發(fā)布時(shí)間：2018-06-16 13:45

  本文選題：折線元素 + 建筑形態(tài)��； 參考：《哈爾濱工業(yè)大學(xué)》2014年碩士論文

【摘要】：從歷史來看,建筑形態(tài)的研究早已是一個(gè)重大的課題,人們對(duì)建筑形態(tài)的探討也從未中斷過。通過對(duì)眾多大師們的成功作品的學(xué)習(xí)和分析,會(huì)發(fā)現(xiàn)他們有一個(gè)共同的特征,那就是他們都在建筑形態(tài)設(shè)計(jì)方面運(yùn)用了恰當(dāng)?shù)脑煨褪址ā６劬�元素作為一種基本的造型方式從未曾被建筑師們忽視和遺忘,并且隨著時(shí)代的發(fā)展,這種造型方法也越來越得到設(shè)計(jì)者們的重視和廣泛的應(yīng)用。本論文在分析了折線元素在現(xiàn)代建筑中的理論基礎(chǔ)和發(fā)展?fàn)顩r的基礎(chǔ)上,研究折線元素在現(xiàn)代建筑中的運(yùn)用特點(diǎn)、設(shè)計(jì)策略和表達(dá)方法,以指導(dǎo)具體建筑設(shè)計(jì)實(shí)踐。論文首先從折線元素的基本問題出發(fā),對(duì)建筑形態(tài)與折線元素的相關(guān)概念進(jìn)行解析,然后將兩者聯(lián)系起來,進(jìn)而實(shí)現(xiàn)對(duì)建筑中折線元素的準(zhǔn)確剖析。對(duì)折線元素基本形態(tài)進(jìn)行分類研究,從各類折線元素的形態(tài)特征中挖掘其視覺原理,并將現(xiàn)代建筑形態(tài)構(gòu)成的視覺要求與折線元素的視覺心理效應(yīng)聯(lián)系起來,探究折線元素與當(dāng)代視覺審美觀的關(guān)系,以及相關(guān)理論對(duì)折線元素構(gòu)成的建筑形態(tài)的影響。其次,論文深入地挖掘了折線元素的建筑形態(tài)創(chuàng)作過程中的影響因素和指導(dǎo)思想,探討折線建筑的存在意義及創(chuàng)作策略。最后,論文從線、面、體三個(gè)角度來研究折線元素建筑形態(tài)表達(dá)方法,對(duì)折線元素在現(xiàn)代建筑中的運(yùn)用和體現(xiàn)有一個(gè)比較清晰的認(rèn)識(shí),并以此來指導(dǎo)設(shè)計(jì)實(shí)踐中的建筑形態(tài)創(chuàng)作過程。本文通過對(duì)建筑造型語匯中的折線元素的表達(dá)規(guī)律和方法進(jìn)行科學(xué)的分析和系統(tǒng)地研究,從而為我們多方位、多層地了解折線建筑,認(rèn)識(shí)折線建筑,從一個(gè)新的,更高的、更全面的角度探尋折線建筑的本質(zhì)和含義起到重要作用。希望為以后的折線元素類型性建筑形態(tài)的創(chuàng)作提供有利的理論依據(jù),從全局角度整體性的把握設(shè)計(jì)過程,使折線元素不是簡單的形式或裝飾上的疊加,而是作為加入了眾多客觀因素的對(duì)各種矛盾的一種富有想象力和創(chuàng)造力的解決方案,為建筑設(shè)計(jì)提供一種新的思路和理念。
[Abstract]:From the historical point of view, the study of architectural form has long been an important subject, and the discussion of architectural form has never been interrupted. Through the study and analysis of the successful works of many masters, it is found that they all have a common characteristic, that is, they all use appropriate modeling techniques in the design of architectural forms. As a basic modeling method, the broken line element has never been ignored and forgotten by architects, and with the development of the times, this modeling method has been paid more and more attention and widely used by designers. Based on the analysis of the theoretical basis and development of broken line elements in modern architecture, this paper studies the application characteristics, design strategies and expression methods of broken line elements in modern architecture, in order to guide the practice of specific architectural design. Starting from the basic problems of the broken line elements, this paper analyzes the related concepts of the building form and the broken line elements, and then connects the two concepts, and then realizes the accurate analysis of the broken line elements in the architecture. The basic form of broken line element is classified, and its visual principle is excavated from the morphological characteristics of all kinds of broken line elements, and the visual requirement of modern architectural form is connected with the visual psychological effect of broken line element. This paper explores the relationship between broken line elements and contemporary visual aesthetics, and the influence of relevant theories on the architectural form of broken line elements. Secondly, the paper deeply excavates the influence factors and guiding ideology in the process of the architectural form creation of the broken line elements, and discusses the existence significance and creation strategy of the broken line building. Finally, the paper studies the expression method of broken line element form from three angles of line, surface and body, and has a clear understanding of the application and embodiment of broken line element in modern architecture. And in order to guide the design practice of architectural form creation process. This article carries on the scientific analysis and the systematic research to the expression law and the method of the broken line element in the architectural form vocabulary, thus for us to understand the broken line building in many directions, the multi-story understanding, the understanding broken line building, from a new, higher, A more comprehensive point of view to explore the nature and meaning of the line building plays an important role. It is hoped to provide a favorable theoretical basis for the creation of the architectural form of the type of broken line elements in the future, and to grasp the design process from the overall perspective, so that the broken line elements are not simply superimposed on the form or decoration. It is a imaginative and creative solution to all kinds of contradictions which adds many objective factors, and provides a new way of thinking and idea for architectural design.
【學(xué)位授予單位】：哈爾濱工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：TU201

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 楊洲;;澳大利亞墨爾本聯(lián)邦廣場[J];中外建筑;2009年09期

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本文編號(hào)：2026903