本論文通過綜合運(yùn)用空間及亞文化相關(guān)理論探討珍妮弗·伊根小說《惡棍來訪》(2010)中的空間及圍繞空間的文化活動(dòng)。通過文本細(xì)讀的方式,本文探討了同質(zhì)空間及異質(zhì)空間的成型過程并對(duì)空間對(duì)人物的影響及人物對(duì)空間的反應(yīng)進(jìn)行了分析。在此基礎(chǔ)上,本文嘗試揭露小說中的惡棍是為何物以及珍妮弗·伊根的寫作意圖。首先,本文通過回溯了下東區(qū)作為移民聚集地向潮流前線轉(zhuǎn)換的成型過程,由此指出同質(zhì)空間是由占主導(dǎo)地位的經(jīng)濟(jì)與文化所生產(chǎn)。本文進(jìn)而探討了同質(zhì)空間對(duì)人物的消極影響,揭示了時(shí)間并非唯一惡棍,空間中所蘊(yùn)涵的經(jīng)濟(jì)及文化關(guān)系也是惡棍。最后,本文探索了小說中的朋克群體,未來一代及人物薩沙是如何分別通過亞文化資本,網(wǎng)絡(luò)空間技術(shù)及存在主義生存觀創(chuàng)造了異質(zhì)空間。通過聚焦空間與人物的相互關(guān)系,《惡棍來訪》向我們展示了在后現(xiàn)代社會(huì)中有效應(yīng)對(duì)惡棍們來訪的生存方式。

【文章頁數(shù)】：53 頁

【學(xué)位級(jí)別】：碩士

【文章目錄】：
ACKNOWLEDGEMENTS
ABSTRACT
摘要
CHAPTER ONE INTRODUCTION
    1.1 Literature Review
        1.1.1 Studies at Home
        1.1.2 Studies Abroad
    1.2 Thesis Statement and Significance of Research
    1.3 Critical Perspectives
        1.3.1 Homogeneous Space and Heterogeneous Space
        1.3.2 Subculture and Space
        1.3.3 Space of Being
    1.4 Analysis Procedure
CHAPTER TWO THE PRODUCTION OF HOMOGENEOUS SPACE
    2.1 Sanitized Space:the Lower East Side
    2.2 Structured Space:Janitor’s Room and Office
        2.2.1 Structured Space and Body
        2.2.2 Structured Spaces and Objects
        2.2.3 Structured but Homogeneous Space
    2.4 Summary
CHAPTER THREE THE CREATION OF HETEROGENEOUS SPACE
    3.1 A Semiotic Guerrilla Warfare:Punk’s Territory
        3.1.1 Punks’s Devalued Capital:Appropriated Objects
        3.1.2 Punks’Hedged Capital:Fluid Language and Violence
    3.2 X Generation’s Playground:Cyber Space
    3.3 A pause in the Course of Time:Home
    3.4 Summary
CHAPTER FOUR CONCLUSION
WORKS CITED



本文編號(hào)：3750405