本文選題：當(dāng)代西方 + 景觀敘事��； 參考：《哈爾濱工業(yè)大學(xué)》2014年博士論文

【摘要】：作為人類物質(zhì)活動(dòng)與文化的有效載體，景觀環(huán)境在承載人們現(xiàn)實(shí)需要的同時(shí)，也在默默地向置身其中的人們傳遞著歷史與文化的信息。而此時(shí)的景觀也恰如一篇小說(shuō)，用自己特有的話語(yǔ)方式，向人們敘述著其間發(fā)生的故事與曾經(jīng)的過(guò)往。20世紀(jì)60至70年代，伴隨著當(dāng)代西方哲學(xué)研究的語(yǔ)言學(xué)轉(zhuǎn)向，一種被稱為“后經(jīng)典敘事學(xué)”的理論逐漸進(jìn)入當(dāng)代文藝研究領(lǐng)域，而此刻的景觀學(xué)科也正在經(jīng)歷一個(gè)既有理念轉(zhuǎn)變、思潮迭起的所謂后現(xiàn)代時(shí)期�？梢灾v，在當(dāng)代西方景觀的創(chuàng)造實(shí)踐中，對(duì)于景觀所具有的故事言說(shuō)特征即景觀的敘事表達(dá)，已經(jīng)成為越來(lái)越多設(shè)計(jì)師的自覺(jué)行為。對(duì)于當(dāng)代景觀創(chuàng)作而言，敘事理論的介入使得景觀設(shè)計(jì)師不僅可以利用各種形式語(yǔ)言塑造出更加具有時(shí)代特征與人文內(nèi)涵的景觀作品，同時(shí)也將人們對(duì)景觀作品的關(guān)注從既往“如畫(huà)”般的場(chǎng)景呈現(xiàn)轉(zhuǎn)向了更具人文內(nèi)涵和文化價(jià)值的“如話”場(chǎng)所建構(gòu)。作為對(duì)當(dāng)代景觀這一重要轉(zhuǎn)變現(xiàn)實(shí)的理論回應(yīng)，本文以當(dāng)代西方景觀理論的敘事研究為切入點(diǎn)，借助后經(jīng)典敘事學(xué)的相關(guān)理論與方法，通過(guò)對(duì)20世紀(jì)70年代以來(lái)的西方景觀設(shè)計(jì)發(fā)展特征的歷史解析，探究當(dāng)代西方景觀敘事所呈現(xiàn)出的獨(dú)特話語(yǔ)特征與美學(xué)內(nèi)涵。其最終目的在于結(jié)合當(dāng)代西方景觀敘事的深入思考與理論闡述，為當(dāng)代中國(guó)快速城市化背景之下的景觀建設(shè)與文化建構(gòu)提供可資借鑒的理論方法和實(shí)踐策略。 作為論文的理論基礎(chǔ)與邏輯起點(diǎn)，本文結(jié)合敘事及敘事理論的經(jīng)典文獻(xiàn)解讀，探討與解析了景觀與敘事理論的相互作用關(guān)系、歷史淵源及當(dāng)代發(fā)展。同時(shí)，論文通過(guò)對(duì)景觀類語(yǔ)言特征的相關(guān)闡釋，界定了景觀敘事的概念內(nèi)涵，即將景觀視為一種承載人類現(xiàn)實(shí)生活與精神理想的獨(dú)特話語(yǔ)系統(tǒng)，進(jìn)而將景觀環(huán)境的創(chuàng)作與感知看成是對(duì)某種特定敘事情節(jié)的審美體驗(yàn)進(jìn)程�？梢灾v，借由西方景觀敘事特征的當(dāng)代美學(xué)闡釋，不僅為景觀理論研究的跨學(xué)科發(fā)展開(kāi)拓了全新的研究視野，同時(shí)也為當(dāng)代景觀文化的建構(gòu)提供了更具人文內(nèi)涵的理論范式。 在論文主體研究?jī)?nèi)容的建構(gòu)中，本文以當(dāng)代西方景觀敘事的審美體驗(yàn)進(jìn)程為技術(shù)路線，從敘事話語(yǔ)表征、結(jié)構(gòu)呈現(xiàn)與時(shí)間流程三個(gè)方面，闡述了當(dāng)代西方景觀的敘事特征及美學(xué)要旨。其中，話語(yǔ)表征即闡釋當(dāng)代景觀作為類語(yǔ)言系統(tǒng)，其基本話語(yǔ)組成及言語(yǔ)表達(dá)的時(shí)代特征�？梢灾v，在多元審美觀念與科技發(fā)展等因素的共同作用之下，當(dāng)代景觀已然實(shí)現(xiàn)了其基本話語(yǔ)組成的時(shí)代轉(zhuǎn)換，進(jìn)而呈現(xiàn)出更具文藝內(nèi)涵的景觀話語(yǔ)表征與敘事特質(zhì)。而所謂的景觀敘事結(jié)構(gòu)呈現(xiàn)，即是將景觀空間語(yǔ)匯結(jié)為整體進(jìn)而構(gòu)筑意義的敘事方式。在景觀敘事結(jié)構(gòu)的編排與組合之下，諸多空間話語(yǔ)單元整合成為具有完整故事情節(jié)的景觀敘事世界。而對(duì)景觀敘事時(shí)間特質(zhì)的當(dāng)代解析，也使得論文對(duì)西方景觀敘事問(wèn)題的思考不僅限于其空間實(shí)體的敘事表達(dá)，而是探究與實(shí)體環(huán)境共存并具有歷史維度與時(shí)代跨度的時(shí)間敘事進(jìn)程。可以講，在景觀敘事結(jié)構(gòu)呈現(xiàn)與時(shí)間流程的共同作用之下，當(dāng)代景觀不僅建構(gòu)出具有時(shí)空復(fù)合特質(zhì)的景觀敘事進(jìn)程，同時(shí)也呈現(xiàn)出獨(dú)特的美學(xué)特質(zhì)與文化內(nèi)涵。 此外，如果說(shuō)本文有關(guān)景觀敘事話語(yǔ)表征、結(jié)構(gòu)呈現(xiàn)與時(shí)間流程的闡述，回答了當(dāng)代景觀如何借由具有時(shí)代特質(zhì)的景觀語(yǔ)言來(lái)講述呈現(xiàn)多元審美旨趣的“時(shí)代故事”（即景觀如何“講故事”），那么景觀敘事的意蘊(yùn)探討則將人們的關(guān)注重點(diǎn)引向了對(duì)景觀敘事話語(yǔ)主體與敘事主旨的深入思考�；蛘邠Q句話來(lái)講，對(duì)于當(dāng)代景觀敘事表達(dá)的審美進(jìn)程而言，人們更為關(guān)注由“什么人”來(lái)講“什么故事”。與此同時(shí)我們也看到，在當(dāng)代后經(jīng)典敘事理論的相關(guān)研究中，對(duì)于敘事作品本身以外諸如敘述者與敘事視角等內(nèi)容的解析，已然成為了其相關(guān)理論研究的熱點(diǎn)問(wèn)題�？梢灾v，本文有關(guān)當(dāng)代景觀敘事意蘊(yùn)的相關(guān)研究，，不僅將人們對(duì)當(dāng)代景觀敘事議題的審美感知，從具有實(shí)體外顯特征“表象”體驗(yàn)轉(zhuǎn)向?qū)坝^敘事內(nèi)涵與意義的時(shí)代運(yùn)思，同時(shí)也實(shí)現(xiàn)了后經(jīng)典敘事學(xué)與當(dāng)代景觀敘事的理論映射。 通過(guò)對(duì)當(dāng)代西方景觀敘事理論建構(gòu)研究，本文認(rèn)為，借助景觀敘事主體的審美體驗(yàn)與審美感知呈現(xiàn)的多元述求，當(dāng)代西方景觀不僅實(shí)現(xiàn)了從“宏大敘事”向“民間敘事”的時(shí)代演繹，同時(shí)也建構(gòu)起其特有的話語(yǔ)內(nèi)涵。在這一當(dāng)代西方景觀敘事表達(dá)的時(shí)代進(jìn)程中，對(duì)生命的感悟以及對(duì)景觀人文內(nèi)涵的時(shí)代表達(dá)，成為了當(dāng)代西方景觀敘事的核心要旨�？梢灾v，在景觀敘事內(nèi)涵的時(shí)代言說(shuō)中，當(dāng)代西方景觀不僅呈現(xiàn)出具有情節(jié)特征的“如話”場(chǎng)所意象，而且也用其特定的話語(yǔ)特征實(shí)現(xiàn)了景觀學(xué)科發(fā)展的當(dāng)代拓展。
