本文選題：獅子林　切入點(diǎn)：枯山水　出處：《河南師范大學(xué)》2016年碩士論文

【摘要】：蘇州獅子林和日本枯山水同屬東方園林,二者均具有獨(dú)特的石景藝術(shù)魅力。它們雖然都為中日古典園林的代表,國家不同,所蘊(yùn)含的文化不同,但也相互間存在著某些聯(lián)系:在中日兩國歷史長(zhǎng)河的文化交流中,日本古典園林石景藝術(shù)深受中國古典園林的影響;平安時(shí)期以后,中國一改之前的營(yíng)造方式形成了新的明清風(fēng)格,日本則致力于沿用古代石景的營(yíng)造手法,并在此基礎(chǔ)上融合新興的文化形成了具有日本傳統(tǒng)民族精神的枯山水景觀。這兩個(gè)園林石景藝術(shù)中的種種相似性,引起了筆者的注意和思考。因此,二者所滲入的歷史社會(huì)背景、蘊(yùn)藏的文化內(nèi)涵和所體現(xiàn)的石景營(yíng)造方法等這些方面的異同,以及造成這些異同的因素都是本文探究的對(duì)象。本文由四部分組成。第一部分主要從蘇州獅子林和日本枯山水的歷史變遷與園林特點(diǎn)分別對(duì)這兩個(gè)代表園林進(jìn)行闡述,總結(jié)其各自特點(diǎn)和歷史進(jìn)程上的交融性。第二、三部分從中日這兩個(gè)典型園林石景藝術(shù)方面所表達(dá)的文化內(nèi)涵和藝術(shù)修養(yǎng),以及園林石景營(yíng)造手法和其所蘊(yùn)藏的審美進(jìn)行具體對(duì)比分析。第四部分則是根據(jù)前幾章各個(gè)方面的對(duì)比分析,從宏觀的角度來探究獅子林和枯山水石景藝術(shù),在不同的自然環(huán)境、社會(huì)文化和審美觀念等因素影響下所形成的差異性因素。通過對(duì)蘇州獅子林和日本枯山水石景藝術(shù)的比較研究,使筆者充分感受到中日兩國園林石景藝術(shù)的獨(dú)特魅力,也加強(qiáng)了自身對(duì)中日兩國園林石景藝術(shù)的認(rèn)識(shí),從而為園林石景藝術(shù)的研究提供些許現(xiàn)實(shí)意義的參考。
[Abstract]:The lion forest of Suzhou and the dry landscape of Japan belong to the eastern garden. Both of them have unique artistic charm of stone scenery. Although they are both representative of Chinese and Japanese classical gardens, they contain different cultures in different countries. But there are also some connections between them: in the cultural exchanges between China and Japan, the stone landscape art of Japanese classical gardens was deeply influenced by Chinese classical gardens, and after the peaceful period, As soon as China changed its previous style of construction, it formed a new style in the Ming and Qing dynasties, while Japan devoted itself to following the construction techniques of ancient stone scenes. And on this basis, the integration of the new culture has formed the landscape with the Japanese traditional national spirit. The similarities between the two gardens and stone scenery art have aroused the author's attention and thinking. The historical and social background, the cultural connotations and the stone scenery construction methods embodied by the two have the similarities and differences in these aspects. And the factors that cause these similarities and differences are the objects of this paper. This paper is composed of four parts. The first part mainly expounds the historical changes and garden characteristics of Suzhou Lion Forest and Japan's dry landscape. Summing up their respective characteristics and the blending of historical process. Second, three parts of the two typical garden stone landscape art aspects of the cultural connotation and artistic accomplishment, The fourth part is based on the comparative analysis of the previous chapters of various aspects, from a macro perspective to explore the Lion Forest and the art of boulder landscape. The difference factors formed under the influence of different natural environment, social culture and aesthetic concept, etc. Through the comparative study on the art of Suzhou Lion Forest and Japan, So that the author can fully feel the unique charm of Chinese and Japanese landscape stone art, but also strengthen their own understanding of the two countries' garden stone scenery art, thus providing some practical significance for the study of garden stone scenery art.
【學(xué)位授予單位】：河南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：TU986.44

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