本文選題：社交場(chǎng)所　切入點(diǎn)：德國人　出處：《建筑知識(shí)》2014年10期 　論文類型：期刊論文

【摘要】：正位于捷克共和國的斯拉夫尼采是一座以粉雕聞名的小城,這里的石膏中封存的不僅是藝術(shù)和美,還有二十世紀(jì)的故事和歷史。整個(gè)傷痕累累的世紀(jì),藝術(shù)品,連同老舊的建筑,恐怕是那段人類不堪回首的歷史最好的見證者。那些建筑悄無聲息地隱忍著戰(zhàn)爭(zhēng)的硝煙與沉重的歷史,也飽嘗過昔日陽光雨露中的平靜快樂,在一次次改造中經(jīng)歷了新與舊的洗禮,最終呈現(xiàn)給建筑師的是最飽滿的內(nèi)容和日益衰落的建筑外殼。這所由德國人在二戰(zhàn)之前建造的房屋,是當(dāng)時(shí)本地居民的社交場(chǎng)所。二戰(zhàn)后德國人被驅(qū)逐了,房子的原有用途也漸
[Abstract]:Slavonia Nietzsche, just in the Czech Republic, is a small town famous for its powder carving. The gypsum here contains not only art and beauty, but also 20th century stories and history. Together with the old buildings, I am afraid they are the best witnesses of the unthinkable history of mankind. The buildings quietly endure the smoke of war and the heavy history, and they have tasted the quiet joy of the sun, rain and dew of the past. After the baptism of the new and the old, the architect was finally presented with the most abundant content and the declining building shell, a house built by the Germans before the second World War. It was a social place for local residents. After World War II, the Germans were evicted, and the original use of the house grew.
【分類號(hào)】：TU242

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本文編號(hào)：1646610