[Abstract]:As an effective carrier of human physical activity and culture, the landscape environment conveys the information of history and culture to the people who are in it while carrying the actual needs of the people, and the landscape at this time is just like a novel. From 60 to 70s of the.20 century, with the linguistic turn of contemporary western philosophical studies, a theory called "post classic narratology" has gradually entered the field of contemporary literary and art research. At the moment, the landscape discipline is also experiencing a so-called post-modern period with a change of ideas and a trend of ideological trend. In the practice of the landscape, the narrative expression of the landscape, that is, the narrative expression of the landscape, has become more and more conscious behavior of the designers. For the contemporary landscape creation, the intervention of the narrative theory makes the landscape designers not only make use of various forms of language to create more times and humane connotations. As a theoretical response to the important transformation of contemporary landscape, this article takes the narrative research of the contemporary western landscape theory as the breakthrough point, with the aid of the classical narrative. The relevant theories and methods of learning, through the historical analysis of the development characteristics of Western landscape design since 1970s, explore the unique discourse characteristics and aesthetic connotation of contemporary western landscape narration. The ultimate aim is to combine contemporary western landscape narrative in-depth thinking and theoretical exposition, for the rapid urbanization of contemporary China. Under the background of landscape construction and cultural construction, we can provide reference theory and practice strategy.
As the theoretical basis and logical starting point of the thesis, this paper, combining the classical literature interpretation of narrative and narrative theory, discusses and analyzes the interaction relationship, historical origin and contemporary development of landscape and narrative theory. At the same time, the thesis defines the concept of landscape narrative through related interpretation of the linguistic features of landscape, which is about to see the landscape. It is a unique discourse system that carries the real life and spiritual ideal of human being, and then regards the creation and perception of landscape environment as an aesthetic experience process to some particular narrative plot. Horizons also provide a more humanistic theoretical paradigm for the construction of contemporary landscape culture.
