【摘要】：《徒然草》是日本遁世文學(xué)的代表作品,因此其圍棋觀也就帶上了作者吉田兼好的遁世觀的色彩,兼好從圍棋中領(lǐng)悟到了自己的人生哲理,對于當(dāng)時(shí)民間的圍棋狀況也做了一些描繪,并且試圖利用佛教去進(jìn)行引導(dǎo)民間的下棋方式和下棋理念。而由于兼好所處時(shí)代本身具有過渡性,加上兼好的下層貴族和行腳僧的身份,使得其圍棋觀也具有了過渡性,這種"過渡性"在日本圍棋文化史上具有獨(dú)特的意義。
[Abstract]:"in vain" is the representative work of Japanese recluse literature, so its go view also takes on the color of author Yoshida's good recluse view, and also understands his own life philosophy from go. At that time, the folk go situation was also described, and tried to use Buddhism to guide folk chess play and the concept of chess. Due to the transitional nature of the era and the identity of the lower aristocrats and monks, the concept of go also has a transitional nature, which has a unique significance in the history of Japanese go culture.
【作者單位】： 湘潭大學(xué)文學(xué)與新聞學(xué)院;
【基金】：國家十三五重點(diǎn)出版物規(guī)劃項(xiàng)目《世界圍棋通史》階段性成果,主持人何云波,項(xiàng)目實(shí)施單位:湘潭大學(xué)出版社 2017湖南省研究生科研創(chuàng)新項(xiàng)目階段性成果(項(xiàng)目編號:CX2017B324)
【分類號】：I313.076
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本文編號：2353789