本文選題：漢語山歌文化 + 文化傳承　； 參考：《貴州大學(xué)》2017年碩士論文

【摘要】：貴州施秉縣漢語山歌文化包括山歌文本、民間歌手、聽眾群體、演唱場(chǎng)域等要素,作為思維形式的物質(zhì)載體、情感交流的工具手段和具有特殊意義的文化事項(xiàng),它是一個(gè)民族或地區(qū)人們的價(jià)值觀念、審美情趣、民俗活動(dòng)、經(jīng)濟(jì)生產(chǎn)等方面的生動(dòng)反映,具有獨(dú)特的文化內(nèi)涵以及社會(huì)功能。論文旨在以貴州省施秉縣為個(gè)案,立足于漢語山歌的文化傳承研究,運(yùn)用布迪厄的再生產(chǎn)理論對(duì)漢語山歌文化進(jìn)行系統(tǒng)深入的探討,力圖對(duì)其傳承主體、傳承機(jī)制以及山歌的文化再生產(chǎn)、山歌的社會(huì)再生產(chǎn)和山歌的民族關(guān)系再生產(chǎn)做出深層次的解釋。通過梳理漢語山歌的文化概況及其文本型構(gòu),分析山歌文化的傳承現(xiàn)狀與傳承困境,從而提出漢語山歌文化傳承的必要性。藉由歌者與聽眾、漢族與其他民族兩類傳承主體的關(guān)系和視角,探討山歌文化如何借助傳承機(jī)制和文化再生產(chǎn),促使國(guó)家權(quán)力、地方政府、民間力量、民族關(guān)系產(chǎn)生互動(dòng)與勾連,并試圖找到施秉縣漢語山歌文化傳承與再生產(chǎn)的路徑和出口,力求提升學(xué)界對(duì)于我國(guó)在少數(shù)民族聚居地內(nèi)漢語山歌文化的理性認(rèn)識(shí)和學(xué)術(shù)研究。施秉縣的漢語山歌文化在苗侗文化圈的包圍之下處于邊緣地帶,其本身作為一種優(yōu)秀的非物質(zhì)文化具有重要的價(jià)值和傳承的必要性。在當(dāng)?shù)?無論漢族亦或少數(shù)民族都熱衷于演唱漢語山歌,甚至出現(xiàn)少數(shù)民族更甚的獨(dú)特現(xiàn)象,這對(duì)于民族交往、文化交流具有積極推動(dòng)作用。然而,伴隨山歌愛好群體老齡化、多元文化沖擊和國(guó)家政府干預(yù)等一系列傳承現(xiàn)狀,受到全球化的影響、現(xiàn)代化的變遷以及山歌文化自身局限性的傳承困境影響,施秉縣漢語山歌文化面臨傳承的嚴(yán)峻問題。在山歌文化各組成部分之間,自然、社會(huì)、文化、人各自與山歌文化之間,無不處在一種相互依賴與相互獨(dú)立、相互協(xié)調(diào)與相互矛盾、相互影響與相互作用的動(dòng)態(tài)關(guān)系之中,處在一種彼此由平衡走向不平衡、由不平衡再次達(dá)到新平衡的永恒變化之中,影響著整個(gè)施秉縣漢語山歌文化發(fā)展變遷的廣度和深度,也影響著整個(gè)漢語山歌文化充滿個(gè)性色彩的沉浮興衰。在國(guó)家政府力量“強(qiáng)勢(shì)主導(dǎo)”和民間山歌愛好者“勉強(qiáng)維持”的博弈之間,在申報(bào)非物質(zhì)文化遺產(chǎn)的背景中當(dāng)?shù)貪h族文化缺失話語權(quán)和主動(dòng)性的嚴(yán)峻形勢(shì)下,貴州施秉縣漢語山歌文化未來的傳承和再生產(chǎn)將何以為繼。筆者對(duì)此提出三點(diǎn)建議和措施,即重視傳承人的保護(hù)和培養(yǎng)、創(chuàng)新多樣化的傳承方式以及國(guó)家、政府、學(xué)者、民眾合力共創(chuàng)。
[Abstract]:The Chinese folk song culture in Shibing County of Guizhou includes folk song text, folk singer, audience group, singing field and so on, as the material carrier of the form of thinking, the tool of emotional communication and the cultural matter of special significance. It is a vivid reflection of people's values, aesthetic tastes, folklore activities, economic production and so on. It has unique cultural connotation and social function. This paper takes Shibing County, Guizhou Province as a case study, based on the cultural heritage of Chinese folk songs, uses Bourdieu's reproduction theory to explore the Chinese folk song culture systematically and deeply, and tries hard to inherit the main body of the Chinese folk song culture. The inheritance mechanism and cultural reproduction of folk songs, the social reproduction of folk songs and the national relations of folk songs are explained at a deeper level. Through combing the cultural survey and text structure of Chinese folk songs, this paper analyzes the present situation and predicament of the inheritance of Chinese folk songs, and puts forward the necessity of the inheritance of Chinese folk songs. Through the relationship and angle of view between singer and audience, Han nationality and other nationalities, this paper discusses how folk song culture can promote state power, local government and folk power by means of inheritance mechanism and culture reproduction. The relationship between nationalities interacts with each other and tries to find the way and export of the inheritance and reproduction of Chinese folk song culture in Shibing County in order to promote the rational understanding and academic research of Chinese folk song culture in the minority areas of our country. Shibing County's Chinese folk song culture is surrounded by the Miao and Dong culture circle, which is an important value and the necessity of inheritance as a kind of excellent immaterial culture. No matter the Han nationality or ethnic minorities are keen to sing Chinese folk songs, even the unique phenomenon of ethnic minorities appears, which plays an active role in promoting ethnic exchanges and cultural exchanges. However, with the aging of folk songs, the impact of multiculturalism and the intervention of the national government, a series of inheritance conditions are affected by the influence of globalization, the change of modernization and the inheritance dilemma of folk song culture's own limitations. Shi Bingxian Chinese folk song culture faces the severe problem of inheritance. Among the components of the folk song culture, nature, society, culture, people and the folk song culture are all in a dynamic relationship of mutual dependence and independence, mutual coordination and contradiction, mutual influence and interaction. In an eternal change from balance to imbalance and from imbalance to new balance, it affects the breadth and depth of the development and change of the Chinese folk song culture in Shipingxian. It also affects the rise and fall of the whole Chinese folk song culture full of individual color. Between the "strong dominance" of the national government power and the "barely sustained" game of folk folk song lovers, under the severe situation of the lack of discourse and initiative of the local Han nationality culture in the background of declaring intangible cultural heritage, The inheritance and reproduction of Chinese folk song culture in Shibing County, Guizhou Province will continue. The author puts forward three suggestions and measures, that is, attaching importance to the protection and cultivation of inheritors, innovating diversified ways of inheritance and the joint efforts of the state, government, scholars and people.
【學(xué)位授予單位】：貴州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：C912.4
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本文編號(hào)：1856931