歷代唐詩總集,為序跋研究奠定基礎(chǔ)。經(jīng)梳理可見,唐詩總集編纂呈階段性特征:由唐五代的興盛,宋金元的低潮,明代的復(fù)興,至清代進入集大成時期。清代唐詩總集量大質(zhì)高,編選種類齊備。第二章揭示清代唐詩總集的類型差異構(gòu)成其序跋不同特色。選集類序跋強調(diào)“精選”,突出“選詩為首選人其次”的標準;合集類序跋強調(diào)“求全亦求善”,突出“重在選人”的標準;全集類序跋強調(diào)“網(wǎng)羅賅備”,突出“通觀全唐”。第三章從文獻角度切入,厘清清代唐詩總集序跋總量,探討重刻重抄本序跋增刪、總集序跋入文集的刪改等問題。還注意到序跋的留存史料、交代選詩來源、鑒定版本等文獻價值。第四章旨在探索清代唐詩總集序跋體現(xiàn)的編纂思想。其編纂動機,當受清代崇唐學(xué)唐的熾熱之風(fēng)影響。然在崇唐學(xué)唐大背景下,人們或不滿之前編集成果而另編他集,或企圖借助唐詩總集來矯正詩壇流弊。與此同時,清人于唐詩總集序跋呈現(xiàn)多樣化編選宗旨,既彰顯“選學(xué)”為核心的“唐詩學(xué)”思想,亦申明推尊雅正詩教、提供后學(xué)范本的重要性。第五章通過清代唐詩總集序跋探析清人詩學(xué)觀,解讀清人對其所關(guān)注的唐詩熱點問題的意見。發(fā)現(xiàn)清代唐詩總集序跋對唐詩分期問題爭論激烈,對中晚唐詩尤其是中唐詩的意義有重大揭示,也涉及唐詩大家標舉、各體大家的標舉。除此,由序跋知悉清代的個別唐詩總集對詩體劃分最近唐人分類實際。并且,清代唐詩總集多七律選本,對七言律詩尤為關(guān)注。
[Abstract]:The collection of Tang poetry of all dynasties, especially the Tang poetry of Qing Dynasty, is a collection of valuable prefaces and postscripts, small quotations and common examples, sleeping in the ancient books departments of various libraries up to now. It is an unexcavated unexcavated rough jade, which needs to be scrubbed and polished to carry out a systematic academic clean-up. In order to play its due literature and academic value. This article "Qing Dynasty Tang poetry collection preface and postscript study", the biggest characteristic is to find new materials, explain new materials. The article is based on more than 250 kinds of Qing Dynasty Tang poetry collection. Based on the study of "preface and postscript", this paper tries to explore the value of preface and postscript documents and poetics. On the whole, it highlights the connotation and value of preface and postscript of the total collection of Tang poetry in Qing Dynasty, and identifies the difference between the preface and postscript of the general collection and the special collection. This paper clarifies the difference of the types and characteristics of the preface and postscript, analyzes the basic literature problems of the preface and postscript, and inspects the compilation thought embodied in the preface and postscript of the Tang poetry collection in Qing Dynasty. Based on this, it is divided into five chapters. The first chapter is the compilation of historical narration of Tang poetry collection, combing the Tang poetry collection of past dynasties, laying a foundation for the preface and postscript study. The compilation of the collection of Tang poetry is characterized by stages: from the prosperity of the Tang Dynasty and the five dynasties, the low tide of the Song, Jin and Yuan dynasties, and the revival of the Ming Dynasty to the period of the Qing Dynasty, the total collection of the Tang Dynasty poetry is of great quantity and high quality. The second chapter reveals that the different types of the collection of Tang poetry in Qing Dynasty constitute the different characteristics of preface and postscript. The preface and postscript of the selected collection emphasize "selection", and highlight the standard of "selecting poems as the first choice of people next". The preface and postscript of the collection emphasize "seeking perfection as well as seeking good", and stress the criterion of "choosing people". The preface and postscript of the whole collection emphasize "the net is comprehensive and ready", and highlight "the general view of the whole Tang Dynasty". The third chapter analyzes the total volume of the preface and postscript of the total collection of Tang poetry in Qing Dynasty from the perspective of literature, and discusses the addition and deletion of the preface and postscript of the re-engraving and rewriting of the manuscript. Some problems such as the excision of the preface and postscript of the general collection, etc., as well as the preservation of historical materials of the preface and postscript, and the explanation of the source of the selected poems. The 4th chapter aims to explore the compilation thoughts embodied in the preface and postscript of the collection of Tang poetry in Qing Dynasty. The motive of its compilation is influenced by the fervent wind of worshiping Tang and learning Tang in Qing Dynasty. However, under the background of worship Tang Dynasty, Tang Dynasty study Tang Dynasty. People either dissatisfied with the previous compilation of achievements and compiled another collection, or attempted to use the Tang poetry collection to rectify the abuse of poetry. At the same time, the Qing Dynasty in the preface and postscript of the Tang poetry anthology presented a variety of compilation purposes. It not only highlights the "selected studies" as the core of the "Tang poetry" thought, but also affirms the importance of promoting respect for refined poetry education, and provides a model for the post-study. Chapter 5th through the Qing Dynasty Tang poetry collection preface and postscript to explore the concept of the Qing Dynasty poetics. It is found that the preface and postscript of the collection of Tang poetry in the Qing Dynasty have a heated debate on the issue of the staging of Tang poetry, which has a great significance for the middle and late Tang poetry, especially for the middle Tang poetry. In addition, from the preface and postscript of individual Tang poetry collection of the Qing Dynasty classification of the most recent classification of the actual Tang Dynasty. Moreover, the Qing Dynasty Tang poetry collection more than seven selected laws. Pay particular attention to seven-character poems.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2016
【分類號】：I207.22

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