【摘要】：我國的真人秀電視節(jié)目發(fā)展至今,已經(jīng)成為各大衛(wèi)視的“必爭之地”,隨著競爭的日益激烈,故事化敘事成為這場爭奪戰(zhàn)的主要利器和主流趨勢,如何創(chuàng)新節(jié)目模式,用不同的方法“講故事”,講不同的“故事”,即如何“敘事”成為真人秀電視節(jié)目成敗的關(guān)鍵。在這種情況下,對真人秀電視節(jié)目進(jìn)行敘事學(xué)分析,得出其背后的規(guī)律和強(qiáng)大的理論支撐顯得尤為重要。而作為經(jīng)典理論的敘事學(xué)無疑是進(jìn)行此課題研究的最佳選擇。故本文采用跨學(xué)科的視角,把真人秀電視節(jié)目納入敘事學(xué)的研究范疇,結(jié)合文獻(xiàn)研究和案例分析法,對我國真人秀電視節(jié)目的敘事進(jìn)行了系統(tǒng)而又詳實(shí)的分析,并從中發(fā)現(xiàn)了我國真人秀電視節(jié)目敘事的奧秘。本文主要借鑒查特曼的經(jīng)典作品《故事與話語》中對敘事“故事”和敘事“話語”的劃分對文章進(jìn)行了架構(gòu),在對真人秀和敘事學(xué)進(jìn)行了基本概述后,分別從“故事”和“話語”兩大方面對真人秀電視節(jié)目的敘事進(jìn)行了分析�！肮适隆狈矫�,主要從真人秀電視節(jié)目故事的人物、情節(jié)和主題三個(gè)角度加以分析。人物角度,一方面從功能配置入手探討了真人秀電視節(jié)目中“行動(dòng)元”的相關(guān)問題,最終得出真人秀節(jié)目的“行動(dòng)元模式”簡圖;另一方面,就真人秀電視節(jié)目中人物形象塑造的技巧進(jìn)行探討,歸納提煉出“扁平化”和“圓形化”兩種不同的人物塑造方法,并結(jié)合相關(guān)案例進(jìn)一步予以說明。情節(jié)角度,從情節(jié)的構(gòu)建和情節(jié)特點(diǎn)兩方面入手,發(fā)現(xiàn)在情節(jié)構(gòu)建中,核心事件和輔助事件是真人秀電視節(jié)目情節(jié)構(gòu)建的主要方式,而懸念、沖突、反轉(zhuǎn)等在文學(xué)創(chuàng)作中必不可少的元素,在真人秀節(jié)目中同樣舉足輕重;此外,反故事和元敘事的手法在真人秀節(jié)目中也有運(yùn)用。主題角度,如何立意以及如何進(jìn)行主題展現(xiàn)是本文的主要研究點(diǎn),通過對相關(guān)案例進(jìn)行分析,得出了真人秀電視節(jié)目在主題展現(xiàn)上的規(guī)律和常用手法。敘事“話語”方面,主要從敘事時(shí)間、敘事視角以及電視節(jié)目特有的電視語言三個(gè)角度加以分析。時(shí)間方面,著重分析敘事時(shí)間處理技巧及其實(shí)現(xiàn)手段,即蒙太奇手法;視角方面,分析了真人秀電視節(jié)目中敘事視角的層次性,并結(jié)合案例對不同敘述視角的特點(diǎn)和作用進(jìn)行了具體說明;語言方面主要從聲音、字幕和風(fēng)格等方面加以分析。經(jīng)過從“故事”和“話語”這兩個(gè)不同維度對真人秀電視節(jié)目的敘事加以分析后可以清晰的得出這一結(jié)論:真人秀電視節(jié)目的敘事是以敘事學(xué)為理論支撐才得以進(jìn)行的,在那些看似或引人發(fā)笑或令人感動(dòng)的故事背后,都有著深刻的理論意味。同時(shí),敘事學(xué)中還有許多未被真人秀節(jié)目開發(fā)和應(yīng)用的地方,而這有待我國電視人進(jìn)一步的摸索和探討,從而創(chuàng)新出獨(dú)具匠心的“故事”及別具一格的“話語”,使我國的真人秀電視節(jié)目更加閃閃發(fā)亮、熠熠生輝。
[Abstract]:With the development of reality TV programs in our country, they have become the "necessary place" for the major TV stations. With the increasingly fierce competition, story narration has become the main weapon and mainstream trend of the battle. How to innovate the program mode? Telling stories in different ways and telling different stories, that is, how to "narrate" become the key to the success or failure of reality TV programs. In this case, it is particularly important to analyze the narrative of reality TV programs and find out the rules and strong theoretical support behind them. Narratology, as a classical theory, is undoubtedly the best choice for this subject. So this article adopts the interdisciplinary angle of view, brings the reality TV program into the narratology research category, unifies the literature research and the case analysis method, has carried on the systematic and detailed analysis to our country reality TV program narration. And found our country reality TV program narration mystery. This article mainly draws lessons from Chatman's classic work "Story and discourse" to divide the narrative "story" and narrative "discourse" into the structure of the article, after a basic overview of reality TV and narratology. This paper analyzes the narration of reality TV programs from the two aspects of Story and discourse. In the aspect of "Story", it mainly analyzes the characters, plot and theme of reality TV program. From the point of view of characters, on the one hand, it discusses the related problems of "action element" in reality TV programs from the point of view of function allocation, and finally comes to the schematic diagram of "action element mode" of reality TV show; on the other hand, This paper probes into the techniques of portraying characters in reality TV programs, and summarizes two different ways of portraying characters: flattening and roundness, and further explains them with relevant cases. From the plot angle, from the plot construction and the plot characteristic two aspects, found in the plot construction, the core event and the auxiliary event is the reality television program plot construction main way, but suspense, the conflict, Reversal and other essential elements in literary creation are equally important in reality shows. In addition, anti-story and meta-narrative techniques are also used in reality shows. Theme angle, how to design and how to show the theme is the main research point of this paper. Through the analysis of relevant cases, the regularity and common techniques of the theme show of reality TV show are obtained. The narrative "discourse" is mainly analyzed from three angles: narrative time, narrative perspective and TV language. In the aspect of time, the author mainly analyzes the narrative time processing technique and its realization means, that is, montage technique, and analyzes the level of narrative angle of view in reality TV programs. The characteristics and functions of different narrative perspectives are explained in detail, and the language is mainly analyzed from the aspects of sound, subtitle and style. After analyzing the narration of reality TV programs from the two different dimensions of "Story" and "discourse", we can draw this conclusion clearly: the narrative of reality TV shows is supported by narratology. Behind stories that seem to be amusing or touching, there is a profound theoretical implication. At the same time, there are still many places in narratology that have not been developed and applied by reality TV programs, and this needs further exploration and discussion by TV people in our country, thus innovating the original "story" and the unique "discourse". Make our country's reality TV show more sparkling, shining.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：G222

