本文關(guān)鍵詞： 隱喻 象征 人文關(guān)懷 景觀設(shè)計(jì)　出處：《天津大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：21世紀(jì)，景觀作為地球生態(tài)和人類文明的重要載體，在社會中的作用越來越受到極大的關(guān)注。在生態(tài)意識的作用下，生態(tài)功能的景觀研究已經(jīng)非常普遍及深入，反觀作為人類文明載體屬性的景觀，由于相當(dāng)長的時(shí)間內(nèi)人們更注重使用者的物質(zhì)功能需求，很少對環(huán)境場所具有的精神屬性作細(xì)致的分析和探討，，相關(guān)理論基本處于停滯狀態(tài)，一直沒有形成系統(tǒng)的理論體系，不能對文化景觀的建設(shè)提供強(qiáng)有力的指導(dǎo)。 “隱喻”“象征”本屬于語言學(xué)范疇的兩種修辭手法，“隱喻”本質(zhì)是用一個概念去理解另一個概念�！跋笳鳌笔侵赣镁唧w事物表示某種抽象概念或思想感情。兩種手法有相同點(diǎn)，也有不同點(diǎn)，在景觀設(shè)計(jì)領(lǐng)域兩者都是基于人類的經(jīng)驗(yàn)，用來表達(dá)某種情感的有效手段。因此本文將隱喻、象征放在一起，對其在景觀設(shè)計(jì)中的應(yīng)用進(jìn)行系統(tǒng)研究。 本文研究借鑒符號學(xué)、語義學(xué)、等學(xué)科的研究方法，與社會學(xué)、心理學(xué)和精神分析學(xué)以及其他藝術(shù)史研究方法結(jié)合起來，探討隱喻象征方法在現(xiàn)代景觀設(shè)計(jì)中的運(yùn)用問題。文中對中外“隱喻”“象征”以及“符號學(xué)”理論進(jìn)行了歸納和整理，重點(diǎn)論述了中外傳統(tǒng)園林對隱喻象征手法的應(yīng)用狀況，全面而深刻的論述了隱喻、象征的產(chǎn)生原因、發(fā)展歷程及特征，在此基礎(chǔ)上展開對隱喻、象征方法在現(xiàn)代景觀設(shè)計(jì)中的運(yùn)用研究，基于人的隱喻、象征性思維方式，提出了一種隱喻、象征設(shè)計(jì)方法在現(xiàn)代景觀設(shè)計(jì)中的基本模式、基本構(gòu)思和應(yīng)用途徑。系統(tǒng)地提出了景觀設(shè)計(jì)中隱喻、象征手法的運(yùn)用途徑和方法，為今后的景觀設(shè)計(jì)文化表達(dá)提供一定參考。 隱喻、象征設(shè)計(jì)能有效地挖掘地域文化內(nèi)涵，是現(xiàn)代景觀設(shè)計(jì)體現(xiàn)人文關(guān)懷的一個重要手段。其研究在社會高速發(fā)展的今天具有很重要的現(xiàn)實(shí)意義。
[Abstract]:In 21th century, landscape as an important carrier of the earth ecology and human civilization, the role in the society is getting more and more attention, under the function of ecological consciousness. The landscape research of ecological function has been very common and thorough. On the contrary, as the attribute of human civilization carrier, people pay more attention to the material function needs of users for a long time. Few of the mental attributes of the environment have a detailed analysis and discussion, the related theory is basically in a stagnant state, has not formed a systematic theoretical system. It can not provide strong guidance for the construction of cultural landscape. Metaphor and symbolism belong to two rhetorical devices in the category of linguistics. The essence of "metaphor" is to understand another concept with one concept. "symbolism" refers to the use of concrete things to express a certain abstract concept or ideological feelings. There are similarities and differences between the two techniques. In the field of landscape design, both of them are based on human experience and are used as effective means to express certain emotions. Therefore, metaphor and symbol are put together in this paper, and the application of metaphor in landscape design is systematically studied. This paper studies the research methods of semiotics, semantics, and other disciplines, which are combined with sociology, psychology, psychoanalysis and other art history research methods. This paper discusses the application of metaphorical symbolism in modern landscape design, and summarizes and arranges the theories of metaphor, symbolism and semiotics at home and abroad. This paper focuses on the application of metaphorical symbolism in Chinese and foreign traditional gardens, and comprehensively and profoundly discusses metaphor, the causes, development process and characteristics of metaphor, on the basis of which the metaphorical analysis is carried out. Based on human metaphor and symbolic thinking mode, this paper puts forward a kind of metaphor, the basic model of symbolic design method in modern landscape design. This paper systematically puts forward the ways and methods of using metaphor and symbolism in landscape design, and provides some references for the cultural expression of landscape design in the future. Metaphor symbolic design can effectively excavate the connotation of regional culture and is an important means for modern landscape design to embody humanistic care. Its research has a very important practical significance in the rapid development of society today.
【學(xué)位授予單位】：天津大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：TU986

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本文編號：1483923