中國古典園林月文化景觀研究
[Abstract]:Lunar cultural landscape is a special type of landscape and an important part of classical garden. It combines the Chinese view of nature with the view of social culture. The study of the lunar cultural landscape of classical garden not only complements the deficiency of the theoretical research system of classical garden, but also has important practical significance to the experience of contemporary garden, to inherit and carry forward the traditional garden art, and to create the lunar cultural landscape with the characteristics of the times. On the basis of analyzing and summarizing a great deal of literature and field investigation, this paper analyzes the origin and development of the lunar cultural landscape of classical garden, the application form of the monthly cultural landscape of classical garden, and the construction of the monthly cultural landscape of classical garden through comparative observation and interdisciplinary demonstration. The research results show that: first, the origin of the lunar cultural landscape in classical gardens is influenced by natural worship, ancient astronomical view and mythological legends. Under the guidance of poetry art and Confucianism, Buddhism and Taoism culture, it has gradually developed into a landscape type with distinct characteristics and various connotations. Secondly, the landscape form of lunar culture in classical garden can be summed up into two aspects: "shape" and "meaning". The "shape" mainly uses the full moon and lacks the form of the moon. "meaning" is the flexible use of the profound connotation of the meaning of the month to create different thematic artistic conception space; Thirdly, from the angle of the four major garden elements, combining the objective factors such as lunar phase, meteorology, seasonal phase, shadow, sound and so on, this paper analyzes and discusses the construction of the lunar cultural landscape under different space types and themes. It reflects the coordination of diversity and unity, and is also the charm of the lunar cultural landscape; Fourth, from the positioning of the lunar cultural landscape, the lighting of the night scene and the choice of plants, forms of expression, exploration of new ways and other aspects of the modern application of the cultural landscape of the moon put forward some thoughts and suggestions. With the change of the theme and aesthetic orientation of the times, the garden is facing great changes, so it is very important to integrate it into the aesthetic tide of the times on the basis of inheriting and carrying forward the tradition. Know where to come from, can better grasp the road to go in the future, the moon cultural landscape should be inspired by the times to radiate a new brilliance.
【學(xué)位授予單位】:浙江農(nóng)林大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2014
【分類號(hào)】:TU986
【參考文獻(xiàn)】
相關(guān)期刊論文 前10條
1 寧潔;李金安;;論中國文化中的月神精神[J];北京工業(yè)大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2006年03期
2 劉然;柳文文;;從原型理論看中國月亮意象[J];貴州工業(yè)大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2008年01期
3 ;第六屆中國(廈門)國際園林花卉博覽會(huì)風(fēng)景園林師園作品展示[J];風(fēng)景園林;2007年04期
4 王興鳳;李然;;避暑山莊景觀中“月”的意蘊(yùn)[J];承德民族師專學(xué)報(bào);2009年03期
5 文志;國平;葦航;;鬧市有幽園——小議揚(yáng)州二分明月樓[J];風(fēng)景名勝;1996年07期
6 劉洋;時(shí)間觀與中國傳統(tǒng)建筑文化[J];華中建筑;2003年04期
7 吳穎;;試論中國古典園林中夜景的創(chuàng)作手法[J];山西建筑;2008年30期
8 張彥;;揚(yáng)州何園復(fù)道回廊與其所構(gòu)成形式的對(duì)比體系[J];山西建筑;2010年03期
9 孟修祥;;論中秋節(jié)祭拜月亮習(xí)俗及其與荊楚地域文化的關(guān)系[J];長江大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2007年03期
10 王繁;;“山”月與“情”月——簡論南朝與初盛唐月詩中月景與詩情之關(guān)系[J];寧波教育學(xué)院學(xué)報(bào);2009年01期
相關(guān)博士學(xué)位論文 前3條
1 李世葵;《園冶》園林美學(xué)研究[D];武漢大學(xué);2009年
2 洪泉;杭州西湖傳統(tǒng)風(fēng)景建筑歷史與風(fēng)格研究[D];北京林業(yè)大學(xué);2012年
3 白樺琳;光影在風(fēng)景園林中的藝術(shù)性表達(dá)研究[D];北京林業(yè)大學(xué);2013年
本文編號(hào):2363893
本文鏈接:http://sikaile.net/guanlilunwen/chengjian/2363893.html