發(fā)布時(shí)間：2018-12-16 05:12

【摘要】：云南彝族撒尼支系聚居的大糯黑村因畫家?guī)?dòng)成為了圭山采風(fēng)村,傳統(tǒng)民族審美與現(xiàn)代審美交相并建構(gòu)了新的村落審美知識(shí),表現(xiàn)出審美場(chǎng)域由大糯黑村轉(zhuǎn)向圭山采風(fēng)村,審美主體由村民變成當(dāng)代畫家,藝術(shù)品由村內(nèi)創(chuàng)作轉(zhuǎn)成畫廊展示的變化。因?qū)徝捞匦苑洗迕衽c畫家的各自之需,大糯黑村的民族與當(dāng)代藝術(shù)審美形成了共存互建的狀態(tài)�？傆^當(dāng)前少數(shù)民族村落審美的發(fā)展現(xiàn)狀,大糯黑村是值得深入探討的一例個(gè)案。
[Abstract]:The village of Danuo Black, which is inhabited by the Sani branch of the Yi nationality in Yunnan Province, has become the mining wind village of Guishan because of the painters. The traditional national aesthetics intersects with the modern aesthetics and constructs a new aesthetic knowledge of the villages, which shows that the aesthetic field has changed from Danuo black village to Guishan mining wind village. The aesthetic subject changes from villager to contemporary painter and art works from village creation to gallery display. Because the aesthetic characteristics meet the respective needs of the villagers and painters, the national and contemporary art aesthetics of Danuo Black Village form a state of coexistence and mutual construction. In a general view of the present situation of the aesthetic development of minority villages, Danuo Black Village is a case worthy of further discussion.
【作者單位】： 云南大學(xué)文學(xué)院;云南師范大學(xué)藝術(shù)傳媒學(xué)院;
【基金】：2015年云南大學(xué)管喬中中文創(chuàng)新獎(jiǎng)學(xué)金調(diào)查研究基金一般項(xiàng)目“村落審美知識(shí)的分析、建構(gòu)與反思——當(dāng)代畫家與圭山采風(fēng)村的藝術(shù)人類學(xué)研究”的階段性成果
【分類號(hào)】：C912.4

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