舍伍德·安德森（1876-1941）,是美國(guó)二十世紀(jì)一位享有盛譽(yù)且影響深遠(yuǎn)的作家。威廉·�？思{將他奉為“我們這一代作家的父親”,馬爾科姆·考利也稱(chēng)他為“作家的作家”。安德森于1919年發(fā)表的《小鎮(zhèn)畸人》奠定了他在現(xiàn)代美國(guó)文壇的先驅(qū)者地位。該書(shū)以介乎長(zhǎng)篇小說(shuō)和短篇故事集的獨(dú)特形式,描繪了小鎮(zhèn)生活的心理和氣氛,揭示了各種人物的品性、欲望、企求以及在人生中摸索的歷程。本文運(yùn)用女性主義的觀點(diǎn)和性別心理學(xué)的研究成果,通過(guò)文本細(xì)讀的方法來(lái)分析《小鎮(zhèn)畸人》中的兩性關(guān)系,旨在揭示珍視女性特質(zhì)對(duì)構(gòu)建和諧兩性關(guān)系的重要意義。兩性關(guān)系的面貌是兩性互相影響的結(jié)果。由于父權(quán)制社會(huì)對(duì)女性的忽視和否定,溫士堡鎮(zhèn)上的女性活在一個(gè)封閉的空間里,無(wú)法交流帶來(lái)的壓抑使她們變成了“畸人”；而男性,盡管是傳統(tǒng)規(guī)范的寵兒,由于無(wú)法和女性間建立起真正的兩性關(guān)系而顯得扭曲。他們終日活在幻想的兩性關(guān)系中,導(dǎo)致現(xiàn)實(shí)中的兩性關(guān)系更為腐朽。然而,女性并非天生的弱者,相反,女性特有的敏感、細(xì)膩和溫柔恰恰是創(chuàng)造力的源泉,同時(shí)對(duì)于兩性關(guān)系的健康發(fā)展也起著關(guān)鍵性的作用。溫士堡鎮(zhèn)上多名女性在不同層面上對(duì)主人公喬治·威拉德的啟發(fā)性影響,更形象地揭示了女... 

【文章來(lái)源】：華東師范大學(xué)上海市 211工程院校 985工程院校 教育部直屬院校

【文章頁(yè)數(shù)】：57 頁(yè)

【學(xué)位級(jí)別】：碩士

【文章目錄】：
ACKNOWLEDGEMENTS
摘要
ABSTRACT
Introduction
Chapter One The Corrupt and Unproductive Male-female Relationship
    1.1 Frustrated Women
        1.1.1 Women as Girls
        1.1.2 Women as Wives or Lovers
        1.1.3 Women as Mothers
    1.2 Grotesque Men
        1.2.1 Rejection of The Feminine Qualities in men
        1.2.2 Inability to Establish Relationship with Real Women
Chapter Two Reinvestigation of The Male-female Relationship
    2.1 The Feminine Traits as Sources of Creativity and Spirituality
        2.1.1 The Feminine Creativity Represented in Women
        2.1.2 The Feminine Creativity Represented in Men
    2.2 Women's Instructive Influence on The Leading Character George Willard
        2.2.1 Enlightenment to The Future Artist
        2.2.2 Enlightenment to The Essence of Art
        2.2.3 Enlightenment to The Male-female Affection
        2.2.4 George's Maturity
Chapter Three The Equal and Reciprocal Male-female Relationship
    3.1 Men's Awareness of Women with Potential Power
        3.1.1 Enoch Robinson and The Invisible Woman in His Painting
        3.1.2 The Drunken Man and His Vision of Future Women
    3.2 Women's New Stance
        3.2.1 Belle: Controlling The Initiative in Love
        3.2.2 Tandy: Declaring to Be The New Woman
    3.3 The Genuine Intimacy between Men and Women
        3.3.1 Dr. Reefy vs. Elizabeth Willard-The Fleeting Floweriness
        3.3.2 George Willard vs. Helen White-The Prophetic Statement
Conclusion
BIBLIOGRAPHY


【參考文獻(xiàn)】：
期刊論文
[1]安德森《手》的符號(hào)界解讀[J]. 穆楊.  外國(guó)文學(xué). 2007(02)
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[3]女性:藝術(shù)家的摩西——評(píng)析《小城畸人》中女性人物與喬治·威拉德的關(guān)系[J]. 何征.  四川外語(yǔ)學(xué)院學(xué)報(bào). 2002(04)
[4]對(duì)《小城畸人》的女性閱讀[J]. 何征.  四川外語(yǔ)學(xué)院學(xué)報(bào). 2001(03)
[5]《小城畸人》藝術(shù)論[J]. 王青松.  外國(guó)文學(xué)評(píng)論. 1999(03)
[6]舍伍德·安德森三題[J]. 董衡巽.  外國(guó)文學(xué)評(píng)論. 1993(02)



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