本文選題：影視作品 + 記者形象�。� 參考：《湘潭大學(xué)》2016年碩士論文

【摘要】：近年來,隨著互聯(lián)網(wǎng)和新媒體的普及,人們愈來愈多地利用媒介,媒介愈來愈多地介入生活,如此,作為媒介職業(yè)人員的記者,其形象越來越受到影視創(chuàng)作者的青睞,許多影視作品中都出現(xiàn)了記者的角色,成為大眾認(rèn)知記者形象的重要途徑。同時(shí),經(jīng)影視作品再現(xiàn)后的記者形象,也是記者形象建構(gòu)的重要組成部分,對(duì)記者的自身建設(shè)和社會(huì)評(píng)價(jià)也有著重要影響。文章以新時(shí)期以來國產(chǎn)影視作品中的記者角色為研究對(duì)象,主要運(yùn)用文獻(xiàn)細(xì)讀、個(gè)案研究和比較研究等方法對(duì)記者的影視形象進(jìn)行研究。在國產(chǎn)影視作品中,記者角色對(duì)劇中新聞事件的參與程度不盡相同,既有事件的全程參與者、局部參與者、臨時(shí)參與者,也有未參與新聞事件者。并且,國產(chǎn)影視作品中的記者形象可謂是豐富多彩,包括了敬業(yè)負(fù)責(zé)的忠實(shí)記錄者、高瞻遠(yuǎn)矚的社會(huì)啟蒙者、勇敢正義的社會(huì)監(jiān)督者、濟(jì)困扶貧的道義擔(dān)當(dāng)者、矛盾苦惱的倫理困擾者、道德淪喪的利益追逐者以及作為記者的普通人。這些記者形象的塑造對(duì)觀眾和記者本身而言具有重大的現(xiàn)實(shí)意義,主要表現(xiàn)在:展現(xiàn)社會(huì)歷史和新聞事業(yè)的發(fā)展變遷;體現(xiàn)對(duì)社會(huì)現(xiàn)實(shí)的人文關(guān)懷;提高受眾的媒介素養(yǎng)。當(dāng)然,國產(chǎn)影視作品中對(duì)于記者形象的建構(gòu)也存在著與現(xiàn)實(shí)脫節(jié)、缺乏深度、模式化、女記者形象的刻板印象等問題,這些問題,可以通過客觀塑造記者形象、堅(jiān)持主流價(jià)值觀的表達(dá)、加強(qiáng)影視創(chuàng)作的創(chuàng)新性及弘揚(yáng)正確的性別觀念來加以解決。
[Abstract]:In recent years, with the popularity of the Internet and new media, people increasingly use the media, media more and more involved in life, so, as a media professional reporter, its image is more and more favored by film and television creators. The role of reporter has appeared in many film and television works, which becomes an important way for the public to recognize the image of journalist. At the same time, the image of the reporter after the reappearance of the film and television works is also an important part of the construction of the image of the reporter, which has an important influence on the self-construction and social evaluation of the reporter. Taking the role of journalist in domestic film and television works since the new period as the research object, this paper mainly uses the methods of literature review, case study and comparative study to study the film and television image of the reporter. In domestic film and television works, the role of the reporter is not the same degree of participation in the news events, both the full event participants, local participants, temporary participants, but also not involved in the news events. Moreover, the image of journalists in domestic film and television works can be described as rich and colorful, including dedicated and responsible faithful records, far-sighted social enlighteners, brave and just social supervisors, and moral and moral actors who are in need of poverty relief. Ambivalent and distressed ethical puzzlers, moral-decaying interests pursuers and ordinary people as journalists. The shaping of the image of these journalists is of great practical significance to the audience and the reporter itself, mainly manifested in: showing the development of social history and journalism; reflecting the humanistic concern for the social reality; improving the media literacy of the audience. Of course, the construction of journalists' image in domestic film and television works also has some problems, such as lack of depth, pattern, stereotype, stereotype of female journalists, and so on. These problems can be achieved by objectively shaping the image of journalists. Adhere to the expression of mainstream values, strengthen the innovation of film and television creation and carry forward the correct gender concept to solve the problem.
【學(xué)位授予單位】：湘潭大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：G214.2
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本文編號(hào)：1811607