“園林話語”與當(dāng)代中國本土建筑創(chuàng)作
發(fā)布時(shí)間：2018-07-18 21:41
【摘要】：當(dāng)代中國本土建筑創(chuàng)作并不是從中國古代建筑體系發(fā)展而來,而是從西方建筑理論與設(shè)計(jì)實(shí)踐繼承而來。這就造成中國的建筑時(shí)刻受到西方建筑的牽制,無法展示自我的一面。但中國建筑師從來沒有放棄過對本土建筑的探索,他們從中國傳統(tǒng)建筑、民居、園林等領(lǐng)域?qū)ふ以O(shè)計(jì)的原型,試圖發(fā)展出一條適合于中國當(dāng)代本土建筑創(chuàng)作之路,并取得了卓越的成績。 本論文的研究對象正是那些從中國古典園林中汲取設(shè)計(jì)靈感的建筑師們,他們不僅對中國古典園林造園理論進(jìn)行研究,同時(shí)還將其應(yīng)用于當(dāng)代建筑創(chuàng)作中。筆者將他們研究中國古典園林并應(yīng)用在當(dāng)代建筑創(chuàng)作中的現(xiàn)象稱為“園林話語”。 本論文以時(shí)間與人物為線索,力求在歷史發(fā)展中找尋出“園林話語”的發(fā)展脈絡(luò)。研究內(nèi)容包括：一、各位建筑師們在建筑思想與建筑設(shè)計(jì)方法上的異同,總結(jié)其一脈相承之處；二、探討他們對當(dāng)代中國本土建筑創(chuàng)作的影響及作用；三、在此基礎(chǔ)上總結(jié)其建筑設(shè)計(jì)方法論。 論文分三個(gè)部分對“園林話語”進(jìn)行分析與總結(jié)。首先,闡述研究的緣起和背景、研究對象和內(nèi)容、研究方法、研究意義、論文結(jié)構(gòu)等；然后,對“園林話語”劃分為起源、過渡和發(fā)展三個(gè)階段,并分別加以論述,找出各個(gè)歷史時(shí)期建筑師的設(shè)計(jì)思想與設(shè)計(jì)方法的異同,及其各自的特點(diǎn),并總結(jié)他們在各個(gè)時(shí)期的建筑學(xué)領(lǐng)域所占有的地位及影響；最后,通過對第二部分的高度總結(jié)和提煉,尋找出“園林話語”的建筑設(shè)計(jì)方法論,方法論內(nèi)容包括：設(shè)計(jì)理論(包括東西方相關(guān)的理論)、設(shè)計(jì)過程(從整體與局部角度闡述)、設(shè)計(jì)方法(從空間、形式、建構(gòu)方面解讀)。 從“園林話語”這一角度去窺視當(dāng)代中國本土建筑創(chuàng)作,可以在一條更為專一的線性脈絡(luò)之上發(fā)現(xiàn)一條符合中國國情的當(dāng)代建筑創(chuàng)作道路,這條道路不僅在具體應(yīng)用上給予建筑創(chuàng)作以方式與方法,同時(shí)對相關(guān)理論的研究可以在更深層次上影響建筑師的世界觀與人生觀,并最終改變建筑師的設(shè)計(jì)思維和看待事物的方法。
[Abstract]:Contemporary Chinese native architectural creation is not developed from ancient Chinese architecture system, but inherited from western architectural theory and design practice. As a result, Chinese architecture has always been constrained by Western architecture, unable to show its self-side. But Chinese architects have never given up their exploration of local architecture. They have looked for prototypes in the fields of traditional Chinese architecture, residential buildings, gardens, and so on, in an attempt to develop a road suitable for the creation of contemporary Chinese local architecture. And has made outstanding achievements. The research object of this thesis is the architects who draw design inspiration from Chinese classical garden. They not only study the theory of Chinese classical garden, but also apply it to contemporary architectural creation. The author calls them "garden discourse" when they study Chinese classical gardens and apply them to contemporary architectural creation. Based on the clue of time and characters, this thesis tries to find out the development of garden discourse in the historical development. The contents of the research include: first, the similarities and differences of architects' architectural ideas and architectural design methods, and the similarities and differences between them; second, discussing their influence and function on contemporary Chinese native architectural creation; third, On this basis, the architectural design methodology is summarized. The thesis is divided into three parts to analyze and summarize Garden discourse. First, the origin and background of the study, the object and content of the study, the research methods, the significance of the research, the structure of the thesis, etc., and then, the garden discourse is divided into three stages: origin, transition and development. Find out the similarities and differences of architects' design ideas and design methods in different historical periods, and their respective characteristics, and sum up their position and influence in the field of architecture in each period. By summing up and refining the second part, we find out the architectural design methodology of "Garden discourse". The methodology includes: design theory (including the theories related to the East and the West), the design process (from the perspective of the whole and part), the design method (interpretation from the aspects of space, form, construction). From the angle of "Garden discourse", we can find a road of contemporary architectural creation that is suitable for China's national conditions. This road not only gives architectural creation ways and methods in concrete application, but also influences architects' world outlook and outlook on life on a deeper level. And ultimately change the architect's design thinking and look at things.
【學(xué)位授予單位】：昆明理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：TU986
本文編號：2132857
[Abstract]:Contemporary Chinese native architectural creation is not developed from ancient Chinese architecture system, but inherited from western architectural theory and design practice. As a result, Chinese architecture has always been constrained by Western architecture, unable to show its self-side. But Chinese architects have never given up their exploration of local architecture. They have looked for prototypes in the fields of traditional Chinese architecture, residential buildings, gardens, and so on, in an attempt to develop a road suitable for the creation of contemporary Chinese local architecture. And has made outstanding achievements. The research object of this thesis is the architects who draw design inspiration from Chinese classical garden. They not only study the theory of Chinese classical garden, but also apply it to contemporary architectural creation. The author calls them "garden discourse" when they study Chinese classical gardens and apply them to contemporary architectural creation. Based on the clue of time and characters, this thesis tries to find out the development of garden discourse in the historical development. The contents of the research include: first, the similarities and differences of architects' architectural ideas and architectural design methods, and the similarities and differences between them; second, discussing their influence and function on contemporary Chinese native architectural creation; third, On this basis, the architectural design methodology is summarized. The thesis is divided into three parts to analyze and summarize Garden discourse. First, the origin and background of the study, the object and content of the study, the research methods, the significance of the research, the structure of the thesis, etc., and then, the garden discourse is divided into three stages: origin, transition and development. Find out the similarities and differences of architects' design ideas and design methods in different historical periods, and their respective characteristics, and sum up their position and influence in the field of architecture in each period. By summing up and refining the second part, we find out the architectural design methodology of "Garden discourse". The methodology includes: design theory (including the theories related to the East and the West), the design process (from the perspective of the whole and part), the design method (interpretation from the aspects of space, form, construction). From the angle of "Garden discourse", we can find a road of contemporary architectural creation that is suitable for China's national conditions. This road not only gives architectural creation ways and methods in concrete application, but also influences architects' world outlook and outlook on life on a deeper level. And ultimately change the architect's design thinking and look at things.
【學(xué)位授予單位】：昆明理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：TU986
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