中國(guó)紀(jì)錄片跨文化傳播的困境與出路
發(fā)布時(shí)間:2018-04-28 06:05
本文選題:中國(guó)紀(jì)錄片 + 跨文化傳播; 參考:《電影評(píng)介》2017年19期
【摘要】:正種類繁多的各式文化狀態(tài),在全球化的帶動(dòng)和影響下,相互交流與滲透、沖突而至融合,形成你中有我,我中有你,最終求同存異的分布格局。在跨文化傳播日益全球化與多元化的環(huán)境和過(guò)程中,紀(jì)錄片因其時(shí)空跨越的多維屬性、聲畫結(jié)合的傳播手段、獨(dú)具一格的審美價(jià)值和真實(shí)鮮明的即視感觀,發(fā)揮著其他媒體形態(tài)不可比擬的文化敘事優(yōu)勢(shì)作用。全球化背景下的文化交流與融合,為當(dāng)代中國(guó)電視紀(jì)錄片的創(chuàng)作提供了機(jī)遇,也帶來(lái)了挑
[Abstract]:Under the impetus and influence of globalization, all kinds of cultural states are intercommunion and infiltration, conflict and fusion, and form a distribution pattern in which we have you, we have you, and finally seek common ground while reserving differences. In the environment and process of increasingly globalization and diversification of cross-cultural communication, documentary film, because of its multidimensional attributes of space-time span, the communication means of combining sound and painting, has a unique aesthetic value and a true and vivid view of visual perception. Play the role of cultural narrative advantages that other media forms can not compare. The cultural exchange and integration under the background of globalization provide opportunities for the creation of contemporary Chinese TV documentaries, and also bring about a choice.
【作者單位】: 江蘇科技大學(xué)外國(guó)語(yǔ)學(xué)院;
【分類號(hào)】:G206;J952
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