【摘要】：日本園林的基礎(chǔ)框架是中國流傳過去的,日本園林吸收了中國的禪宗,道家,儒家等思想。其中,禪宗思想的傳播和吸收尤為矚目。不過日本園林在吸收禪宗思想之后卻沒有繼續(xù)朝著中國園林的方向發(fā)展,反而是獨樹一幟,自我創(chuàng)新,朝著枯山水發(fā)展。禪僧夢窗疏石,是鐮倉室町幕府時期的著名禪僧和造園家。先后創(chuàng)建了永保寺庭園,惠林寺庭園,西芳寺庭園,天龍寺庭園等作品,被稱為中世禪宗庭園的開拓者,奠基人。作為一個“石立僧”,將自己的禪學(xué)觀點融入到庭園創(chuàng)作中,使得日本庭園煥發(fā)了別具一格的光輝�？萆剿醋匀毡剧爞}時代的造園大師夢窗疏石的禪宗庭園,而對于這位造園大師以及他的作品,真正了解他的設(shè)計思想的設(shè)計師卻很少。所以有必要來全面的了解一下這位造園家,希望能從這位造園家的作品中汲取到真正的造園精髓。本課題內(nèi)容:本文旨在研究夢窗疏石的庭園設(shè)計理念,將其作庭階段分為在自然中修行悟道、對自然的小改造、對自然的再構(gòu)筑、對自然的升華和提煉這四大階段。每個階段中,通過夢窗疏石的作庭場所條件和實例舉證來對其作品和思想進行具體分析,分析的方向有修行經(jīng)歷、場所選擇、作庭技術(shù)探究等等。本課題結(jié)論:通過對這些作品的分析,來歸納夢窗疏石的創(chuàng)作理念,并從歷史源流分析他的作品對前世的繼承,以及對后世的影響和指導(dǎo)。
[Abstract]:The basic frame of Japanese gardens is passed down in China. Japanese gardens absorb Chinese Zen, Taoism and Confucianism. Among them, the spread and absorption of Zen thought is especially noticeable. However, Japanese gardens did not continue to develop towards the direction of Chinese gardens after absorbing Zen thoughts. Instead, Japanese gardens were unique, self-innovative, and developed towards the dry landscape. Zen monk dream window Shushi, is Kamakamachi shogunate period of the famous Zen monk and gardener. Yongbao Temple Garden, Hui Lin Temple Garden, Xifang Temple Garden, Tianlong Temple Garden and other works have been created, known as the pioneer and founder of the Zen Garden. As a "Shi Li-shang", his Zen view was incorporated into the garden creation, which made the Japanese garden radiate a unique brilliance. Ku Shan and Shui originated from the Zen garden of the Japanese master of garden in Kamakura era, but for this master and his works, few designers really know his design ideas. Therefore, it is necessary to get a comprehensive understanding of the gardener, hoping to draw the true essence of the garden from the works of the gardener. The purpose of this paper is to study the garden design concept of the dream window and stone, and divide it into four stages: practicing and understanding in nature, transforming nature, reconstructing nature, sublimating and refining nature. In each stage, the concrete analysis of his works and thoughts is carried out through the conditions and examples of the court place of the dream window and stone, the direction of analysis is the practice experience, the choice of the place, the inquiry of the court technology, and so on. Conclusion: through the analysis of these works, this paper sums up the creation idea of the dream window and stone, and analyzes the inheritance of his works to the past and the influence and guidance to the later generations from the historical source.
【學(xué)位授予單位】：南京工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：TU986.58

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