【摘要】：中國風(fēng)景園林追求的境界是體現(xiàn)“天人合一”的“雖由人作,宛自天開”,表達了人與自然和諧統(tǒng)一的可持續(xù)發(fā)展理念。她在長期的發(fā)展演變中,積累了一整套具有中國特色的規(guī)劃設(shè)計哲理和設(shè)計方法。本文研究的中國風(fēng)景園林傳統(tǒng)水景理法就是古人留過我們的一筆重要遺產(chǎn)。 水景是以水為主體,呈現(xiàn)水的物質(zhì)特征或文化內(nèi)涵的綜合性風(fēng)景園林景觀,是風(fēng)景園林中一種常見的景觀類型與構(gòu)成要素。由于深受中國傳統(tǒng)文化思想的影響,中國風(fēng)景園林傳統(tǒng)水景在立意、布局和組景中有著獨特的理法,形成了鮮明的民族特色,為中國特色風(fēng)景園林建設(shè)做出了重要貢獻。 研今必習(xí)古,無古不成今。今天,人們在改造自然、建設(shè)城市過程中,出現(xiàn)不少由于違背水的自然規(guī)律,忽視水景理法的科學(xué)性與藝術(shù)性,而產(chǎn)生破壞自然生態(tài),浪費寶貴資源的現(xiàn)象,甚至有些還給人類自身帶來了災(zāi)難。因此,我們有必要系統(tǒng)地研究中國風(fēng)景園林傳統(tǒng)水景理法,總結(jié)我國傳統(tǒng)風(fēng)景園林理水中積累的經(jīng)驗,并以古為鑒,與時俱進地發(fā)展中國風(fēng)景園林理水理論,為今后風(fēng)景園林理水提供指導(dǎo)。 本文在分析歸納文獻資料和風(fēng)景園林實例的基礎(chǔ)上,結(jié)合已有的研究成果,對中國風(fēng)景園林傳統(tǒng)水景理法的文化底蘊、哲理基礎(chǔ)和設(shè)計手法進行較為系統(tǒng)的專項研究,旨在探索中國風(fēng)景園林傳統(tǒng)水景的造景特色和理景機制,并為繼承和發(fā)展中國風(fēng)景園林傳統(tǒng)水景理法建立理論基礎(chǔ)。 論文成果的價值主要在以下三個方面： (1)以文獻和實例結(jié)合的方式討論中國傳統(tǒng)文化對中國風(fēng)景園林傳統(tǒng)水景理法的影響,論述了兩者之間的淵源關(guān)系。 (2)提出中國風(fēng)景園林傳統(tǒng)水景理法的基本哲理。明析“人與天調(diào),水因人勝”哲理的源起、內(nèi)涵及實現(xiàn)機制,并通過文獻記載和風(fēng)景園林實例進行相互驗證。 (3)在分析歸納文獻資料和風(fēng)景園林實例的基礎(chǔ)上,總結(jié)中國風(fēng)景園林傳統(tǒng)理法內(nèi)容,以“疏源之去由,察水之來歷”、“山不讓土,水不擇流”、“山水相映,動靜交呈”、“因境選型,一型多式”、“隨曲合方,得景隨形”、“若為無盡,斷處安橋”、“深柳疏蘆,菰蒲水芳”、“水有三遠(yuǎn),曠奧秀趣”等八個理法專題,分別從水源及流向、水型選擇、水與其它要素之間關(guān)系、水景三遠(yuǎn)等方面深入總結(jié)和探討中國風(fēng)景園林傳統(tǒng)水景理法,揭示了中國風(fēng)景園林傳統(tǒng)水景多元而相融一體的景觀特色。
[Abstract]:The realm pursued by Chinese landscape architecture is the embodiment of "the unity of man and nature", which expresses the concept of sustainable development of harmony and unity between man and nature, which is "made by man and opened from heaven". In the long-term development and evolution, she has accumulated a set of planning and design philosophy and design methods with Chinese characteristics. The traditional waterscape method of Chinese landscape architecture studied in this paper is an important legacy left by the ancients. Waterscape is a comprehensive landscape with water as the main body, showing the material characteristics or cultural connotation of water. It is a common landscape type and constituent element in landscape architecture. Due to the influence of Chinese traditional culture, the traditional waterscape of Chinese landscape architecture has a unique way of thinking, layout and organization, which has formed distinct national characteristics and made important contributions to the construction of landscape architecture with Chinese characteristics. To study the present will be accustomed to the ancients, but to become the present without the ancients. Today, in the process of reforming nature and building cities, there are many phenomena that destroy natural ecology and waste valuable resources because of violating the natural law of water and neglecting the scientific and artistic nature of waterscape law, and some even bring disasters to human beings themselves. Therefore, it is necessary for us to systematically study the traditional waterscape theory of Chinese landscape architecture, summarize the experience accumulated in the water management of traditional landscape gardens in China, and take the ancient times as a reference to develop the theory of water management of Chinese landscape gardens with the times, so as to provide guidance for the management of water in landscape gardens in the future. On the basis of analyzing and summing up the literature and examples of landscape architecture, combined with the existing research results, this paper makes a systematic special study on the cultural connotation, philosophical basis and design techniques of the traditional waterscape method of Chinese landscape architecture, in order to explore the characteristics and mechanism of traditional waterscape of Chinese landscape architecture, and to establish a theoretical basis for inheriting and developing the traditional waterscape method of Chinese landscape architecture. The value of the results of this paper is mainly in the following three aspects: (1) the influence of Chinese traditional culture on the traditional waterscape method of Chinese landscape architecture is discussed by combining literature and examples, and the origin relationship between the two is discussed. (2) the basic philosophy of the traditional waterscape method of Chinese landscape architecture is put forward. This paper analyzes the origin, connotation and realization mechanism of the philosophy of "Man and Heaven transfer, Water wins because of Man", and verifies each other through literature records and landscape architecture examples. (3) on the basis of analyzing and summing up the literature and examples of landscape architecture, this paper summarizes the contents of the traditional theory of Chinese landscape architecture, such as "thinning the source, observing the origin of water", "mountains do not allow soil, water does not choose flow", "mountains and rivers reflect each other, dynamic and static submission", "choose type according to environment, type I multiform", "follow the situation and form", "if endless, broken Anqiao", "deep willow Shu Lu, Zizania latifolia Pushuifang", "Water is three far away", "if it is endless, broken Anqiao", "Zizania latifolia Pushuifang", "Water is three far away", "if it is endless, broken place Anqiao", "Zizania latifolia Pushuifang". Eight thematic topics, such as absenteeism and interest, are respectively summarized and discussed from the aspects of water source and flow direction, water type selection, the relationship between water and other elements, and the three distant aspects of waterscape, and the traditional waterscape of Chinese landscape architecture is revealed.
【學(xué)位授予單位】：北京林業(yè)大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2014
【分類號】：TU986.43

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本文編號：2499821