本文選題：可視化 + 數(shù)據(jù)新聞��； 參考：《西南大學》2017年碩士論文

【摘要】：大數(shù)據(jù)時代下,數(shù)據(jù)成為各個行業(yè)的重要資產(chǎn),在經(jīng)濟、文化、政治等社會各個方面發(fā)揮著越來越重要的作用。數(shù)據(jù)新聞便是新聞領域的一種“數(shù)據(jù)+新聞”的創(chuàng)新。與傳統(tǒng)的文字+圖片的新聞形式不同,數(shù)據(jù)新聞的信息主體是各種各樣的數(shù)據(jù),雖然文字和圖片也在數(shù)據(jù)新聞中扮演角色,只是主體性讓位于以數(shù)據(jù)為主的可視化信息圖表或視頻或圖片。一方面對傳統(tǒng)的新聞有一定的顛覆效果,改變了原有新聞的線性敘事邏輯,另一方面在敘事接受上,用戶也在一定程度上具有更高的主動性。數(shù)據(jù)新聞,其載體形式則更為豐富,更偏向于電子網(wǎng)頁、視頻等,因此,敘事研究的敘事文本在轉(zhuǎn)換形式的同時,多種敘事媒體之間的差異與轉(zhuǎn)換問題也需要多加探討。本文在對全球數(shù)據(jù)新聞獎“可視化數(shù)據(jù)新聞”獲獎作品的文本進行敘事學上的分析,試圖尋找發(fā)現(xiàn)這種新形式的新聞文本在敘事上的變化,同時探討這種不同的依存媒體在其中發(fā)揮著怎樣的作用。本文在緒論中,對數(shù)據(jù)新聞的時代背景、數(shù)據(jù)新聞的形式變化、全球數(shù)據(jù)新聞獎的設立、數(shù)據(jù)新聞作品的敘事研究的意義和研究呢方法等方面做了論述。第一章詳細對全球數(shù)據(jù)新聞獎的歷年作品做了梳理,并根據(jù)研究需要選擇了2012-2016四年中的十件新聞作品為研究樣本,對每個樣本的背景、內(nèi)容做了大體介紹。從第二章開始運用敘事理論對文本進行研究分析。第二章對十件作品中多樣化的敘事語言做了歸納梳理,從視覺敘事和設計敘事的角度結(jié)合新聞獎具體文本闡述了色彩、形狀、地圖、交互圖表等不同形式在新聞敘事中所起的作用,挖掘新的語言形式的敘事價值,發(fā)現(xiàn)色彩、地圖等可視化方式在改變線性敘事、凸顯宏觀敘事方面有著獨特優(yōu)勢。第三章按照傳統(tǒng)的新聞敘事理論中的敘事者和敘事視角來探究數(shù)據(jù)新聞敘事與傳統(tǒng)新聞敘事的不同,全知視角在部分以可視化圖表為主要內(nèi)容的作品中較長采用,在文字與圖表勢力均當?shù)淖髌分?限知視角與全知視角融合運用。第四章研究了數(shù)據(jù)新聞敘事中時空觀的轉(zhuǎn)變。概要和場景策略在敘事時間中較常見,地圖的運用則成為敘事空間中最具特色的內(nèi)容,除了故事性的空間轉(zhuǎn)換,網(wǎng)頁性質(zhì)的媒介形式也拓展了內(nèi)容在空間中的鋪展。第五章則討論了敘事接受的層面,游戲化的敘事方式對用戶有較大是吸引力,用戶在可視化數(shù)據(jù)新聞中獲得了更高的主動權,在一定程度上參與了敘事過程和意義再造。
[Abstract]:In the era of big data, data has become an important asset in various industries and plays a more and more important role in economy, culture, politics and other aspects of society. Data news is a kind of innovation of data news in the field of news. Different from the traditional news form of text and picture, the main body of information in data news is all kinds of data, although text and picture also play a role in data news. Only subjectivity gives way to visualized information, charts, or videos or pictures based on data. On the one hand, it has a subversive effect on the traditional news, which changes the linear narrative logic of the original news. On the other hand, the users also have a higher degree of initiative in terms of narrative acceptance. Data news, its carrier form is more abundant, more inclined to the electronic web page, video and so on, therefore, the narrative text of narrative research in the transformation form, at the same time, the variety of narrative media differences and conversion problems also need to be discussed. This paper makes a narratological analysis of the texts of the award-winning works of "Visual data News" for the Global data Journalism Award, and tries to find out the narrative changes of this new form of news text. At the same time, this paper discusses how the different dependent media play a role in it. In the introduction, this paper discusses the background of the data news, the change of the form of the data news, the establishment of the Global data News Award, the significance of the narrative research of the data news works and the research methods. The first chapter makes a detailed combing of the past works of the Global data Journalism Award, and selects ten news works in the four years of 2012-2016 as the research samples according to the needs of the research. The background and content of each sample are introduced in general. The second chapter begins to use narrative theory to study and analyze the text. The second chapter sums up and combs the various narrative languages in the ten works. From the angle of visual narrative and design narrative, combined with the specific text of the News Award, the author expounds the color, shape, map, and so on. Interactive charts and other forms play a role in news narration, excavate the narrative value of new language forms, find out that the visualization methods such as color and map have unique advantages in changing linear narration and highlighting macroscopic narrative. The third chapter explores the differences between data news narration and traditional news narration according to the narrator and narrative perspective of traditional news narrative theory. The omniscient perspective is used in some works with visual charts as the main content. In works in which the power of writing and chart are equal, the perspective of limited knowledge and the perspective of omniscience are combined and applied. The fourth chapter studies the change of time-space view in data news narration. Summary and scene strategy are more common in narrative time, and the use of map becomes the most characteristic content in narrative space. Besides the spatial conversion of story, the media form of web page also expands the spread of content in space. The fifth chapter discusses the level of narrative acceptance. The gameplay narrative method is more attractive to the users. The users get a higher initiative in the visual data news and participate in the narrative process and significance reengineering to a certain extent.
【學位授予單位】：西南大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：G210.7

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