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 鄭安迪;宋一航;王鈺;;特效字幕在戶外真人秀節(jié)目中的敘事作用研究——以東方衛(wèi)視《極限挑戰(zhàn)》為例[J];新聞研究導(dǎo)刊;2016年07期

2 張曉華;;論真人秀節(jié)目中字幕的價(jià)值功能[J];新聞戰(zhàn)線;2016年02期

3 黃麗麗;;真人秀節(jié)目中特效字幕功能研究——以《爸爸去哪兒》為例[J];東南傳播;2015年01期

4 馬芳華;;試論電視節(jié)目制作中剪輯風(fēng)格的建立[J];新聞傳播;2014年10期

5 鄭春穎;;電視節(jié)目中的聲音及其制作手段研究[J];科技傳播;2013年02期

6 王首程;;電視語態(tài)及其對節(jié)目風(fēng)格的呈現(xiàn)[J];中國廣播電視學(xué)刊;2012年01期

7 徐毓惠;;“真人秀”節(jié)目的敘事手段[J];視聽縱橫;2011年02期

8 袁立庠;;基于傳播學(xué)視域下對電視真人秀節(jié)目的思考[J];產(chǎn)業(yè)與科技論壇;2011年04期

9 劉凌;;電視真人秀節(jié)目敘事特征及敘事模式分析[J];科技傳播;2010年21期

10 尹鴻,陸虹,冉儒學(xué);電視真人秀的節(jié)目元素分析[J];現(xiàn)代傳播;2005年05期

相關(guān)碩士學(xué)位論文 前8條

1 于冰;我國明星真人秀節(jié)目的發(fā)展策略研究[D];東北師范大學(xué);2015年

2 黃英;我國親子類真人秀節(jié)目的創(chuàng)新與發(fā)展研究[D];西南大學(xué);2015年

3 梁立昭;韓國明星真人秀節(jié)目的戲劇性研究[D];浙江師范大學(xué);2014年

4 張鑫揚(yáng);以《爸爸去哪兒》為例探討我國真人秀節(jié)目如何突破[D];東北師范大學(xué);2014年

5 張?jiān)婄?電視真人秀節(jié)目的敘事學(xué)研究[D];中國青年政治學(xué)院;2013年

6 涂曼;中國電視真人秀節(jié)目敘事解析[D];南昌大學(xué);2010年

7 陳睿佳;中國“真人秀”節(jié)目敘事范式探究[D];浙江大學(xué);2006年

8 周穎;電視敘事理論芻議[D];廈門大學(xué);2001年

，

本文編號：2136235