【摘要】：我國現(xiàn)今城市化進程發(fā)展迅速,隨著文化的交流,市場的開放,西方建筑理論不斷涌入中國市場,出現(xiàn)“千篇一律”的現(xiàn)代城市面貌,如何繼承和發(fā)揚我國傳統(tǒng)建筑的文脈,是值得思索的問題。華巖寺作為重慶地區(qū)地域代表性寺廟,其建筑裝飾極富地域特色,但關于它的建筑裝飾方面研究較少,故本文在此對其進行研究。 本文首先通過文獻查找和田野考察、采訪等方法收集關于重慶佛教和華巖寺建筑的多方面資料,對已有的相關研究進行統(tǒng)計分析。其次以重慶地區(qū)佛教發(fā)展為背景,對華巖寺發(fā)展進行分析,根據(jù)其建筑群的形態(tài)演變,從時間線索去挖掘每個建筑群的建筑裝飾和特征。將各個建筑群分為屋頂、屋身、屋基去研究。運用圖解分析法,對華巖寺的建筑裝飾造型、寓意、材質(zhì)、色彩等多方面進行分析。 筆者通過研究,深入分析了華巖洞廟的“廣”式建筑的形態(tài)美和裝飾美；挖掘華巖寺中的建筑裝飾特色,如“寫實彩畫”、“龍首象鼻”、“壽”字脊剎等脊飾形式；提煉和歸納了它的裝飾紋樣的形式特征,即“抽象的形式美”、“紋樣的張力”以及“紋樣的多樣統(tǒng)一性”�？偨Y了華巖寺建筑裝飾中所蘊含審美特點,即理性與感性的結合、宗教文化和地域文化的融合,同時還有各個建筑群裝飾所反映的不同的建筑裝飾特性,體現(xiàn)著裝飾的時代性。 本文分析總結了華巖寺建筑裝飾特色,對我國地域性建筑裝飾研究進行資料補充,并且對中國傳統(tǒng)地域性寺廟建筑裝飾的審美體系研究進行資料累積,以期對地域化的的建設發(fā)展起指導性的意義；同時對寺廟建筑保護起到一定的借鑒意義。
[Abstract]:With the rapid development of urbanization in our country, with the exchange of culture and the opening of the market, the western architectural theory is constantly pouring into the Chinese market, and the modern city appearance of "uniform" appears. How to inherit and carry forward the context of traditional architecture in China? It's a question worth thinking about. As a representative temple in Chongqing, Huayan Temple has very rich regional characteristics, but there is little research on its architectural decoration, so this paper makes a study on it. In this paper, through literature search, field investigation, interviews and other methods to collect various information about Buddhism and Huayansi architecture in Chongqing, and carry on statistical analysis to the related research. Secondly, taking the development of Buddhism in Chongqing as the background, this paper analyzes the development of Huayansi, according to the shape evolution of its architectural complex, excavates the architectural decoration and characteristics of each complex from the time clue. The buildings are divided into roof, body and base. Using graphic analysis, the architectural decoration modeling, implication, material and color of Huayan Temple are analyzed. Through the research, the author deeply analyzes the beauty of form and decoration of the "Guang" style architecture in Huayandong Temple, excavates the architectural decoration characteristics of Huayuan Temple, such as "realistic painting", "Dragon head elephant nose", "Shou" character ridge brake, etc. The formal features of its decorative patterns are abstracted, including abstract beauty of form, tension of patterns and diversity of patterns. This paper summarizes the aesthetic characteristics contained in the architectural decoration of Huayansi, that is, the combination of rationality and sensibility, the fusion of religious culture and regional culture, and the different architectural decoration characteristics reflected by the decoration of each architectural complex, which reflects the times of decoration. This paper analyzes and summarizes the architectural decoration characteristics of Huayansi, supplements the study of regional architectural decoration in China, and accumulates the data of the aesthetic system of architectural decoration of traditional regional temples in China. In order to regional construction and development of guiding significance, at the same time to temple building protection plays a certain reference significance.
【學位授予單位】：重慶師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：TU238

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本文編號：2232611