本文關(guān)鍵詞： “非正式”空間 日常性建筑 匿名性建筑 包容性建筑 在地營建 自行建造　出處：《天津大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：隨著城市的持續(xù)發(fā)展,城市空間結(jié)構(gòu)正在逐漸改變,城市人的生活、溝通交流方式、社會關(guān)系也在潛移默化地變化著。這些在短視和急功近利創(chuàng)造型城市,充滿發(fā)現(xiàn)、轉(zhuǎn)型、運用智慧和策略來尋找變化和轉(zhuǎn)機的可能性。在這些后泡沫時代的城市里,可能把視角放在一些匿名的、“非正式”的建筑和空間可以讓我們有新的愿景和決心去修復(fù)快速膨脹的城市,彌補丟失的城市機能,重新構(gòu)建一種人與人之間和諧互惠的社會關(guān)系。本文選取生活化的視角,采取一種自下而上的觀察和研究方法,針對城市“非正式”空間所呈現(xiàn)出的獨特的空間特質(zhì)和社會美學(xué),以期“以小見大”,討論其對建筑學(xué)本體意義上的啟發(fā),作為思考傳統(tǒng)文化、“在地”設(shè)計在當(dāng)代語境下延續(xù)和發(fā)展的嘗試,以期能夠為豐富當(dāng)代建筑與城市文化、強化人與多樣的地域文化之間的聯(lián)系提供思路。城市“非正式”空間是依托城市中非常規(guī)的建設(shè)用地和空間(如高架橋下空間、建筑屋頂空間、住宅庭院空間、街巷閑置空間等)建造形成的建筑、城市空間。它有很多種空間表現(xiàn)形式,如住宅的水平和豎直的加建,違章建筑和違章社區(qū),土地公小廟,售賣小攤,布袋戲等地方戲曲搭建的臨時舞臺,夜市等時間性變換空間,高架橋下花鳥玉石市場等等�！胺钦健笨臻g是一種臨時性的,可變的,移動的,適應(yīng)性極強的,與生活密切融合的城市游牧結(jié)構(gòu),實際上是人們基于自身生活需求的一種自行建造行為,是一種自下而上,自發(fā)生長的空間模式。本文試圖就融合抽象設(shè)計理論與具體建造技藝的建筑空間的可能性嘗試提出構(gòu)建一種基于城市建筑學(xué)理論和視角的新的空間思維模式,關(guān)注那些不起眼的,“匿名”的、“日�！钡摹⒄鎸嵉�、“非正式”的生活空間及其體現(xiàn)的建造意義上的價值。正如電子郵件與手寫書信,打印字與手寫字的關(guān)系一樣,我們在享受技術(shù)帶給我們的便利和快捷的同時,不要丟棄人自身觸碰的那份情感。
[Abstract]:With the sustainable development of the city, the urban spatial structure is gradually changing, the life of urban people, the way of communication and communication, and the social relations are also changing. Full of discovery, transformation, and the use of wisdom and strategy to find possibilities for change and change. In these post-bubble cities, the perspective may be placed on some anonymous. "informal" buildings and spaces can give us a new vision and determination to repair rapidly expanding cities and compensate for lost urban functions. In order to reconstruct a harmonious and mutually beneficial social relationship between people, this paper chooses the perspective of life, and adopts a bottom-up observation and research method. In the light of the unique spatial characteristics and social aesthetics of the urban "informal" space, the author hopes to "see the whole through a small part" and discuss its inspiration to the meaning of architectural ontology, as a reflection of traditional culture. In order to enrich the contemporary architecture and urban culture, "in the ground" design in the contemporary context of the continuation and development of the attempt. Strengthening the connection between people and diverse regional culture provides the train of thought. Urban "informal" space relies on unconventional urban construction land and space (such as viaduct space, roof space, residential courtyard space). It has many forms of space expression, such as the level of housing and vertical addition, illegal building and illegal community, small temple, selling stalls. The temporary stage set up by local operas, the time changing space such as night market, the flower and bird jade market under viaduct, etc. "informal" space is a temporary, variable, mobile and highly adaptable space. The urban nomadic structure, which is closely integrated with life, is actually a self-built behavior based on one's own needs of life, and is a bottom-up one. This paper attempts to construct a new spatial thinking model based on urban architecture theory and perspective on the possibility of combining abstract design theory with concrete construction techniques. Focus on the modest, "anonymous", "everyday," "real," "informal" living spaces and the constructive value they embody. Just like email and handwritten letters. We enjoy the convenience and speed that technology brings us, and do not discard the emotion that people touch.
【學(xué)位授予單位】：天津大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：TU984.113

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