本文選題：人工智能 + 生活形態(tài)��； 參考：《美術(shù)觀察》2017年10期

【摘要】：正人工智能在近三十年來獲得了飛速的發(fā)展,如今,"人工智能"已經(jīng)成為設(shè)計領(lǐng)域中隨處可見的話題。越來越多的設(shè)計產(chǎn)品成為"人工智能"產(chǎn)品,越來越多的設(shè)計人員參與到開發(fā)或生產(chǎn)"人工智能"產(chǎn)品的過程中。當(dāng)然,這些產(chǎn)品在日常生活、專業(yè)工作、社會發(fā)展等層面都改變著人類原先的社會形態(tài)、文化形態(tài)和生活形態(tài)。我們不得不感嘆計算機技術(shù)的日新月異,享用著人工智能所帶來的種種便利和快捷。與此同時,人類對新生事物的天生"恐懼"使我們感到"不安",在"人工智能"開始
[Abstract]:Positive artificial intelligence (AI) has developed rapidly in the past 30 years. Now, artificial intelligence has become a common topic in the field of design. More and more design products become "artificial intelligence" products, and more designers participate in the process of developing or producing "artificial intelligence" products. Of course, these products in daily life, professional work, social development and other levels of change in the original human social, cultural and life form. We have to lament the rapid development of computer technology and enjoy the convenience and speed brought by artificial intelligence. At the same time, the natural "fear" of new things makes us feel "uneasy", beginning with "artificial intelligence"
【作者單位】： 蘇州科技大學(xué)傳媒與視覺藝術(shù)學(xué)院;
【分類號】：TB47;TP18
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本文編號：1908036