論《杰克·邁格斯》中理想男性氣質(zhì)的重塑
發(fā)布時間：2020-12-05 04:42
彼得·凱里是當今國際文壇首屈一指的澳大利亞民族作家,其發(fā)表于1997年的小說《杰克·邁格斯》榮獲1998年的邁爾斯·弗蘭克林獎與英聯(lián)邦作家獎。這部作品以流放犯杰克·邁格斯返回倫敦尋找養(yǎng)子為主線,敘述了邁格斯在帝國遭遇了種種非難與身心折磨之后逃回澳大利亞的故事。本論文旨在借助康奈爾對多元男性氣質(zhì)的分類及其特點分析小說《杰克·邁格斯》中多個男性人物各自所代表的男性氣質(zhì)類型,通過質(zhì)疑維多利亞中產(chǎn)階級支配性男性氣質(zhì),重塑理想男性氣質(zhì),從而驗證男性氣質(zhì)是“社會建構(gòu)”、“制造”以及“再制造”的結(jié)果。運用該理論,本論文首先分析了在當時的維多利亞社會背景下多元男性氣質(zhì)的具體表現(xiàn),然后再結(jié)合文本,分析該小說中多個男性人物各自所代表的男性氣質(zhì)類型及其特點;其次,本論文通過揭露隱藏在維多利亞中產(chǎn)階級紳士支配性男性氣質(zhì)背后的危機與焦慮而對中產(chǎn)階級紳士所塑造的支配性男性氣質(zhì)提出質(zhì)疑;并通過分析他們在道德、經(jīng)濟、家庭等方面的具體表現(xiàn)而詳細論述了他們支配性男性氣質(zhì)的幻滅;最后,本論文從理想男性形象的塑造以及與他人和諧關(guān)系的建立方面詳細分析了杰克·邁格斯的理想男性氣質(zhì)的重塑。通過分析文本中男性氣質(zhì)的表現(xiàn)、幻滅與重塑,...
【文章來源】：內(nèi)蒙古大學內(nèi)蒙古自治區(qū) 211工程院校
【文章頁數(shù)】：66 頁
【學位級別】：碩士
【文章目錄】：
ACKNOWLEDGEMENTS
ABSTRACT
摘要
CHAPTER ONE INTRODUCTION
1.1 Peter Carey and Jack Maggs
1.2 Literature Review
1.2.1 Studies on Jack Maggs abroad
1.2.2 Studies on Jack Maggs at home
1.3 Structure of the Thesis
CHAPTER TWO THEORETICAL FRAMEWORK
2.1 Origin and Formation of Masculinity
2.2 Concept of Masculinity
2.3 Classification of Multiple Masculinities
CHAPTER THREE MULTIPLE MASCULINITIES REPRESENTED BY THE MAIN CHARACTERS IN JACK MAGGS
3.1 Multiple Masculinities of Victorian Era
3.1.1 Social background of Victorian era
3.1.2 Characteristics of multiple masculinities
3.2 Hegemonic Masculinity Represented by Phipps and Oates
3.2.1 Educational experiences
3.2.2 Physical appearance
3.2.3 Family life
3.3 Marginalized and Subordinated Masculinities of Maggs
3.3.1 Strong physique
3.3.2 Abandoned life
3.3.3 Serving subject
CHAPTER FOUR DISILLUSIONMENT OF HEGEMONIC MASCULINITY
4.1 Loss of Phipps' s Hegemonic Masculinity
4.1.1 Moral degeneration
4.1.2 Homosexuality
4.2 Loss of Oates's Hegemonic Masculinity
4.2.1 Presentation of feminization
4.2.2 Confrontation with economic predicament
4.2.3 Break-up of his family
CHAPTER FIVE RECONSTRUCTION OF IDEAL MASCULINITY
5.1 Construction of Ideal Male Image
5.1.1 Manifestation of masculine physique
5.1.2 Performance of manliness
5.2 Construction of Harmonious Relationships
5.2.1 Demonstration of mateship
5.2.2 Establishment of harmonious family life
CHAPTER SIX CONCLUSION
WORKS CITED
本文編號：2898894
【文章來源】：內(nèi)蒙古大學內(nèi)蒙古自治區(qū) 211工程院校
【文章頁數(shù)】：66 頁
【學位級別】：碩士
【文章目錄】：
ACKNOWLEDGEMENTS
ABSTRACT
摘要
CHAPTER ONE INTRODUCTION
1.1 Peter Carey and Jack Maggs
1.2 Literature Review
1.2.1 Studies on Jack Maggs abroad
1.2.2 Studies on Jack Maggs at home
1.3 Structure of the Thesis
CHAPTER TWO THEORETICAL FRAMEWORK
2.1 Origin and Formation of Masculinity
2.2 Concept of Masculinity
2.3 Classification of Multiple Masculinities
CHAPTER THREE MULTIPLE MASCULINITIES REPRESENTED BY THE MAIN CHARACTERS IN JACK MAGGS
3.1 Multiple Masculinities of Victorian Era
3.1.1 Social background of Victorian era
3.1.2 Characteristics of multiple masculinities
3.2 Hegemonic Masculinity Represented by Phipps and Oates
3.2.1 Educational experiences
3.2.2 Physical appearance
3.2.3 Family life
3.3 Marginalized and Subordinated Masculinities of Maggs
3.3.1 Strong physique
3.3.2 Abandoned life
3.3.3 Serving subject
CHAPTER FOUR DISILLUSIONMENT OF HEGEMONIC MASCULINITY
4.1 Loss of Phipps' s Hegemonic Masculinity
4.1.1 Moral degeneration
4.1.2 Homosexuality
4.2 Loss of Oates's Hegemonic Masculinity
4.2.1 Presentation of feminization
4.2.2 Confrontation with economic predicament
4.2.3 Break-up of his family
CHAPTER FIVE RECONSTRUCTION OF IDEAL MASCULINITY
5.1 Construction of Ideal Male Image
5.1.1 Manifestation of masculine physique
5.1.2 Performance of manliness
5.2 Construction of Harmonious Relationships
5.2.1 Demonstration of mateship
5.2.2 Establishment of harmonious family life
CHAPTER SIX CONCLUSION
WORKS CITED
本文編號：2898894
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