本文選題：近代日本學(xué)者 + 中國建筑考察��； 參考：《天津大學(xué)》2014年博士論文

【摘要】：以歷史照片為主體的圖像記錄既是從實(shí)物角度研究建筑的佐證，也是古代與近代傳承建筑的分水線。二十世紀(jì)初，1901年的紫禁城測(cè)繪開啟了近代日本學(xué)者對(duì)中國建筑的實(shí)證研究，并在對(duì)中國長時(shí)間、大范圍的考察中，較為全面地記錄了中國的建筑及遺產(chǎn)，留下了大量的圖像成果，反映了中國建筑在20世紀(jì)初未經(jīng)修繕時(shí)的真實(shí)狀況。這些圖像記錄在為今天的遺產(chǎn)保護(hù)和修繕提供了翔實(shí)歷史信息的同時(shí)，也見證了近代日本學(xué)者通過實(shí)證考察來研究中國建筑的全部過程。從微觀上說，這些圖像記錄見證了近代日本學(xué)者的中國建筑觀和遺產(chǎn)觀的形成過程；從宏觀上看，它們也見證了亞洲主義背景下近代日本建構(gòu)中國建筑史學(xué)、和建構(gòu)以中國為主體的東洋建筑史學(xué)的過程。與此同時(shí)，這些圖像記錄更作為一種結(jié)果參與到了亞洲主義的建構(gòu)中，是近代日本學(xué)者亞洲想象的表達(dá)方式和具體體現(xiàn)�？梢哉f，，近代日本建筑學(xué)者實(shí)證研究中國的歷史，就是以圖像記錄中國建筑的歷史。本論文以時(shí)間為脈絡(luò)，以歷史為背景，試圖從圖像記錄的角度出發(fā)，來解明以伊東忠太和關(guān)野貞為代表的近代日本學(xué)者中國建筑觀和遺產(chǎn)觀的形成過程，以及在這個(gè)過程中同亞洲主義所發(fā)生的關(guān)聯(lián)。 半個(gè)多世紀(jì)之前，日本學(xué)者對(duì)中國建筑的圖像記錄作為信息源和催化劑間接參與了近代中國自身建筑史學(xué)的建構(gòu)。在今天，這些圖像記錄是遺產(chǎn)保護(hù)與修復(fù)中真實(shí)性的重要依據(jù)，本論文也初步涉及了這些問題。
[Abstract]:The image recording based on historical photographs is not only the evidence of studying architecture from the point of view of object, but also the waterline of ancient and modern buildings. At the beginning of the 20th century, the surveying and mapping of the Forbidden City in 1901 opened up an empirical study of Chinese architecture by modern Japanese scholars, and in the long and extensive investigation of China, it comprehensively recorded the architecture and heritage of China. Many images were left, reflecting the true state of Chinese architecture in the early 20th century when it was unrepaired. These images not only provide full historical information for today's heritage conservation and restoration, but also witness the whole process of modern Japanese scholars' empirical investigation to study Chinese architecture. From a microscopic point of view, these image records witnessed the formation of Chinese architectural and heritage views of modern Japanese scholars, and from a macro perspective, they also witnessed the construction of Chinese architectural history in modern Japan under the background of Asianism. And the process of constructing the oriental architectural historiography with China as the main body. At the same time, these image records participate in the construction of Asianism as a result, which is the expression and concrete embodiment of Asian imagination of modern Japanese scholars. It can be said that modern Japanese architecture scholars empirically study the history of China, that is to record the history of Chinese architecture with images. This thesis takes time as the context and history as the background, trying to explain the formation process of the modern Japanese scholars' view of Chinese architecture and heritage, which is represented by Yidongzhong, Taihe and Guanoteng, from the perspective of image recording. And the connection with Asianism in the process. More than half a century ago, Japanese scholars indirectly participated in the construction of modern Chinese architecture history as a source of information and catalyst. Today, these image records are the important basis for the authenticity of heritage protection and restoration.
【學(xué)位授予單位】：天津大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2014
【分類號(hào)】：TU-09

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本文編號(hào)：1908090