In the construction of the subject research, this article takes the aesthetic experience process of the contemporary western landscape narrative as the technical route, from three aspects of narrative discourse characterization, structure presentation and time flow, and expounds the narrative features and aesthetic tenor of contemporary western landscape. It can be said that the contemporary landscape has already realized the transformation of its basic discourse in the common role of multiple aesthetic concepts and scientific and technological development, and then presents a more literary and artistic connotation of landscape discourse characterization and narration, and the so-called landscape narrative structure presents, that is, the narrative structure of the landscape. In the arrangement and combination of the landscape narrative structure, many space discourse units are integrated into the landscape narrative world with complete storyline, and the contemporary analysis of the characteristics of the landscape narrative time makes the thesis think about the western landscape narrative problems as well. It is only limited to the narrative expression of its spatial entity, but to explore the time narrative process that coexists with the entity environment and has the historical dimension and the time span. Special aesthetic characteristics and cultural connotations.
In addition, if this article is concerned with the description of landscape narrative discourse, structure presentation and time flow, it answers how contemporary landscape describes the "times story" which presents multiple aesthetic interests by the landscape language with the characteristics of the times (the landscape "story telling"), then the connotation of landscape narrative will focus on people's attention. The emphasis is on the deep thinking about the subject and the narrative theme of the landscape narrative discourse. In other words, for the aesthetic process of the contemporary landscape narrative expression, people pay more attention to "what is the story" in terms of "someone". At the same time, we also see that in the related research of the contemporary classical narrative theory, the narrative is about the narrative. The analysis of contents such as narrators and narrative perspectives, such as the narrator and the narrative point of view, has become a hot issue in its theoretical research. The connotation of the narrative and the meaning of the era of thinking, but also achieved a theoretical mapping of post classical narratology and contemporary landscape narrative.
Through the study of the contemporary western landscape narrative theory, this article holds that, with the help of the aesthetic experience and aesthetic perception of the landscape narrative subject, the contemporary western landscape not only deducts from the "grand narrative" to the "Folk Narrative", but also constructs its unique discourse connotation. In the time process of the narrative expression, the understanding of life and the expression of the cultural connotation of the landscape have become the core of the contemporary western landscape narrative. Discourse characteristics have realized the contemporary development of landscape discipline development.
【學(xué)位授予單位】：哈爾濱工業(yè)大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2014
【分類號(hào)】：TU986

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