極簡主義在現代園林設計中的運用
發(fā)布時間：2018-07-24 07:59
【摘要】：極簡主義園林是將極簡主義藝術運用于園林設計中,在形式上追求極度簡化、客觀、抽象,以很少的設計元素控制大尺度的空間,但卻有著強烈的影響和沖擊力。 論文研究了極簡主義園林的形成,以及設計要素,即對自然要素、傳統(tǒng)要素和新材料的運用；并從作品中歸納總結出極簡主義園林的設計語言,包括平行線、同心圓、網格。通過對彼得·沃克不同時期典型作品進行分析,歸納總結極簡主義園林的設計特征以及不同作品帶給我們的啟示。 通過對我國園林作品岐江公園和蘇州博物館分析,討論極簡主義園林對我國園林設計的影響。雖然我國當代園林作品呈現出極簡主義藝術傾向,但大多處于單純性的模仿狀態(tài),成熟的案例并不多見。形成這種問題的原因是多方面的,不僅由于我國的國情所限制,還與設計師的專業(yè)素養(yǎng),公眾的審美都有密切關系。隨著我國園林的進一步發(fā)展,這些問題將得到改善,極簡主義園林會在我國得到廣闊的發(fā)展前景。
[Abstract]:Minimalist garden is to apply minimalist art to garden design, pursuing extreme simplification, objectivity and abstraction in form, controlling large scale space with few design elements, but having strong influence and impact. This paper studies the formation of minimalist gardens and the application of design elements, that is, natural elements, traditional elements and new materials, and sums up the design languages of minimalist gardens from the works, including parallel lines, concentric circles and grids. By analyzing the typical works of Peter Walker in different periods, this paper summarizes the design features of minimalist gardens and the enlightenment brought to us by different works. This paper discusses the influence of minimalist garden on Chinese garden design through the analysis of Chinese garden works Gijiang Park and Suzhou Museum. Although the contemporary garden works of our country have the tendency of minimalism, most of them are in the state of simple imitation and few mature cases. There are many reasons for this problem, not only because of the limitation of our country's national conditions, but also closely related to the designer's professional accomplishment and the aesthetic appreciation of the public. With the further development of Chinese gardens, these problems will be improved, and minimalist gardens will have broad development prospects in China.
【學位授予單位】：山西農業(yè)大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：TU986.2
本文編號：2140736
[Abstract]:Minimalist garden is to apply minimalist art to garden design, pursuing extreme simplification, objectivity and abstraction in form, controlling large scale space with few design elements, but having strong influence and impact. This paper studies the formation of minimalist gardens and the application of design elements, that is, natural elements, traditional elements and new materials, and sums up the design languages of minimalist gardens from the works, including parallel lines, concentric circles and grids. By analyzing the typical works of Peter Walker in different periods, this paper summarizes the design features of minimalist gardens and the enlightenment brought to us by different works. This paper discusses the influence of minimalist garden on Chinese garden design through the analysis of Chinese garden works Gijiang Park and Suzhou Museum. Although the contemporary garden works of our country have the tendency of minimalism, most of them are in the state of simple imitation and few mature cases. There are many reasons for this problem, not only because of the limitation of our country's national conditions, but also closely related to the designer's professional accomplishment and the aesthetic appreciation of the public. With the further development of Chinese gardens, these problems will be improved, and minimalist gardens will have broad development prospects in China.
【學位授予單位】：山西農業(yè)大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：TU986.2
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